Consonants Pt. 2

Overview of Stop Consonants

  • Stop consonants involve complete obstruction of airflow in the oral cavity followed by a release.

  • They can be voiced (with vocal fold vibration) or voiceless (without vocal fold vibration).

Key Aspects of Production

  • Production: Involves a buildup of pressure, and stops are generally brief.

  • Voiceless stops: Longer duration compared to voiced stops, which have shorter bursts.

Acoustic Features

  • Voice Bars: Present in voiced stop consonants; indicate vocal fold vibrations during production.

  • Burst: The sudden release of pressure that occurs after the stop.

  • Aspiration: A burst of breath following the release of voiceless stop consonants (e.g., "p" in "pat").

    • Voiced stop consonants typically do not show aspiration.

  • Formant Transitions: Changes in frequency that occur as the stop consonant transitions to a vowel or another consonant.

    • Important for distinguishing phonemes based on neighboring sounds.

  • Voice Onset Time (VOT): The time interval between the release of the stop consonant and the onset of vocal fold vibration for the following vowel.

    • Voiced consonants have shorter or even negative VOT; voiceless consonants have longer, positive VOT.

  • Stop Gap: The period of silence before the burst occurs, indicating where the airflow was obstructed.

Summary of Features

  • Voiceless stop consonants are produced with aspiration and have longer VOT.

  • Voiced stop consonants are shorter and do not usually exhibit aspiration.

  • Stops are identified by their unique combination of bursts, aspiration, voice bars, and VOT.

Transition to Fricatives

  • Fricatives have a narrow constriction rather than a complete stop, allowing airflow to continuously pass.

  • They produce a continuous noise rather than a burst, making them distinct from stops.

    • Example: The difference between "stop" (complete obstruction) and "fricative" (narrow constriction).

Acoustic Features of Fricatives

  • Noise: Frication noise varies in frequency and intensity across different fricatives.

    • The spectrogram shows distinct energy concentrations based on whether the fricative is voiced or voiceless.

  • Sibilants: A category of fricatives (like "s" and "sh") that have higher energy and are produced with narrower constrictions.

Summary of Producing & Perceiving Fricatives

  • Cues for Perception: Key cues include frication noise and formant transitions.

  • Energy Levels: Indicates the intensity of the fricative sounds based on where those sounds occur on the spectrogram.

Nasals and Approximants

  • Nasals (m, n, ng) involve airflow through the nasal cavity with low energy levels on the spectrogram.

  • Approximants (l, r) are produced with less constriction in the vocal tract, often resonating similarly to vowels.

clinical Instrumentation in Speech Language Pathology

  • Nasometer: Assesses nasal vs. oral airflow, useful for diagnosing hypo/hypernasality.

  • Electromagnetic Articulography (EMA): Provides visual feedback on tongue movement in real-time for speech production.

  • Electropalatography (EPG): Used for visual feedback on tongue-to-palate contact, particularly useful for therapy targeting specific sounds.

Conclusion

  • Understanding the production and acoustic features of consonants is crucial in speech-language pathology, particularly in articulation therapy and assessment.