Gates_The Blackness of Blackness

Page 1: Title Page

  • Title: Figures in Black

  • Author: Henry Louis Gates, Jr.

  • Publisher: Oxford University Press, 1987

Page 2: Copyright and Publication Details

  • Copyright: © 1987 by Henry Louis Gates, Jr.

  • ISBN: 0-19-503564-X

  • No part of this publication may be reproduced without permission.

  • Library of Congress Cataloging-in-Publication Data includes works on American literature, Afro-American authors, and history.

  • Quotes included:

    • Sir Walter Scott: Reflection on the significance of words and signs.

    • Julia Peterkin: Contrast between wealth and knowledge of signs in Black culture.

    • Henry Allen: Assertion about cultural awareness of signs.

Page 3: Introduction to Black Literature

  • Connection between 19th and 20th-century black literature.

  • Sterling Brown as an influential figure within this tradition, termed as "Old Negro" and poet laureate of Afro-American poetry.

  • Quote Highlight: "The Blackness of Blackness: A Critique on the Sign and the Signifying Monkey."

Page 4: Concepts of Signification

  • Signification discussed as a fundamental concept shaped by black vernacular and tradition.

  • Historical Context:

    • Origin of the 'Signifying Monkey' tales tracing back to slavery.

    • Influential figures in jazz who have referenced 'Signifying Monkey'.

  • Gates presents a formal revisionist theory steeped in black cultural context, emphasizing repetition and formal structures.

Page 5: The Trickster and Signifying

  • Signifying Monkey:

    • Trickster figure emblematic of cultural nuances, contrasting racist imagery in the Western tradition.

    • Represents subtleties of language and cultural discourse.

  • Blended Mythology: Allusions to Esu from Yoruba mythology, highlighting connections across cultural narratives.

  • Esu's roles: Divine linguist, master of interpretation, mediator between divine and profane realms.

Page 6: The Role of the Signifying Monkey

  • Definition and Characteristics:

    • Integral to Afro-American discourse, embodies indirect argument techniques and rhetorical strategies.

    • Unique definitions of signifying within black discourse distinct from standard English.

  • Narrative Structure: Examples from folklore illustrating indirect communication through the Signifying Monkey often leading to humorous or ironic outcomes.

Page 7: Female Perspectives on Signifying

  • Zora Neale Hurston’s contributions to the understanding of signifying in both male and female contexts.

  • Feminine narratives signifying on gender dynamics within their structure, reflecting liberation and criticism of oppressive narratives.

  • Focus on indirect communication and the complex dynamics of gender in language opposed to traditional representations.

Page 8: Narrative Parody and Pastiche

  • Highlighted examples of pastiche within Afro-American literature showing how authors transform previous narratives to create new meanings.

  • Illustrations of parodying from various literary works that signify through form and structure, showcasing a rich intertextual relationship.

Page 9: Relationships and Responses in Literature

  • Echoes of Wright in Ellison’s Works: Ellison's response to Wright’s naturalism signifies an evolution of the narrative voice in Afro-American literature.

  • Various authors responding to predecessors exemplify the nature of literary critique and the ongoing dialogue within black narrative traditions.

  • Elements of Formal Signifying: Narrative futures are shaped through past relationships, continuously redefining Afro-American literary identity.

Page 10: Intertextuality and Hidden Polemics

  • Concept of Hidden Polemic: How Reed's work engages in a dialogue with literary history, revealing the tensions inherent in Afro-American cultural narratives.

  • Relationship between Afro-American texts and their Western counterparts as dynamic and mutually influential.

  • Reed's critique through satire and pastiche creates new spaces for black voices and narratives.