Chapter 8: Developing Musicality in Elementary Students

Introduction

  • Some students possess an innate musical sense and play musically, while others only achieve correct notes and rhythm independently.

  • There are students who display technical skills without an interest in musical expression.

  • Teacher's Role:

    • For innate students: Make them aware of their musical instincts to use them effectively.

    • For non-musical players: Teach and develop musicality.

Communicating Musically

  • Even elementary students can communicate musically. Key steps include:

    • Learning to produce a musical, expressive sound.

    • Overcoming technical difficulties that interfere with musical communication.

  • Elements that go beyond correct notes and rhythm bring music to life.

  • Teachers can approach pieces differently:

    • Assign pieces for faster tempo, louder dynamics, varied articulation, or use of pedals to enhance musicality.

Enhancing Musical Experiences

  • Beyond repertoire, many experiences contribute to becoming musical:

    • Discovering music communicates mood or emotion and creates character.

    • Learning to listen to one's own playing.

    • Understanding music construction (music literacy or theory).

    • Creating their own music.

    • Playing in ensembles.

Mood, Emotion, and Character in Performance

  • Students must associate mood, emotion, and character with each piece to achieve musical performances.

  • A musical performance tells a story or paints a picture, necessitating students to grasp the composer's intent through imagery.

  • Example: "Giant Vines Growing" illustrates the growth from low to high registers, with dynamics increasing from mp to ff that reflect the plant's size.

  • Understanding imagery can encourage musical playing.

Example Analysis

  • Example 8.1: "Giant Vines Growing", by Jon George.

    • Describes movement from low to high, symbolizing plant growth.

    • Dynamics emphasize the plant's characteristics.

  • Example 8.2: "A Secret", from The Music Tree: It focuses on dynamics (piano) and stimulates students' imagination through questions related to secrets and whisper tones.

Engaging Students with Questions

  • Questions to engage students include:

    • How do you tell a secret (loudly or softly)?

    • What actions accompany secrets?

  • Encouraging students to imagine their experiences enriches their musical performance.

Impact of Teacher’s Enthusiasm

  • Teachers can elicit interest by expressing their own love for pieces, commenting positively such as:

    • "I just love this piece!"

    • "Doesn't this sound exciting?"

Addressing Generic Titles

  • Complex titles like sonatina may not evoke clear images.

  • Discussing tempo indicators (Allegro, Andante) helps recognize musical character via a repertoire of descriptive words.

  • Educators can expand limited definitions of terms like Allegro to include words indicating mood (joyful, ecstatic).

Developing Touch and Expression

  • Teachers can prepare lists of descriptive nouns, adjectives, and verbs to help students develop varied touches and interpret dynamic shifts. Example descriptors include:

    • Joyful, powerful, terrifying, sneaky.

  • Methods to inspire imagination:

    • Describe music as a rubber band or ask for delicate sounds by touching keys lightly.

    • Movement assignments like pretending to pick up a feather to invoke specific sound dynamics.

Importance of Aural Development

  • Critical listening to one’s playing develops beautiful sounds and improves musicality.

  • Ear development includes:

    • Understanding musical content,

    • The ability to learn music progressively.

  • Regular aural experiences are essential for ongoing skills development.

Playing by Ear

  • Playing familiar songs by ear nurtures natural ear development, with instructions on:

    • Starting intervals and key placements.

  • Specific examples like:

    • "Old MacDonald Had a Farm" (F-sharp) can be played entirely on black keys.

  • Ensemble methods include:

    • Harmonizing melodies using tonic and dominant chords, e.g., "Itsy Bitsy Spider."

Listening to Sound

  • Alongside playing, prompting students to describe the sound quality encourages growth in audiation skills.

  • Provocative questions to stimulate self-listening include:

    • Was your performance soft or loud? How many phrases did you hear?

Modeling Good Musical Sounds

  • Teachers should demonstrate effective musical sounds through performance and recordings.

  • Students need to critique and adjust their playing based on hearing comparisons.

Aural Development with Study Pieces

  • Aural training linked to study pieces reinforces concepts directly related to music being learned.

  • Teachers can engage students in identifying musical elements through listening exercises.

Creating Aural Drills

  • Aural drills can cover concepts such as:

    • High/Low, Loud/Soft, and Rhythm Patterns.

  • Drills should clearly state listening objectives and vary their presentations for optimal retention.

  • Individual reactions to drills may include singing responses, clapping, or movement matching the sounds.

Categories for Aural Drills

  • Teaching methods can involve identifying similarities and differences in musical ideas, flashcard exercises, clap-back or tap-back, and counting rhythmic notation.

  • Each of these builds aural competency against concepts explored.

Using Synthesis with Compositions
  • Listening approaches intertwined with compositional development help solidify learning concepts through practical application (e.g., creating compositions reflecting learned elements).

The Role of Music Literacy

  • Music literacy enhances performance comprehension, allowing students to bond theoretical knowledge with interpretive skills.

  • Exercises can include recognizing patterns and scale segments relevant to pieces.

Engaging Creative Activities

  • Creative activities enhance students’ musical communication, which can manifest as improvisation or composition. They help nurture:

    • Musical imagination

    • Self-expression

    • Increased understanding of musical structure.

  • Suggested activities can include:

    • Making pieces about familiar experiences like raindrops or hot potatoes—focusing on staccato.

Creative Activities and Improvisation

  • Facilitating both improvisation and composition allows students to express their creativity dynamically.

  • Improvisation exercises can be scaffolded to encourage student explorations while respecting their skills.

Encouraging Improvisation
  • Simple exercises can focus on matching emotional responses to specific improvisatory tasks.

  • Examples illustrate using body language to inspire music creation.

Structured Improvisation

  • Students can explore improvisation relating to realism (e.g., imitating daily life scenes).

  • Improvisations could link characters from stories to pieces played on their instrument.

Implications of Body Movement on Learning

  • Merging physical expression with music creation encourages bodily learning and adds clarity to students’ musicality through movement-based improvisation.

Summation of Improv

  • All improvisational engagements broaden students' musicality, developing skills which they can lean into appropriately.

  • Acknowledgment of gradual learning through continual engagement with creative and structured musical tasks leads to holistic development of musicianship.