Module 2D-PPT

Types of Lighting

Introduction

  • Photographers need to photograph a wide variety of subjects, including people, products, landscapes, and real estate.
  • Lighting is a key aspect of creating great images.
  • Photographers need to master various lighting tools and techniques.
  • Decisions regarding lighting tools and their placement are important to achieve the desired effect and overcome obstacles.

Main Light

  • The main light can be either an artificial or natural light source.
  • Its primary job is to illuminate the subject.
  • The main light can create either flat or directional lighting.
Flat Lighting
  • Flat lighting strikes the subject straight on from the front.
  • It produces little to no real shadows.
  • Flat lighting is useful for photographing large groups to avoid uncontrolled shadows.
Directional Lighting
  • Directional lighting creates a light side and a shadow side.
  • The main light is used to create highlights and shadows.
  • It defines a lighting style and pattern.
  • Example: Placing the main light at camera right at 45 degrees.
  • Highlight and shadows are created by skimming across the subject's surface, which brings out detail.
Catchlights
  • Catchlights are the reflection of the light source in the subject's eyes.
  • They add a desirable touch by bringing life to the eyes in a portrait.
  • The main light should be placed high enough for the catchlight to appear at the ten o'clock or two o'clock position in the eyes.
  • A single light source placed at 45 degrees can illuminate the subject, creating contrast from shoulder to shoulder.
  • A fill light or reflector can be used to raise the illumination of the shadow side.

Fill Light

  • The fill light controls the contrast of highlight and shadow created by the main light.
  • It usually has a larger light modifier.
  • It is placed behind the camera position.
  • Increasing the power of the fill light reduces contrast.
  • Decreasing the power of the fill light increases contrast.

Background Light

  • Background light illuminates the background.
  • It adds depth or separates the subject from the background.
  • It is usually placed behind the subject and toward the background to create a desirable pattern.

Hair Light

  • Hair light illuminates the subject’s hair.
  • It separates the subject from the background.
  • This is especially important when photographing a subject with dark hair against a dark background.
  • Hair light is usually placed above and slightly behind the head.

Rim Light

  • Rim light is the bright, outer glow of light coming from the backside of the model.
  • It provides separation from the background.
  • It is placed behind the head and directed to the back.

Accent Light (Kicker Light)

  • Also known as a kicker light.
  • This specialty light defines and sculpts the subject.
  • It adds a strong highlight from behind the subject which adds interest, creates form, or separation.
  • Kicker lights are often created using a strip light or softbox placed behind the subject at about 45° and pointing back towards the subject.

Lighting Patterns

Broad Lighting
  • The broad lighting pattern illuminates the side of the face that is closest to the camera.
  • Achieved by placing the main light to the right of the subject, with the subject's head turned to the left.
  • Placing the light on the same side as the visible ear produces this light pattern.
  • It will make the face appear more full and round.
Short Lighting
  • The main light is moved to the opposite side.
  • The subject turns away from the light and the camera.
  • Short lighting tends to be the most flattering light on a subject.

Additive and Subtractive Light

Additive Light
  • Using light to sculpt the subject requires directional light that skims and rakes across the subject to create form, shape, and texture.
  • When shadows are too deep or strong, additional light is required to illuminate those areas.
  • The fill light is often used to add light, or a reflector can be used.
Subtractive Light
  • Using a subtractive lighting technique, the photographer blocks unwanted light or reduces the amount of incoming light to achieve the desired result.
  • Example: Moving to a covered walkway as a canopy to block overhead light, redirecting the light to the side.
  • Another example is shading a flower with a black poster board to get softer lighting.
Using a Flag
  • A flag is used to eliminate some of the light from striking the background.
  • The flag is placed between the main light and the background to keep the light off the background.