The Birth of Rock and Roll
Big Joe Turner (black artist
Shake,Rattle, and Roll ‘54
Hokum Blues | Cover BIll Haley and the Comets
changed lyrics for less vulgarity
12-Bar Blues
Verse-Chorus
BIRTHED BASIC ROCK N ROLL
1950s
suburban, therefore middle class expansion
cold war, arms race, space race
civil rights movement (tied into 🔺)
former colonies becoming independent countries, (USSR vs US to influence them)
Rock n Roll develops from cultural shifts + tensions
on tv, records, radio
Audiences + Marketing
youth culture 🆙
wanted their own music
mix of rhythm & blues, country-western, pop
certain genres became act of rebellion
Disc Jockeys helped promote rhythm & blues
sometimes paid under table to play certain songs
Aggressive marketing by independent labels
Covers and Crossovers
industry tracked trends thru charts
Rhy&Blu, country-western, pop
rly only meant black or white artists
covers
new version of existing song
crossover
appeals to multiple audiences and goes on multiple charts
The First Rock and Rollers Cross Over
Black Artists
Fats Domino
1st Early Rocker w/ consistent crossover success
family-friendly songs; great stage presence
Chuck Berry
songs on teen life
country influence; mild stage presence
Little Richard
flamboyant and charismatic “wild man”
did not go mainstream, but appealed to teens
Fats’ Blueberry Hill ‘56
#1 on all 3 charts
AABA | Beat divided into 3 | 12-bar blues
Berry’s Johnny B. Goode ‘58
On “Top 100” and Rhy&Blu charts
verse-chorus form | 12-bar blues
Little Richard’s Tutti Frutti ‘56
The “Whitening” of Rhythm and Blues
changing rhythm and blues songs to appeal to white listener
bill haley and pat boone did this amd they would outperform on many occasions
Bill Haley Rock Aorind the Clock
‘55 pop and rnb charts
simple-verse chorus
grouped in 3 12-bar blues
Controversies
success of covers may have reduced OG artists
covers were in their own styles
Haley and Boone claimed songs wouldnt be on White Rqdioaoif they hadnt helped