Women Painters of the U.S. and Painting Outside of the Mainstream(L4)

Concept of Starting Anew in Expressionism

  • Starting from scratch and beginning anew in artistic expression.

  • The concept discussed in relation to Carol Rosenberg, a critic known for discussing the transformational aspects of expressionism.

  • Emphasizes action-making; a key term discussed in earlier classes.

Key Article Highlights and Themes

  • The article under discussion was brief and characterized by its striking ideas.

  • Focus on psychological engagement and transcendence through the act of creation in art.

    • Quote on page five: "…the work or the act translates the cycle psychologically, given into attention, into the world, and thus transcendence."

    • Suggests an act of performance that conveys both personal and universal themes.

  • Shift away from traditional aesthetics:

    • "With traditional aesthetic references discarded as irrelevant, what gives the canvas its meaning at this point is not psychological data, but role."

    • The role mentioned refers to how artists express emotional and intellectual energy in authentic ways.

Discarding Traditional Rules

  • Artists are encouraged to discard previously held conventions in painting, which are deemed irrelevant.

  • This process leads to a fresh perspective in which meaning comes from individual expression rather than established rules.

  • It highlights the artistic freedom sought in expressionism, likening it to performing a role in a living situation.

Psychological and Emotional Complexity in the Artwork

  • Art becomes an avenue for personal exploration and expression, embodying the totality of the artist's self:

    • Influences of exhilaration and exhaustion find representation on the canvas.

    • Quote: "On the one hand, a desperate recognition of moral or intellectual exhaustion; on the other, the exhilaration of the adventure…"

  • The act of painting becomes a resurrection of the artist’s identity, often revealing personal growth and exploration of the self.

Art as Action and Reality

  • Art as an action forms a foundation based on what the artist is currently creating:

    • "Art as action rests on the enormous assumption that the artist accepts as real only that which he is in the process of creating."

  • Continuous evolution requires the artist to engage with their work in a way that generates a fresh experience each time they create.

Navigating Complex Terminology in Art

  • Students are encouraged to look up unfamiliar vocabulary and discuss difficulties in comprehension during lectures.

Introduction of Women Artists in the Abstract Expressionist Movement

  • Discussion shifts to highlight the often-overlooked contributions of female artists during the mid-twentieth century abstract expressionist movement.

    • Despite historical narratives mainly focusing on male figures, women were pivotal in shaping this artistic landscape.

  • Women engaged with form and color, often on the fringes of the mainstream recognition.

  • The New American Painting exhibition highlighted their contributions, taking place across eight European countries from 1958 to 1959.

    • Aimed to showcase American artists amid competition between Europe and America post-WWII.

  • The exhibition served as cultural diplomacy, promoting American democratic values through art, contrasting with Soviet ideologies.

Contributions of Female Artists

Hedda Stern

  • Machines form a core subject in her work; emphasized the tension between realism and abstraction.

  • Managed to blend mechanical imagery with botanical themes, emphasizing texture, color, and spatial elements.

  • Resisted pure abstraction, believing the recognizable elements could provide effective communication without losing artistic integrity.

Lee Krasner

  • Explored spatial dynamics within smaller canvas works while paralleling Jackson Pollock's evolution.

  • Her emotional responses to experiences significantly influenced her abstractions, creating a unique artistic narrative.

    • Example work: "Bald Eagle" (1955) combining collage techniques and abstract forms.

    • Expansion in her studio led to larger, vivacious works after Pollock's death, showcasing the complexity of grief intertwined with creativity.

Grace Hartigan

  • Pioneered themes of personal narrative and representation through abstraction; blended figuration into her pieces.

  • Example work: "Purging Jacket" highlights a focus on the human form alongside elements of abstraction.

Elaine de Kooning

  • Explored representation through abstraction, focusing on movement and emotional expression in her artworks.

  • Featured in dialogue with other figures, such as Hartigan, detailing the emotional intensity of women artists during this time.

Joan Mitchell

  • Known for her dynamic approach to color and construction in her works; explored landscapes both urban and rural in her unique style.

  • Emphasized deliberate decision-making during the painting process, fostering a relationship between artist and canvas.

Mark Tobey

  • His work, influenced by Eastern culture, engaged in universalizing human experience through abstraction, characterized by "white writing".

    • Achieved a successful art career that operated outside of mainstream recognition.

Norman Lewis

  • A prominent African-American artist contributing to abstract expressionism while addressing themes within black identity and culture.

  • Sought to portray universal experiences while remaining conscious of his cultural heritage.

Jacob Lawrence

  • Focused on social themes, particularly regarding African American migration, using vibrant colors and abstract storytelling to encapsulate historical narratives.

    • Work such as the "Migration Series" effectively conveyed the migration of African Americans to urban centers with a unique visual language.