💥 Reception & Controversy

  • Premiered Copenhagen, Dec 1879.

  • Highly successful but controversial.

  • Clement Scott doubted English audiences would accept its ideas.

  • Strindberg claimed it reshaped views of marriage.

  • Petersen argued society needs divine ideality.

  • Ibsen’s ambiguous endings were unusual.

  • Nora dominating stage action was radical.

  • The ending “exploded” into public life (later commentary).