Classifications of Philippine Folk Dances

Classifications of Philippine Folk Dances

  • Maria Clara

    • Spanish influence; formal, elegant style.

    • Named after María Clara from Noli Me Tangere.

  • Cordillera

    • Origin: Northern mountain tribes.

    • Functions: rituals, social gatherings, celebrations.

  • Muslim

    • Known for beauty, grace, intricate hand movements.

    • Vibrant costumes, traditional instruments.

  • Rural

    • Joyful, lively depiction of everyday provincial life.

    • Often seen during town fiestas.

  • Tribal

    • Indigenous groups of Mindanao.

    • Rich symbolism, colorful attire, detailed craftsmanship.

Dance-to-Classification Quick Reference

  • Cariñosa → Maria Clara

  • Pandanggo sa Ilaw → Maria Clara

  • Tarektek → Cordillera

  • Sakuting → Cordillera

  • Pangalay → Muslim

  • Kappa Malong-Malong → Muslim

  • Tinikling → Rural

  • Binanog → Tribal

WHAT IS DANCE?

  • It can express from if creative expression that involves moving the body in rhythm with music

  • It can express emotion like joy, sadness, love, and excitement

  • Dance is also used to celebrate culture tell stories or simply enjoyment

  • It can be performed solo, with partner or in groups

FUNDAMENTAL DANCE POSITIONS

  • First Position - heels close together, toes apart with an angle of about 45 degrees. Both arms raised in circle in front of chest with the fingertips almost touching with the back of hand facing front.

  • Second Position - feet apart sideways at shoulder width (far wider). Both arms raised sideways with graceful curve at shoulder level.

  • Third Position - heel one foot close in step of other foot. One arm raised in front as in 2nd position, another arm raised upward.

  • Fourth Position - one foot of in front of other foot of a pace distance, one arm is raised in front as in 1st position another arm raised over head.

  • Fifth Position - Heel of front close to big toe of rear foot. Both arm raised overhead.