The consistency of the rhyme scheme allows the fifth line to stand out, emphasising itâs message. the consistency of the rhyme scheme shows the monotony of war.
Owen builds rich imagery throughout the stanza and then the simple fifth line creates an anti-climax. This mirrors the way in which the soldiers must stay constantly alert, yet nothing ever happens. This highlights the futility of war
Owen creates an underlying atmosphere of unease through the pararhyme between âwinds that knife usâ and âcurious, nervousâ. By only rhyming the consonants, Owen leaves the reader feeling unsatisfied to mirror the soldiersâ feelings of unease. The reader is left anticipating a rhyme the same way the soldiers are on edge anticipating a battle.
This unconventional use of rhyming creates the impression that the poem is only being kept together, just like the soldiers are only just coping.
The last line of the first and last stanza is âbut nothing happensâ which connects the end and the beginning of the poem to emphasise the fact that nothing has happened in that time
The speaker repeats âbut nothing happensâ to emphasise the futility of war. the situation remains the same despite their suffering so they arenât achieving anything. this leads the speaker to question âwhat are we doing here?â. It is often interpreted that Owens wasnât objecting to war itself but against unnecessary wars and poor leadership
Owen uses punctuation to separate home from the trenches. the colon used in âslowly our ghosts drag home: glimpsing the sunk firesâ depicts the soldiers to be imagining the warmth of their homes. Yet there is a barrier between the two places as they cannot return and must instead stay and fight in the cold
the first three lines end with ellipses to emphasise the waiting and boredom of the soldiers. Owenâs use of ellipses slows the pace of the poem to force the reader to experience the same frustration as the soldiers due to their suffering being stretched out with time.
Owen presents the soldiers to be carrying out their moral duty to protect the innocent people at home; the speaker says âfor love of God seems dyingâ. Owen uses a contemporary listenerâs association if Christianity with morality to show the soldiersâ selflessness. This can be tied to the idea of Jesus suffering and dying to save humanity. A similar sense of acceptance of death is shown âwe turn our back to dyingâ.
The poem could also be interpreted to show the soldiers losing their love for God. Their faith is âdyingâ as it is difficult to reconcile the theory of a benevolent God with the reality of conflict. This links to Owenâs short career in the church resulting in his view of it being hypocritical.
sibilance is used in âsudden successive flights of bullets streak the silenceâ to position nature as the enemy. this sibilant consonants mirror the sound of gunfire which shows the reader that the snow us the real threat as snowflakes slice through the air in the same way as bullets. This breaks the silence previously described.
It appears the battle the soldiers were waiting for is not with the opposition but with nature instead. The snowfall is not the âdull rumour of some other warâ, it is an immaculate threat. The sinister atmosphere is perpetuated by the serpent like connotations of the sibilance used.
Nature symbolises the antagonist throughout the poem to imply that nature is an even bigger threat than the actual enemy.
In âdawn massing in the east her melancholy armyâ, Owen juxtaposes the nurturing role traditionally associated with a female nature figure with the aggressive connotations of an army
Simultaneously, Owen minimises the significance of the actual fighting occurring. He makes a direct comparison by describing the actual battle as âless deadly than the air that shudders black with snowâ which, through the deathlike connotations of the colour black, ironically suggests that the soldiers have gone away to fight with nature instead of the opposition
The ongoing battle is further presented to be insignificant through Owenâs use of auditory imagery in âgunnery rumblesâ and âlike a dull rumour of some other warâ
reality of war
The passage of time is represented by the description of the season changing from âsnow-dazedâ to âsun-dosedâ with âblossomsâ and âblackbird fussesâ. This shows how long they are in the trenches for just waiting.
Owen often conveys the despondency felt by the soldiers who believe that they are being forgotten. The metaphor âon us the doors are closedâ implies that as those at home in safety carry on with life as normal, they forget about the soldiers dying for them.
Owen laments the military leadersâ view of soldiers as dispensable by depicting the soldiers as indistinguishable from mud in âthis frost will fasten on this mud and usâ
Owenâs description of the environment is indicative of an individual in a great deal of pain. He negatively personifies the wind as âmad gusts tugging on the wire like twitching agoniesâ and the wire is referred to as âbramblesâ
The soldiers are unable to sleep due to their fear driven constant state of alertness. The speaker states that âwearied, we stay awake because the night is silentâ as if they are scared to sleep even though â nothing happensâ
The second there is a lapse in their concentration, the âdull rumour of some other warâ poses a threat.