Dance and Rhythm I Notes

I. Dancing

  • Definition: a means of expressing one’s emotions through movement disciplined by rhythm.
  • It is an act of moving rhythmically and expressively to an accompaniment.
  • Etymology: from the old German word “danson” which means “to stretch”; essentially, all dancing is made up of stretching and relaxing.

II. Dance

  • Dance refers to movement set to music where there emerges organization, structure, and pattern.
  • It is a composition that implies arrangement of parts into a form.
  • It is the art form in which human movement becomes the medium for sensing, understanding, and communicating ideas, feelings, and experiences.
  • Dance education’s goal is to engage a student in artistic experiences through the processes of creation, performance, and response.
  • It pertains to the act of movement.
  • Dance is one of the most beautiful forms of art that has grown in leaps and bounds. It is no longer merely a hobby; it is also a lucrative profession.
  • Dance is a form of expression that helps a person to discover a whole new world. Every dance has a unique identity and different appeal.

III. Rhythm

  • Rhythm is a measure motion of flow, characterized by regular recurrence of elements or features such as beats, sounds, or accents. This implies measurement of time, space, and energy.
  • All works of art require rhythm.
  • Rhythm is natural to every individual because of inherent bodily rhythms:
    • the rhythmic beating of the heart,
    • the rhythmic movement of lungs as oxygen is taken in and carbon dioxide is expelled,
    • and other rhythmic movements of the body's organs.
  • Rhythm denotes an aspect of movement quality that is sometimes thought of as dance. When an individual moves in response to a particular rhythm or music, the movements are rhythmic.
  • It is the pattern of movement.

IV. Phases of Dance

A. Folk/Ethnic

  • It is a cultural art form handed down from generation to generation.
  • It communicates the customs, beliefs, rituals, and occupations of the people of a region or country.
  • Folk dancing belongs to the people and emanates from them. Ethnic tribes have specific tribal art forms originated and danced by the people of the tribe.
  • Examples of folk dance: rural and country dances, jotas, mazurkas, pandanggos, among others with foreign influence.
  • Examples of ethnic dance: dances of the mountain peoples of the Cordilleras, dances of ethnic groups in the Cagayan Valley Region, and ethnic dances in the Mindanao Regions, among others.

B. Social and Ballroom

  • Setting: the social and ballroom dance occurs at a social gathering with a more formal atmosphere than simple informal parties where recreational dances are usual.
  • Social and ballroom dancing are generally held in the evening; participants are usually in formal attire.
  • Examples: cha-cha, fox trot, jitterbug, tango, samba, rumba, quickstep, Viennese waltz, jive, and paso doble.

C. Recreational

  • Includes dance mixes, square dance, round and couple dances.
  • Many have simple patterns and combinations of walking steps, two-step, polka step, and the waltz step.
  • Setting: informal gatherings and parties, reunions, and the like.

D. Creative

  • It is the highest form of dance; the end-product of exploration and improvisation of movements as the dancer or the choreographer expresses feelings, ideas, and interpretations.
  • This is a dance with definite form, a beginning, and an ending. The principles of art form are observed in the dance’s composition. This includes ballet, jazz, and modern or contemporary dance.

V. Fundamental Dance Positions

A. 1st Position

  • Feet: Heels close together; toes apart at an angle of about 45extextdegree45^ ext{ extdegree}.
  • Arms: Both raised forward in a circle in front of the chest with fingertips about an inch.

B. 2nd Position

  • Feet: Astride sideward about one ft\text{ft} distance.
  • Arms: Both raised sideward with a graceful curve at shoulder level.

C. 3rd Position

  • Feet: Heel of one foot close to the instep of the other foot.
  • Arms: One arm raised sideward as in 2nd position; the other arm raised upward.

D. 4th Position

  • Feet: One foot in front of the other at a pace-distance.
  • Arms: One arm raised in front as in 1st position; the other arm raised over the head.

E. 5th Position

  • Feet: Heel of the front foot close to the big toe of the near foot.
  • Arms: Both arms raised over the head.

VI. Basic Natural Movements

A. Locomotor movements

  • Refer to the movement of the body in space in any direction with the feet as the moving base.
  • Walking: Moving at a moderate pace on the feet; lifting one foot after the other; legs swing from the hips while the arms swing naturally.
  • Running: Moving on foot with springing steps at a rapid pace such that for an instant both feet are off the ground during each step.
  • Jumping: Springing and taking off with one foot and landing on both feet.
  • Hopping: Springing on one foot and landing on the same foot.
  • Skipping: Same procedure as hopping, but bouncing lightly with alternate steps and hops.
  • Leaping: Springing on one foot and landing on the other foot.
  • Galloping: Moving in a continuous forward or sideward direction with one foot leading.
  • Sliding: Gliding along the floor with either foot.

B. Non-locomotor movements

  • Non-locomotor movements refer to the movement of various parts of the body in space with a fixed base, which may be standing, kneeling, sitting, or lying.
  • Flexion
    • Bending or shortening of a body part occurring at a joint
    • Half-knees bend
    • Full-knees bend
    • Trunk forward bend
    • Trunk sideward bend
    • Arms forward bend
    • Head forward bend
    • Head sideward bend
    • Elbow bend
  • Extension
    • Turning, twisting, or circling
    • Head twist
    • Trunk twist
  • Arm/Shoulder Circling
    • Right arm circle forward
    • Left arm circle forward
    • Both arms circling
  • Swing
    • Swaying arms forward, backward, or sideward
    • Arms swinging sideward
    • Arms swinging overhead
    • Body swaying right and left
  • Percussive
    • Striking and hitting; pushing and pulling
    • Arm strike with closed fist
    • Arm strike with open fist
    • Hit with one hand
    • Hit with both hands
    • Push with one arm; with both arms
    • Pull with one arm; with both arms
  • Vibratory
    • Shaking and beating
    • Shake arms and hands rhythmically
    • Shake hips and shoulders to rhythmic pattern
    • Vibrate entire body rhythmically
  • Sustained
    • A slow, smooth flowing movement with a balanced sequence
    • Arm swinging continuously from side to side
    • Arm moving laterally to right and left sides in continuous rhythmic pattern
    • Arm circle swing continuously
  • Suspended
    • A sharp movement followed by a series of slow or prolonged movements until a peak is reached
    • Both arms circle swing three or four times counterclockwise and stop movement with arms diagonally forward and upward

References

  • Adin, C. & Minas, P. (2004). Dance education in the school curriculum. C.M. Recto, Manila: Rex Bookstore.
  • Dimapilis, N., Espeso, L. & Isip, M.L. (2010). Physical education 2: Rhythmic activities. Mandaluyong City, Philippines: Books Atbp. Publishing Corp.
  • Philippine dance education. (n.d.). Retrieved from: http://www.ncca.gov.ph/about-culture-and-arts/articles-on-c-n-a/article.php?igm=1&i=121
  • The elements of dance. (n.d.). Retrieved from: http://opd.mpls.k12.mn.us/theelementsof_dance
  • The philosophy of dance. (n.d.). Retrieved from: http://plato.stanford.edu/entries/dance/
  • Tolentino, F.. (2006). Philippine national dances. Quezon City, Philippines: Kayumanggi Press, Inc.