week 3
9/9
choirs and orchestra
examples: O fortuna and battle of the fates
gospel choir: lots of call and response, invites crowd to sing as well in a form of worship
orchestra: any performing body of diverse musical instruments- can be vocal orchestra, chamber orchestra
western orchestra: strings at the core (violins)
conductor: keeps time, qeues people, leads the music, determines the final interpretation of the music
concert master: first violinist, the middle point of the conductor and the musicians, leader in the actual orchestra
bands: groups without the strings: woodwinds, brass percussion, marching band, rock band,
chamber ensemble: ensemble of 2+ musicians with no conductor, usually one person to a part/instrument
Elements of Music: Rhythm, Melody, Harmony, Form
Dissonance- tension, harsh, crowded, not pleasant to hear, intensity
Consonance- release after dissonance, calm, pleasant
Rhythm: organization of time
Tempo: pace of music
Beat: pulse/heartbeat
Meter/Measure: patterns of beats, strong downbeat (first beat, helps differentiate)
Metric patterns: duple meter (2 beats), Triple meter (3 beats)
Subdivision: simple beat- beat divided into 2; compound beat- beat divided into 3
Polyrhythm- multiple rhythms overlaid on top of each other
Syncopation: emphasis on weak/off beats instead of downbeat; common in jazz
Pitch= frequency; vibrations per second, measured in Hz per second
Perception of pitch depends on frequency and speed
Melody= succession of single pitches head as a recognizable whole
Location on staff = frequency
Shape of note = duration
Sharp= raised pitch
Flat= lower pitch
Range= distance between highest to lowest notes, shown on shape of notes on staff
Contour= overall shape melody takes
Conjunct= small leaps, Disjunct= separated, larger leaps
Interval= distance between two pitches
octave aka C to next C
Perfect 5th
Tritone
Cadence= musical punctuation, end of thought; dominant cadence- between 4th and 5th chord
Countermelody= independent melodic idea separate from main melody; counterpoint- interaction of both melodies
Scale= building blocks of melody; patterns of notes within one octave
Major Scale= ionian mode, CDEFGABC,
Minor Scale= Aeolian Mode, CDEbFGAbBbC,
Pentatonic Scales= five notes scale, can be major or minor; more folky
melody
phrases have a question (call) and an answer (response)
dominant is the first part of the phrase (the call) and the tonic is the response
texture
monophony: single voice
homophony: single voice and chordal accompaniment
polyphony: multiple voices with a melody and countermelody (counterpoint, multiple voices doing different things)