Character Types in Literature
Static Characters:
- St. Louis de Montfort (consistent devotion)
- Death in "Appointment in Samarra" (inevitable fate)
- Emily Grierson in "A Rose for Emily" (resistant to change)
- Harold Krebs in "Soldier's Home" (emotionally detached)
- The dog in "To Build a Fire" (instinctual, unchanged)
Dynamic Characters:
- Narrator in "33 Days to Eucharistic Glory" (spiritual growth)
- Mrs. Mallard in "The Story of an Hour" (experiences freedom then tragedy)
- Sammy in "A & P" (internal shift and defiance)
- Unnamed man in "To Build a Fire" (realizes limitations too late)
- Miss Brill in "Miss Brill" (realization of loneliness)
- Narrator in "In Love or Out of Love in Sarajevo" (complex reflections)
Round Characters:
- The narrator(s) in devotional processes (complexity through experience)
- Emily in "A Rose for Emily" (conflicting emotions)
- Narrator in "In Love or Out of Love in Sarajevo" (reflective nature)
Flat Characters:
- Supporting figures that do not develop significantly, e.g., Josephine and Richards in "The Story of an Hour"; townspeople in "A Rose for Emily"; Stokesie and Lengel in "A & P"; background characters in "In Love or Out of Love in Sarajevo".
Foil Characters:
- Servant vs. Death in "Appointment in Samarra" (contrast of human nature)
- Brently Mallard as a foil to Mrs. Mallard's independence
- Homer Barron vs. Emily (traditional vs. modern values)
- Lengel's conformity versus Sammy's defiance in "A & P"
- Young couple in "Miss Brill" contrasting with her isolation.