Independent Watchmaking Notes

Independent Watchmaking: An Incredible Day With Czech Watchmaker Ondřej Berkus

Introduction

  • The article is based on a personal visit to Ondřej Berkus, a self-taught Czech watchmaker.
  • The author aims to provide an intimate look into Berkus's life and motivations, rather than a typical Q&A or discussion of watchmaking philosophy.

Off to Czechia

  • The author describes the journey to Czechia, noting the flat landscape in contrast to the Austrian mountains.
  • The destination is the workshop of Ondřej Berkus, described as a "watchmaking wizard."

How We Got Here

  • The visit was initially planned for October 8 but was moved earlier based on the advice of @aguy2watch.
  • @aguy2watch emphasized the unique opportunity to see many finished watches assembled in one place.
  • The author had previously met @aguy2watch and @watchcph, who both spoke highly of Ondřej Berkus.
  • The meeting was arranged to understand Berkus's watchmaking philosophy and explore potential future projects.
  • Berkus was exceptionally welcoming and agreed to clear his schedule for the visit.

First Impressions

  • The author travels to northeastern Czechia, near the Polish border.
  • Ondřej Berkus is described as a "petrolhead" with a love for fast cars, especially Alfa Romeos.
  • Berkus plans to acquire a Giulia Quadrifoglio and have it tuned for extreme performance.
  • Berkus celebrates life with a "why the fuck not?" attitude.
  • He balances his passions with responsibility towards his wife.

Materialistic Targets

  • Berkus has several materialistic goals:
    1. A large two-car garage with a bar and couches, which he refers to as a "mancave."
    2. A proper workshop.
    3. A stable for his horses with space to train them for reining competitions.
  • Once these goals are met, passion will dictate his projects, without financial pressure.
  • He acknowledges a long waiting list for his watches (past 2035 or 2040).
  • He expects some people to drop off the waiting list due to life circumstances or changing interests.
  • He desires clients who are patient and understanding.
  • Freedom from corporate constraints and rigid timetables is crucial to him.

Watchmaking Magic

  • Upon arriving at the workshop, the author is offered coffee.
  • @aguy2watch encourages the author to examine all the watches.
  • Six Ondřej Berkus creations are presented, including @aguy2watch's one-second remontoir.
  • These watches were part of a trip to the US to hand-deliver them to clients.

Complications and the Central Tourbillon

  • The watches feature innovative complications like remontoir, sonnerie au passage, chronograph, retrograding date, and power reserve.
  • The newly-completed central tourbillon stands out.
  • The tourbillon's design is inspired by the idea of a watch made by an ancient, technically advanced civilization.
  • It is housed in a 38mm case made of silver and copper Mokume-game, a Japanese metalworking technique that creates a wood grain pattern.
  • The dial is crafted from a curved piece of blued meteorite, forming a toroidal ring around the central tourbillon.
  • Dart-shaped hour markers represent light being sucked into a black hole, symbolizing the event horizon.
  • A hand-bent steel hand with a 0.15mm clearance above the meteorite indicates the hours, while minutes are inferred from shorter hashes.
  • The caseback features an intricate engraving depicting an Aztec in a spaceship looking at a stepped pyramid on a screen, with another screen showing a space traveler being attacked by a Godzilla-esque monster.
  • @aguy2watch suggests engraving the crown with a relief matching the caseback.
  • The rim of the balance wheel and the hours hand are lumed.

Digging Deeper Into the Workshop, Part 1

  • Ondřej discusses the parts he sources from suppliers, maintaining transparency.
  • He orders sapphire crystals, Incabloc shock absorbers, jewel bearings, gaskets, and rough-machined cases.
  • He intends to make his own springs eventually, similar to the Breguet pare-chute system.
  • The rough cases require significant work on the lathe to achieve the desired finish.
  • Everything else is made in his workshop.
  • Ondřej shows his "dream diary," filled with sketches of future projects.
  • He uses irreverent titles for his projects, contrasting with the mainstream watch industry's self-important naming conventions.
  • He has a tourbillon escapement named the BFT.
  • One fully realized concept is a chronograph with two escapements: a tourbillon for timekeeping and a 5Hz escapement for the chronograph, similar to the Zenith Defy El Primero 21.
  • The author asks if the double escapement chronograph can fit into a rectangular case with a spherical moonphase.

Dial Materials & The "Berkus" Touch

  • The group discusses various dial materials.
  • Ondřej offers @aguy2watch a piece of mammoth tusk as inspiration.
  • Mammoth tusk can be polished to a mirror shine, resembling grand feu enamel.
  • @aguy2watch values the "Berkus" touch.
  • The "Berkus" touch is described as something intangible yet undeniable, connecting all his watches despite their differences.
  • Ondřej considers himself an alchemist, transforming materials into something remarkable.
  • He uses materials like Damascus steel, Mokume-gane, tantalum, and blued titanium in unique ways.
  • He applies a frosted finish to a steel case flank.
  • The feeling one gets when handling the watches is unique.
  • Ondřej has a house style: sub-40mm watches in cushion cases with minimalist bezels, laser-etched subdials, retrogrades, and a remontoir.

Gem Setting and Technical Design

  • Ondřej is open to gem setting but wants to do it in a unique way, such as using baguette-cut sapphires.
  • @aguy2watch questions whether gem-setting fits the Berkus brand.
  • The author suggests a moonphase made of a solid sphere of sapphire, which intrigues Ondřej and @aguy2watch.
  • Ondřej uses AutoCAD software for technical design and fine-tuning mechanisms.
  • He learns by doing, visualizing movements in his head before machining.
  • He shows the interaction of a snail cam, program wheel, and toothed rack for a retrograding date in a perpetual calendar movement.
  • He shows a five-year-old sketch of the "Black Hole Tourbillon," which he was now able to realize due to his improved skills, including the use of Mokume-game.
  • Ondřej has a fully realized vision for each project.
  • A jumping hours window was planned for the "Black Hole Tourbillon" but was simplified in the first version.

Digging Deeper Into the Workshop, Part 2

  • Ondřej expresses his dislike for bad weather, showing his direct and candid personality.
  • His watches reflect his personality.
  • He estimates that a simple time-only watch takes three weeks to complete, working eight hours a day (which he rarely does due to distractions).
  • The central tourbillon takes two months to complete.
  • He explains the increased complexity and precision required for tourbillon movements.
  • He has four tourbillon watches ahead of him in 2023.
  • He had not realized the reasoning behind my answer of time needed until explaining.
  • In the second room of the workshop, Ondřej operates lathes and performs machining.
  • He collects gold shavings for his goldsmith to melt down and subtract from his bill but doesn't do the same for brass due to its low material cost.

Surreal Success

  • Ondřej expresses disbelief at how he has reached the point of crafting and delivering unique watches.
  • He is still processing the overwhelming response to his work, which has gained momentum since late 2021.
  • The author prepares to leave for the train station.

Closing Thoughts

  • The conversation returns to cars.
  • Ondřej is asked about expanding his business and team.
  • He would like a finisseur to handle the repetitive finishing work, as his passion lies in machining.
  • He is hesitant to hire employees due to the responsibility of providing for them and their families.
  • He would only hire if he had the financial cushion to do so.
  • He expresses his belief in karma and doing good, expecting that someone is looking out for him.
  • The author believes in Ondřej's sincerity and looks forward to returning to his workshop.
  • Thanks are given to Ondřej and his wife for their hospitality.