Key notes on modern productions AO5
Summary of key points:
Iqbal Kahn's 2017 Production
Cleo is an African American woman - challenges earlier Orientalist/exotic depictions
She's also a mature woman, older
She strips to nothing before putting on her robe and crown
Mocks Caesar in an affected baby voice
'queen and jester'
Stagecraft:
Sea battle has comical oversized model boats
Egypt very stylised with dance and ritual, Egyptian dancers wearing masks
Music:
Rolling drums, reedy squeaks, erotic twangs and shimmering gongs
Michael Boyd's 2010 Production
Modern dress and staging
Rome | Egypt |
Military uniform and suits | Flowing, organic style |
Cool lighting | Warm lighting |
Antony changes to looser styles in relation to his crumbling Roman values
Blanche McIntyre's 2024 BSL Production
Captions appear on screens
Different fonts for Egyptians and Romans
When a character dies their words on screen crumble and fade away
Language as a cultural division - a vivid physical representation of the divide
Gregory Doran's 2007 Production
Cleopatra is a significantly older woman (she died at 39 so this is more accurate than a young boy playing her in Jacobean times)
Harder to combine her contradictory qualities of childishness/impetuousness
But Antony is also significantly older, Cleopatra is looking up to him - creates an interesting power dynamic