Study Notes on Art of Central and South America (1100-1550)

Chapter 42: Art of Central and South America (1100-1550)

Vocabulary Terms

  • Adobe

    • Definition: Made of sun-dried clay, usually combined with organic materials.

  • Ashlar

    • Definition: A stone wall masonry technique using finely cut square blocks laid in precise rows, with or without mortar.

  • Camay

    • Definition: The power flowing through all things, perceived as the general life force flowing throughout the world in constantly shifting patterns.

  • Course

    • Definition: A layer of bricks or other building units arranged horizontally along a wall.

  • Dry Masonry

    • Definition: A construction technique in which stones or bricks are fitted together so tightly that no mortar is needed.

  • Inlay

    • Definition: Decoration embedded into the surface of a base material.

  • Kero

    • Definition: An Andean decorated drinking cup, typically used during feasts.

  • Khipu

    • Definition: A group of knotted cords of different colors, utilized by the Inka for record-keeping purposes.

  • Monumental

    • Definition: Having massive or impressive size or extent.

  • Register

    • Definition: A horizontal section of a work, usually a clearly defined band or line.

  • Three-Dimensional

    • Definition: A work of art that possesses length, width, and depth, allowing it to be experienced in the round.

  • Tinkuy

    • Definition: The force inherent in a location where two powerful elements meet; often found at the juncture of two significant forces characterized by complementary opposition.

  • Tocapu

    • Definition: Geometric motifs used on Inka rulers' garments and other high-status clothing; collectively, these motifs form checkerboard patterns.

  • Warp and Weft

    • Definition: In textile weaving, "warp" refers to the stationary vertical threads held taut on the loom, while "weft" refers to the yarn woven horizontally over and under the warp threads to create cloth.

  • Huacas

    • Definition: Spaces that have a concentration of camay, reflecting their significance in the cultural or spiritual context of the region.