Instrument Families
Musical Instrument Families
String Family:
- Violin
- Viola
- Cello
- Double bass
- Guitar
- Harp
- Banjo
- Mandolin
- Ukulele
- Sitar
- Zither
- Kora
- Box bass
Woodwind Family:
- Flute
- Piccolo
- Clarinet
- Oboe
- Bassoon
- Saxophone
- English horn
- Bass clarinet
- Contrabassoon
- Recorder
Brass Family:
- Trumpet
- French horn
- Trombone
- Tuba
- Cornet
- Flugelhorn
- Euphonium
- Sousaphone
- Baritone horn
- Mellophone
Percussion Family:
- Timpani
- Snare drum
- Bass drum
- Xylophone
- Marimba
- Cymbals
- Triangle
- Tambourine
- Glockenspiel
- Tubular bells
Fundamentals of Meter and Time Signatures
- Definition of Meter: The arrangement of rhythms in a piece of music into a repetitive pattern of strong and weak pulses.
- Classification of Meter:
- Simple Meter: A meter in which the primary pulse can be subdivided into equal parts.
- Compound Meter: A meter classification in which the subdivision of pulses follows compound structural groupings.
- Definition of Time Signature: A system of two numbers placed on or near the beginning of a musical piece that informs the performer how many and what type of pulses are arranged into small sections called measures.
- Structure and Function of Time Signatures:
- Top Number: Helps separate notes into groups of strong and weak pulses and tells how many pulses are grouped into a single measure.
- Bottom Number: Dictates which note value is read and counted as one pulse.
- Example of Time Signature:
- The top number indicates there are pulses per measure.
- The bottom number indicates that a crotchet (quarter note) is counted as one pulse.
- Therefore, there are crotchet pulses in each measure or bar.
- Measures and Barlines:
- Measure: Small section into which pulses are arranged.
- Barline: A single vertical line that separates individual measures.
- Double Bar Line: Indicates that the music bars come to an end.
Common Time vs. Cut Time
- Effect of Changing the Bottom Number:
- When the bottom number is , the pulse is read as a crotchet (quarter note).
- When the bottom number changes to , the pulse is read as a minim (half note).
- Changing the bottom number from to alters the feel of the music: it removes a busy, bouncy feel and replaces it with a heavy, wider feel.
- Common Time:
- Meter:
- Symbol:
- Holds crotchet beats per measure.
- Cut Time:
- Meter:
- Symbol: Cut time symbol (the letter with a vertical line through it)
- Holds the exact same amount of musical notes in a measure as meter.
- Differs in feel because only pulses are felt per measure instead of .
- Creates a movement that feels like a walking or marching tempo.
Musical Notation: Staff, Clefs, Pitch, and Mnemonics
- Pitch and Staff Position:
- The higher a note is placed on the staff, the higher its pitch.
- When a note is placed on a line or in a space, it takes the letter name assigned to that line or space.
- Lines and spaces remain constant until the clef changes.
- Clef Mnemonics and Treble Clef Reading:
- Tools and mnemonics are used to remember line and space letter names across clefs.
- Treble Clef Spaces: Reading from bottom to top, the spaces spell the word FACE (, , , ).
- Treble Clef Lines: The lines from bottom to top correspond to the pitches , , , , .
- Staff Pitch Sequences: Pitch letter names ordered across lines and spaces include , , , , , , , , , , , .
Note Values, Durations, and Rests
- Whole Note (Semibreve):
- Duration: beats.
- Rest Symbol: Represented as a solid rectangle hanging under line (or under line ).
- Half Note (Minim):
- Duration: beats.
- Rest Symbol: Represented as a solid rectangle sitting on top of line .
- Quarter Note (Crotchet):
- Duration: beat.
- Rest Symbol: Represented as a squiggly vertical symbol.
- Eighth Note (Quaver):
- Duration: beat.
- Rest Symbol: Represented as a symbol resembling the number with a single hook/flag.
- Sixteenth Note (Semiquaver):
- Duration: beat.
- Rest Symbol: Represented as a symbol resembling the number with a double flag.