Class Notes on Dr. Caleb Luna's Presentation and Course Announcements

Housekeeping Announcements

  • Change in Requirements:

    • Due to the cancellation of Dr. Ana Martinez's session, assignment requirement changed from three out of five to two out of four essays.

    • Dr. Martinez will still attend Week 10, but students only need to submit two essays.

    • Students may submit more than one essay if they choose.

  • Quiz Notification:

    • A quiz is scheduled for tomorrow, available from 10:00 AM to 10:00 PM.

    • Quiz will focus on the artists Mesa Beins, Ibarra Frausto, and Tomas Ibarra Frausto, specifically regarding the visual art discussed in recent classes.

    • Each student is allowed one quiz grade to be dropped.

Guest Speaker Introduction

  • Speaker: Dr. Caleb Luna

    • Acknowledged for their generous contribution despite busy academic schedules.

    • Dr. Luna's courses are typically held on Mondays and Wednesdays; special exception for this Thursday meeting.

  • Background Information on Dr. Luna:

    • Profession: Writer, performer, and educator.

    • Achievements: Award-winning educator; best-selling author of the book "Revenge".

    • Podcast: Co-host of "Unsolicited Fatties Talk Back".

    • Education: Holds a PhD in Performance Studies with emphasis on Gender and Women’s Studies from UC Berkeley.

    • Former UC president and Mellon Foundation post-doctoral fellow.

    • Currently serves as Assistant Professor at UC Santa Barbara in Feminist Studies.

    • Director of the LGBTQ Studies minor.

    • May discuss upcoming courses in future quarters for student interest.

Presentation by Dr. Caleb Luna

  • Contextual Foundation:

    • Engage with the normative or acceptable erotics of various activities and practices.

    • Explore how minoritarian subjects access identity, connection, pleasure, joy, and resistance.

  • Key Reference:

    • Quote from anthropologist Nina Doss regarding sharing experiences of violence: "What is it to pick up a piece of… and live in this very place?"

    • Explores themes of racial and sexual rejection.

  • Artistic Examples:

    • Discusses a seven-minute bilingual digital performance by Morgan Wood, a fat nonbinary Chicanx vocalist.

    • Video: "Desairo Penaisa" presents themes of queer Latinx erotics, shifting from notions of holiness to freedom and community.

    • Visual depiction of intimacy through artistic expression:

    • Scenes include close physical contact and mutual presentations of desire and intimacy.

    • Highlights the dynamics of body image, societal perceptions of fatness, and connection.

    • References cultural figures across various identities that showcase complex manifestations of oppression and opportunities for identification.

  • Analysis of Aesthetics and Erotics:

    • Proposes examining the aesthetics of pleasure and survival amid cultural anxieties.

    • Discusses complications of gender and race intersections, highlighting the complexities within these topics.

    • Recognizes that discussions around gender should be expansive and inclusive of various identities.

Audience Engagement

  • An open session for questions and comments was initiated post-presentation.

  • Question on Excess as an Aesthetic:

    • Discusses how excess relates to ideals of unfettered expression and access in cultural contexts.

    • Mentioned that fatness is often racialized and must be reconciled with historical context involving notions from fitness culture and colonial values.

    • Exploration of the history and impact of the Body Mass Index (BMI), asserting that it was not originally a health indicator but became distorted in societal usage.

    • Experiences related to being labeled as 'fat' typically evoke a sense of guilt or shame, affecting a wide demographic.

  • Discussion on Body Positivity vs. Fat Liberation:

    • Critiques the colonization of the fat liberation movement into a strictly body positivity narrative that disconnects historical oppression from personal experience.

    • Emphasizes the need to connect individual body narratives with communal and historical experiences of oppression.