Early Photography Notes Lecture 1 Notes

Early Photography

Introduction to Photography

  • Definition of Photography:

    • Photo (from Latin) means light.

    • Graphi means writing.

    • Photography is essentially writing with light; capturing light onto a permanent medium.

    • Early photography was more akin to a chemistry experiment than modern digital photography.

Camera Obscura

  • Camera Obscura:

    • Discovered before photography.

    • Artists used it to project images for tracing.

    • Literally translates to "dark room."

    • Invented in the 15th century.

    • Light enters through a small hole, projecting an inverted image onto a surface.

    • Famous artists like Vermeer used it to capture landscapes accurately.

Early Photographic Experiments

  • 1826: Niepce's Heliograph

    • Considered one of the earliest successful attempts at recording a scene.

    • Frenchman Niepce used a heliograph to cast light onto a pewter plate.

    • The pewter plate was chemically treated to react to light particles.

    • Resulted in a blurred image of the scene outside his window.

  • Heliography

    • Invented around 1822 by Niepce.

    • A photographic process involving engraving using a sensitized silver plate.

    • The silver plate is treated with asphalt or bitumen varnish.

    • The engraving is made with light.

    • Required about eight hours of exposure time.

    • Not practical for portraiture due to the long exposure time.

Daguerreotype

  • Daguerre and His Invention:

    • Daguerre, a stage artist, sought a technique to aid in stage setting.

    • Developed a more mature way of recording light, named after him - Daguerreotype.

    • Used light-sensitive copper plates coated with silver iodine.

  • First Image - Still Life:

    • The first image he tested was a still life.

    • Still life was a common theme in Europe, featuring precious objects.

    • The focus was on capturing different textures and details.

    • The image quality was far superior to Niepce's heliograph.

  • Why Still Life?

    • The choice of still life allowed for showcasing the ability to capture light and shade in detail.

    • Particularly, it demonstrated how to reveal shapes and textures.

    • The goal was to show the invention's capability to capture reality, potentially replacing painting.

    • The graduated tones of light and shade could be effectively captured on sculptures.

  • 1839: Daguerre's Breakthrough

    • View of the Boulevard du Temple.

    • Exposure time ranged from five to sixty minutes.

    • Only stationary objects and people were captured.

    • The image was crisp and clear, recording details, buildings, and trees.

    • The Academy of Science and Arts in France recognized Daguerre's invention, heralding it as a world-changing creation.


Daguerreotype and Calotype Lecture 2 Notes

Daguerreotype

  • New invention, not yet mature.

  • Requires many parts:

    • Camera obscura (main part).

    • Dark box.

    • Silver plate (for recording light particles).

    • Chemical treatments (e.g., iodine).

    • Sliding legs, developing equipment, etc.

  • Not portable compared to modern phones.

  • Requires more than one person to operate.

  • Samuel Morse:

    • Inventor of the telegraph.

    • In Paris when daguerreotype was announced.

    • First to communicate the discovery to America.

  • Robert Cornelius:

    • Took the earliest portrait in the U.S. in the same year that Daguerre photographed his portrait.

    • Indicates that the United States was up-to-date in adapting this technology.

Calotype (William Henry Fox Talbot)

  • Records light particles on paper, not silver plate.

  • Involves a negative and a positive:

    • Negative: Recorded in the camera.

    • Positive: Developed from the negative onto paper.

  • Significance:

    • Reproducibility of photographs.

    • Allows for mass production, beneficial for print media (newspapers).

    • Enables establishing a business.

    • More practical as it does not require carrying a dark room.

  • Accidental discovery:

    • Talbot discovered that salt paper could record light and shade.

  • Ambitious promotion:

    • Published "The Pencil of Nature," the first book of photographic images, illustrating the scientific and practical applications of photography.

    • Patented his work for profit.

  • Demonstration photograph:

    • Taken with calotype to show its capabilities (indoor/outdoor, light/shade).

    • Details in the image demonstrate calotype's sharpness and ability to capture various textures.

Daguerreotype vs. Calotype

  • Which one became a commercial success (the "unicorn" of the 19th century)? The hint focuses around portraiture.

  • Consider the pros and cons of each.

Social, Cultural, and Historical Background

  • Inventors: Daguerre and Niépce (French), Talbot (British).

  • France and Britain:

    • Dominant empires in the 19th and 20th centuries.

    • Possessed resources for technological advancements.

  • 18th and 19th centuries in the U.S. and Europe:

    • Intensification of capitalism.

    • Shift from mercantile to industrial capitalism (mass production).

    • Technological developments (steam engine, electricity).

    • Acceptance of Enlightenment thinking.

    • Rise of nation-states.

  • Photography in the context of other inventions (1826-1903):

    • X-ray, airplane, motion pictures, radio, light bulbs, telephone, electric motor, sewing machine, telegraph, dynamite, typewriter, etc.

  • Photography is one of many inventions during a period of social and intellectual change.

  • People actively pursued science to build a new society based on Enlightenment thinking.

Photography and Modernity

  • Photography is constitutive of modernity.

  • Photography shaped the modern condition.

  • Modernity produced photography (due to technological advancements).

  • Photography changed our way of understanding modernity by providing different ways of seeing.

  • Renewed modern way of seeing the world.

  • Photography is "writing history with light."

  • Susan Sontag: "To collect photography is to collect the world."