Complete List of 250 Required Works for AP Art History and Analysis Processes

Content Area 1: Global Prehistory, $30,000$–$500\,\text{B.C.E.}$ ($11$ Works)

• $1$. Apollo 11 stones: Located in Namibia. Created c. $25,500$–$25,300\,\text{B.C.E.}$. Medium: Charcoal on stone.
• $2$. Great Hall of the Bulls: Located in Lascaux, France. Produced during Paleolithic Europe, c. $15,000$–$13,000\,\text{B.C.E.}$. Medium: Rock painting.
• $3$. Camelid sacrum in the shape of a canine: Located in Tequixquiac, central Mexico. Dated $14,000$–$7000\,\text{B.C.E.}$. Medium: Bone.
• $4$. Running horned woman: Located in Tassili n’Ajjer, Algeria. Dated $6000$–$4000\,\text{B.C.E.}$. Medium: Pigment on rock.
• $5$. Beaker with ibex motifs: From Susa, Iran. Dated $4200$–$3500\,\text{B.C.E.}$. Medium: Painted terra cotta.
• $6$. Anthropomorphic stele: From the Arabian Peninsula. Fourth millennium $\text{B.C.E.}$. Medium: Sandstone.
• $7$. Jade cong: From Liangzhu, China. Dated $3300$–$2200\,\text{B.C.E.}$. Medium: Carved jade.
• $8$. Stonehenge: Located in Wiltshire, UK. Produced during Neolithic Europe, c. $2500$–$1600\,\text{B.C.E.}$. Medium: Sandstone.
• $9$. The Ambum Stone: From Ambum Valley, Enga Province, Papua New Guinea. c. $1500\,\text{B.C.E.}$. Medium: Greywacke.
• $10$. Tlatilco female figurine: From central Mexico, site of Tlatilco. Dated $1200$–$900\,\text{B.C.E.}$. Medium: Ceramic.
• $11$. Terra cotta fragment: From Lapita. Solomon Islands, Reef Islands. Dated $1000\,\text{B.C.E.}$. Medium: Terra cotta (incised).

Content Area 2: Ancient Mediterranean, $3500\,\text{B.C.E.}$–$300\,\text{C.E.}$ ($36$ Works)

• $12$. White Temple and its ziggurat: Uruk (modern Warka, Iraq). Sumerian. c. $3500$–$3000\,\text{B.C.E.}$. Medium: Mud brick.
• $13$. Palette of King Narmer: Predynastic Egypt. c. $3000$–$2920\,\text{B.C.E.}$. Medium: Greywacke.
• $14$. Statues of votive figures, from the Square Temple at Eshnunna (modern Tell Asmar, Iraq): Sumerian. c. $2700\,\text{B.C.E.}$. Medium: Gypsum inlaid with shell and black limestone.
• $15$. Seated scribe: Saqqara, Egypt. Old Kingdom, Fourth Dynasty. c. $2620$–$2500\,\text{B.C.E.}$. Medium: Painted limestone.
• $16$. Standard of Ur from the Royal Tombs at Ur (modern Tell el-Muqayyar, Iraq): Sumerian. c. $2600$–$2400\,\text{B.C.E.}$. Medium: Wood inlaid with shell, lapis lazuli, and red limestone.
• $17$. Great Pyramids (Menkaura, Khafre, Khufu) and Great Sphinx: Giza, Egypt. Old Kingdom, Fourth Dynasty. c. $2550$–$2490\,\text{B.C.E.}$. Medium: Cut limestone.
• $18$. King Menkaura and queen: Old Kingdom, Fourth Dynasty. c. $2490$–$2472\,\text{B.C.E.}$. Medium: Greywacke.
• $19$. The Code of Hammurabi: Babylon (modern Iran). Susian. c. $1792$–$1750\,\text{B.C.E.}$. Medium: Basalt.
• $20$. Temple of Amun-Re and Hypostyle Hall: Karnak, near Luxor, Egypt. New Kingdom, $18\text{th}$ and $19\text{th}$ Dynasties. Temple: c. $1550\,\text{B.C.E.}$; hall: c. $1250\,\text{B.C.E.}$. Medium: Cut sandstone and mud brick.
• $21$. Mortuary temple of Hatshepsut: Near Luxor, Egypt. New Kingdom, $18\text{th}$ Dynasty. c. $1473$–$1458\,\text{B.C.E.}$. Medium: Sandstone, partially carved into a rock cliff, and red granite.
• $22$. Akhenaton, Nefertiti, and three daughters: New Kingdom (Amarna), $18\text{th}$ Dynasty. c. $1353$–$1335\,\text{B.C.E.}$. Medium: Limestone.
• $23$. Tutankhamun’s tomb, innermost coffin: New Kingdom, $18\text{th}$ Dynasty. c. $1323\,\text{B.C.E.}$. Medium: Gold with inlay of enamel and semiprecious stones.
• $24$. Last judgment of Hu-Nefer, from his tomb (page from the Book of the Dead): New Kingdom, $19\text{th}$ Dynasty. c. $1275\,\text{B.C.E.}$. Medium: Painted papyrus scroll.
• $25$. Lamassu from the citadel of Sargon II, Dur Sharrukin (modern Khorsabad, Iraq): Neo-Assyrian. c. $720$–$705\,\text{B.C.E.}$. Medium: Alabaster.
• $26$. Athenian agora: Archaic through Hellenistic Greek. $600\,\text{B.C.E.}$–$150\,\text{C.E.}$. Medium: Plan.
• $27$. Anavysos Kouros: Archaic Greek. c. $530\,\text{B.C.E.}$. Medium: Marble with remnants of paint.
• $28$. Peplos Kore from the Acropolis: Archaic Greek. c. $530\,\text{B.C.E.}$. Medium: Marble, painted details.
• $29$. Sarcophagus of the Spouses: Etruscan. c. $520\,\text{B.C.E.}$. Medium: Terra cotta.
• $30$. Audience Hall (apadana) of Darius and Xerxes: Persepolis, Iran. Persian. c. $520$–$465\,\text{B.C.E.}$. Medium: Limestone.
• $31$. Temple of Minerva (Veii, near Rome, Italy) and sculpture of Apollo: Master sculptor Vulca. c. $510$–$500\,\text{B.C.E.}$. Medium: Original temple of wood, mud brick, or tufa (volcanic rock); terra cotta sculpture.
• $32$. Tomb of the Triclinium: Tarquinia, Italy. Etruscan. c. $480$–$470\,\text{B.C.E.}$. Medium: Tufa and fresco.
• $33$. Niobides Krater: Anonymous vase painter (Niobid Painter). c. $460$–$450\,\text{B.C.E.}$. Medium: Clay, red-figure technique (white highlights).
• $34$. Doryphoros (Spear Bearer): Polykleitos. Original $450$–$440\,\text{B.C.E.}$. Medium: Roman copy (marble) of Greek original (bronze).
• $35$. Acropolis: Athens, Greece. Iktinos and Kallikrates. c. $447$–$410\,\text{B.C.E.}$. Medium: Marble.
• $36$. Grave stele of Hegeso: Attributed to Kallimachos. c. $410\,\text{B.C.E.}$. Medium: Marble and paint.
• $37$. Winged Victory of Samothrace: Hellenistic Greek. c. $190\,\text{B.C.E.}$. Medium: Marble.
• $38$. Great Altar of Zeus and Athena at Pergamon: Asia Minor (Turkey). Hellenistic Greek. c. $175\,\text{B.C.E.}$. Medium: Marble.
• $39$. House of the Vettii: Pompeii, Italy. Imperial Roman. c. second century $\text{B.C.E.}$; rebuilt c. $62$–$79\,\text{C.E.}$. Medium: Cut stone and fresco.
• $40$. Alexander Mosaic from the House of Faun, Pompeii: Republican Roman. c. $100\,\text{B.C.E.}$. Medium: Mosaic.
• $41$. Seated boxer: Hellenistic Greek. c. $100\,\text{B.C.E.}$. Medium: Bronze.
• $42$. Head of a Roman patrician: Republican Roman. c. $75$–$50\,\text{B.C.E.}$. Medium: Marble.
• $43$. Augustus of Prima Porta: Imperial Roman. Early first century $\text{C.E.}$. Medium: Marble.
• $44$. Colosseum (Flavian Amphitheater): Rome, Italy. Imperial Roman. $70$–$80\,\text{C.E.}$. Medium: Stone and concrete.
• $45$. Forum of Trajan: Rome, Italy. Apollodorus of Damascus. Forum/markets: $106$–$112\,\text{C.E.}$; column: $113\,\text{C.E.}$ Medium: Brick and concrete (architecture); marble (column).
• $46$. Pantheon: Imperial Roman. $118$–$125\,\text{C.E.}$. Medium: Concrete with stone facing.
• $47$. Ludovisi Battle Sarcophagus: Late Imperial Roman. c. $250\,\text{C.E.}$. Medium: Marble.

Content Area 3: Early Europe and Colonial Americas, $200$–$1750\,\text{C.E.}$ ($51$ Works)

• $48$. Catacomb of Priscilla: Rome, Italy. Late Antique Europe. c. $200$–$400\,\text{C.E.}$. Medium: Excavated tufa and fresco.
• $49$. Santa Sabina: Rome, Italy. Late Antique Europe. c. $422$–$432\,\text{C.E.}$. Medium: Brick and stone, wooden roof.
• $50$. Rebecca and Eliezer at the Well and Jacob Wrestling the Angel, from the Vienna Genesis: Early Byzantine Europe. Sixth century $\text{C.E.}$. Medium: Illuminated manuscript (tempera, gold, and silver on purple vellum).
• $51$. San Vitale: Ravenna, Italy. Early Byzantine Europe. c. $526$–$547\,\text{C.E.}$. Medium: Brick, marble, and stone veneer; mosaic.
• $52$. Hagia Sophia: Constantinople (Istanbul). Anthemius of Tralles and Isidorus of Miletus. $532$–$537\,\text{C.E.}$. Medium: Brick, ceramic, stone, and mosaic.
• $53$. Merovingian looped fibulae: Early medieval Europe. Mid-sixth century $\text{C.E.}$. Medium: Silver gilt, filigree, inlays of garnets.
• $54$. Virgin (Theotokos) and Child between Saints Theodore and George: Early Byzantine Europe. Sixth or early seventh century $\text{C.E.}$. Medium: Encaustic on wood.
• $55$. Lindisfarne Gospels (St. Matthew, St. Luke portraits/pages): Early medieval (Hiberno-Saxon) Europe. c. $700\,\text{C.E.}$. Medium: Ink, pigments, and gold on vellum.
• $56$. Great Mosque: C3rdoba, Spain. Umayyad. c. $785$–$786\,\text{C.E.}$. Medium: Stone masonry.
• $57$. Pyxis of al-Mughira: Umayyad. c. $968\,\text{C.E.}$. Medium: Ivory.
• $58$. Church of Sainte-Foy: Conques, France. Romanesque Europe. Church: c. $1050$–$1130\,\text{C.E.}$; Reliquary: $9\text{th}$ century. Medium: Stone; gold, silver, gemstones (reliquary).
• $59$. Bayeux Tapestry: Romanesque Europe (English or Norman). c. $1066$–$1080\,\text{C.E.}$. Medium: Embroidery on linen.
• $60$. Chartres Cathedral: Chartres, France. Gothic Europe. c. $1145$–$1155\,\text{B.C.E.}$ and $1194$–$1220\,\text{C.E.}$. Medium: Limestone, stained glass.
• $61$. Dedication Page with Blanche of Castile and King Louis IX of France: Gothic Europe. c. $1225$–$1245\,\text{C.E.}$. Medium: Illuminated manuscript (ink, tempera, gold leaf on vellum).
• $62$. R6ttgen Piet\u00e0: Late medieval Europe. c. $1300$–$1325\,\text{C.E.}$. Medium: Painted wood.
• $63$. Arena (Scrovegni) Chapel, including Lamentation: Padua, Italy. Giotto di Bondone. Chapel: c. $1303\,\text{C.E.}$; Fresco: c. $1305\,\text{C.E.}$. Medium: Brick and fresco.
• $64$. Golden Haggadah: Late medieval Spain. c. $1320\,\text{C.E.}$. Medium: Illuminated manuscript (pigments and gold leaf on vellum).
• $65$. Alhambra: Granada, Spain. Nasrid Dynasty. $1354$–$1391\,\text{C.E.}$. Medium: Adobe stucco, wood, tile.
• $66$. Annunciation Triptych (Merode Altarpiece): Workshop of Robert Campin. $1427$–$1432\,\text{C.E.}$. Medium: Oil on wood.
• $67$. Pazzi Chapel: Florence, Italy. Filippo Brunelleschi. c. $1429$–$1461\,\text{C.E.}$. Medium: Masonry.
• $68$. The Arnolfini Portrait: Jan van Eyck. c. $1434\,\text{C.E.}$. Medium: Oil on wood.
• $69$. David: Donatello. c. $1440$–$1460\,\text{C.E.}$. Medium: Bronze.
• $70$. Palazzo Rucellai: Florence, Italy. Leon Battista Alberti. c. $1450\,\text{C.E.}$. Medium: Stone, masonry.
• $71$. Madonna and Child with Two Angels: Fra Filippo Lippi. c. $1465\,\text{C.E.}$. Medium: Tempera on wood.
• $72$. Birth of Venus: Sandro Botticelli. c. $1484$–$1486\,\text{C.E.}$. Medium: Tempera on canvas.
• $73$. Last Supper: Leonardo da Vinci. c. $1494$–$1498\,\text{C.E.}$. Medium: Oil and tempera.
• $74$. Adam and Eve: Albrecht D6rer. $1504\,\text{C.E.}$ Medium: Engraving.
• $75$. Sistine Chapel ceiling and altar wall frescoes: Vatican City. Michelangelo. c. $1508$–$1541\,\text{C.E.}$. Medium: Fresco.
• $76$. School of Athens: Raphael. $1509$–$1511\,\text{C.E.}$. Medium: Fresco.
• $77$. Isenheim altarpiece: Matthias Gr6newald. c. $1512$–$1516\,\text{C.E.}$. Medium: Oil on wood.
• $78$. Entombment of Christ: Jacopo da Pontormo. $1525$–$1528\,\text{C.E.}$. Medium: Oil on wood.
• $79$. Allegory of Law and Grace: Lucas Cranach the Elder. c. $1530\,\text{C.E.}$. Medium: Woodcut and letterpress.
• $80$. Venus of Urbino: Titian. c. $1538\,\text{C.E.}$. Medium: Oil on canvas.
• $81$. Frontispiece of the Codex Mendoza: Viceroyalty of New Spain. c. $1541$–$1542\,\text{C.E.}$. Medium: Ink and color on paper.
• $82$. Il Ges\u00f9, including Triumph of the Name of Jesus fresco: Rome, Italy. Vignola, della Porta, and Gaulli. $16\text{th}$–$17\text{th}$ century. Medium: Brick, marble, fresco, and stucco.
• $83$. Hunters in the Snow: Pieter Bruegel the Elder. $1565\,\text{C.E.}$ Medium: Oil on wood.
• $84$. Mosque of Selim II: Edirne, Turkey. Sinan. $1568$–$1575\,\text{C.E.}$. Medium: Brick and stone.
• $85$. Calling of Saint Matthew: Caravaggio. c. $1597$–$1601\,\text{C.E.}$. Medium: Oil on canvas.
• $86$. Henri IV Receives the Portrait of Marie de’ Medici: Peter Paul Rubens. $1621$–$1625\,\text{C.E.}$. Medium: Oil on canvas.
• $87$. Self-Portrait with Saskia: Rembrandt van Rijn. $1636\,\text{C.E.}$ Medium: Etching.
• $88$. San Carlo alle Quattro Fontane: Rome, Italy. Francesco Borromini. $1638$–$1646\,\text{C.E.}$. Medium: Stone and stucco.
• $89$. Ecstasy of Saint Teresa: Cornaro Chapel, Rome. Gian Lorenzo Bernini. c. $1647$–$1652\,\text{C.E.}$. Medium: Marble, stucco, and gilt bronze.
• $90$. Angel with Arquebus, Asiel Timor Dei: Master of Calamarca. c. $17\text{th}$ century. Medium: Oil on canvas.
• $91$. Las Meninas: Diego Vel\u00e1zquez. c. $1656\,\text{C.E.}$. Medium: Oil on canvas.
• $92$. Woman Holding a Balance: Johannes Vermeer. c. $1664\,\text{C.E.}$. Medium: Oil on canvas.
• $93$. The Palace at Versailles: Le Vau, Hardouin-Mansart. Begun $1669\,\text{C.E.}$ Medium: Masonry, stone, wood, iron, and gold leaf.
• $94$. Screen with the Siege of Belgrade and hunting scene: Circle of the Gonz\u00e1lez Family. c. $1697$–$1701\,\text{C.E.}$. Medium: Tempera and resin on wood, shell inlay.
• $95$. The Virgin of Guadalupe: Miguel Gonz\u00e1lez. c. $1698\,\text{C.E.}$. Medium: Oil on canvas on wood, mother-of-pearl.
• $96$. Fruit and Insects: Rachel Ruysch. $1711\,\text{C.E.}$ Medium: Oil on wood.
• $97$. Spaniard and Indian Produce a Mestizo: Juan Rodr3guez Ju\u00e1rez. c. $1715\,\text{C.E.}$. Medium: Oil on canvas.
• $98$. The T\u00eate 1 T\u00eate, from Marriage 1 la Mode: William Hogarth. c. $1743\,\text{C.E.}$. Medium: Oil on canvas.

Content Area 4: Later Europe and Americas, $1750$–$1980\,\text{C.E.}$ ($54$ Works)

• $99$. Portrait of Sor Juana In9s de la Cruz: Miguel Cabrera. c. $1750\,\text{C.E.}$. Medium: Oil on canvas.
• $100$. A Philosopher Giving a Lecture on the Orrery: Joseph Wright of Derby. c. $1763$–$1765\,\text{C.E.}$. Medium: Oil on canvas.
• $101$. The Swing: Jean-Honor\u00e9 Fragonard. $1767\,\text{C.E.}$ Medium: Oil on canvas.
• $102$. Monticello: Virginia, U.S. Thomas Jefferson. $1768$–$1809\,\text{C.E.}$. Medium: Brick, glass, stone, and wood.
• $103$. The Oath of the Horatii: Jacques-Louis David. $1784\,\text{C.E.}$ Medium: Oil on canvas.
• $104$. George Washington: Jean-Antoine Houdon. $1788$–$1792\,\text{C.E.}$. Medium: Marble.
• $105$. Self-Portrait: Elisabeth Louise Vig\u0039e Le Brun. $1790\,\text{C.E.}$ Medium: Oil on canvas.
• $106$. Y no hai remedio (And There’s Nothing to Be Done): Francisco de Goya. $1810$–$1823\,\text{C.E.}$. Medium: Etching, drypoint, burin.
• $107$. La Grande Odalisque: Jean-Auguste-Dominique Ingres. $1814\,\text{C.E.}$ Medium: Oil on canvas.
• $108$. Liberty Leading the People: Eug\u0038ne Delacroix. $1830\,\text{C.E.}$ Medium: Oil on canvas.
• $109$. The Oxbow: Thomas Cole. $1836\,\text{C.E.}$ Medium: Oil on canvas.
• $110$. Still Life in Studio: Louis-Jacques-Mand\u0039 Daguerre. $1837\,\text{C.E.}$ Medium: Daguerreotype.
• $111$. Slave Ship: Joseph Mallord William Turner. $1840\,\text{C.E.}$ Medium: Oil on canvas.
• $112$. Palace of Westminster (Houses of Parliament): Barry and Pugin. $1840$–$1870\,\text{C.E.}$. Medium: Limestone masonry/glass.
• $113$. The Stone Breakers: Gustave Courbet. $1849\,\text{C.E.}$ (destroyed $1945$). Medium: Oil on canvas.
• $114$. Nadar Raising Photography to the Height of Art: Honor\u0039 Daumier. $1862\,\text{C.E.}$ Medium: Lithograph.
• $115$. Olympia: \u0039douard Manet. $1863\,\text{C.E.}$ Medium: Oil on canvas.
• $116$. The Saint-Lazare Station: Claude Monet. $1877\,\text{C.E.}$ Medium: Oil on canvas.
• $117$. The Horse in Motion: Eadweard Muybridge. $1878\,\text{C.E.}$ Medium: Albumen print.
• $118$. The Valley of Mexico from the Hillside of Santa Isabel: Jose Mar\u0033a Velasco. $1882\,\text{C.E.}$ Medium: Oil on canvas.
• $119$. The Burghers of Calais: Auguste Rodin. $1884$–$1895\,\text{C.E.}$. Medium: Bronze.
• $120$. The Starry Night: Vincent van Gogh. $1889\,\text{C.E.}$ Medium: Oil on canvas.
• $121$. The Coiffure: Mary Cassatt. $1890$–$1891\,\text{C.E.}$. Medium: Drypoint and aquatint.
• $122$. The Scream: Edvard Munch. $1893\,\text{C.E.}$ Medium: Tempera and pastels on cardboard.
• $123$. Where Do We Come From? What Are We? Where Are We Going?: Paul Gauguin. $1897$–$1898\,\text{C.E.}$. Medium: Oil on canvas.
• $124$. Carson, Pirie, Scott and Company Building: Louis Sullivan. $1899$–$1903\,\text{C.E.}$. Medium: Iron, steel, glass, and terra cotta.
• $125$. Mont Sainte-Victoire: Paul C\u0039zanne. $1902$–$1904\,\text{C.E.}$. Medium: Oil on canvas.
• $126$. Les Demoiselles d’Avignon: Pablo Picasso. $1907\,\text{C.E.}$ Medium: Oil on canvas.
• $127$. The Steerage: Alfred Stieglitz. $1907\,\text{C.E.}$ Medium: Photogravure.
• $128$. The Kiss: Gustav Klimt. $1907$–$1908\,\text{C.E.}$. Medium: Oil and gold leaf on canvas.
• $129$. The Kiss: Constantin Brancusi. $1907$–$1908\,\text{C.E.}$. Medium: Limestone.
• $130$. The Portuguese: Georges Braque. $1911\,\text{C.E.}$ Medium: Oil on canvas.
• $131$. Goldfish: Henri Matisse. $1912\,\text{C.E.}$ Medium: Oil on canvas.
• $132$. Improvisation 28 (second version): Vassily Kandinsky. $1912\,\text{C.E.}$ Medium: Oil on canvas.
• $133$. Self-Portrait as a Soldier: Ernst Ludwig Kirchner. $1915\,\text{C.E.}$ Medium: Oil on canvas.
• $134$. Memorial Sheet for Karl Liebknecht: K\u0038the Kollwitz. $1919$–$1920\,\text{C.E.}$. Medium: Woodcut.
• $135$. Villa Savoye: Poissy-sur-Seine, France. Le Corbusier. $1929\,\text{C.E.}$ Medium: Steel and reinforced concrete.
• $136$. Composition with Red, Blue and Yellow: Piet Mondrian. $1930\,\text{C.E.}$ Medium: Oil on canvas.
• $137$. Illustration from The Results of the First Five-Year Plan: Varvara Stepanova. $1932\,\text{C.E.}$ Medium: Photomontage.
• $138$. Object (Le D\u0039jeuner en fourrure): Meret Oppenheim. $1936\,\text{C.E.}$ Medium: Fur-covered cup, saucer, and spoon.
• $139$. Fallingwater: Pennsylvania, U.S. Frank Lloyd Wright. $1936$–$1939\,\text{C.E.}$. Medium: Reinforced concrete, sandstone, steel.
• $140$. The Two Fridas: Frida Kahlo. $1939\,\text{C.E.}$ Medium: Oil on canvas.
• $141$. The Migration of the Negro, Panel no. 49: Jacob Lawrence. $1940$–$1941\,\text{C.E.}$. Medium: Casein tempera on hardboard.
• $142$. The Jungle: Wifredo Lam. $1943\,\text{C.E.}$ Medium: Gouache on paper on canvas.
• $143$. Dream of a Sunday Afternoon in the Alameda Park: Diego Rivera. $1947$–$1948\,\text{C.E.}$. Medium: Fresco.
• $144$. Fountain (second version): Marcel Duchamp. $1950\,\text{C.E.}$ (original $1917$). Medium: Readymade glazed sanitary china.
• $145$. Woman, I: Willem de Kooning. $1950$–$1952\,\text{C.E.}$. Medium: Oil on canvas.
• $146$. Seagram Building: New York City. Mies van der Rohe and Philip Johnson. $1954$–$1958\,\text{C.E.}$. Medium: Steel frame, glass curtain wall, bronze.
• $147$. Marilyn Diptych: Andy Warhol. $1962\,\text{C.E.}$ Medium: Oil, acrylic, silkscreen on canvas.
• $148$. Narcissus Garden: Yayoi Kusama. $1966$. Medium: Mirror balls.
• $149$. The Bay: Helen Frankenthaler. $1963\,\text{C.E.}$ Medium: Acrylic on canvas.
• $150$. Lipstick (Ascending) on Caterpillar Tracks: Claes Oldenburg. $1969$–$1974\,\text{C.E.}$. Medium: Steel, aluminum, cast resin.
• $151$. Spiral Jetty: Great Salt Lake, Utah. Robert Smithson. $1970\,\text{C.E.}$ Medium: Earthwork (mud, salt crystals, rocks).
• $152$. House in New Castle County: Delaware, U.S. Venturi, Rauch, and Scott Brown. $1978$–$1983\,\text{C.E.}$. Medium: Wood frame and stucco.

Content Area 5: Indigenous Americas, $1000\,\text{B.C.E.}$–$1980\,\text{C.E.}$ ($14$ Works)

• $153$. Chav\u0033n de Hu\u00e1ntar: Peru. Chav\u0033n. $900$–$200\,\text{B.C.E.}$. Medium: Stone, granite, gold alloy.
• $154$. Mesa Verde cliff dwellings: Colorado. Ancestral Puebloan. $450$–$1300\,\text{C.E.}$. Medium: Sandstone.
• $155$. Yaxchil\u00e1n: Mexico. Maya. $725\,\text{C.E.}$ Medium: Limestone.
• $156$. Great Serpent Mound: Ohio. Mississippian. c. $1070\,\text{C.E.}$ Medium: Earthwork.
• $157$. Templo Mayor (Main Temple): Tenochtitlan. Mexica (Aztec). $1375$–$1520\,\text{C.E.}$. Medium: Stone, volcanic stone, jadeite, basalt.
• $158$. Ruler’s feather headdress: Mexica (Aztec). $1428$–$1520\,\text{C.E.}$. Medium: Feathers and gold.
• $159$. City of Cusco (Qorikancha, Saqsa Waman): Peru. Inka. c. $1440\,\text{C.E.}$ Medium: Andesite.
• $160$. Maize cobs: Inka. c. $1440$–$1533\,\text{C.E.}$. Medium: Sheet metal/repouss\u0039.
• $161$. City of Machu Picchu: Peru. Inka. c. $1450$–$1540\,\text{C.E.}$. Medium: Granite.
• $162$. All-T’oqapu tunic: Inka. $1450$–$1540\,\text{C.E.}$. Medium: Camelid fiber and cotton.
• $163$. Bandolier bag: Lenape tribe. c. $1850\,\text{C.E.}$ Medium: Beadwork on leather.
• $164$. Transformation mask: Kwakwaka’wakw. Late $19\text{th}$ century. Medium: Wood, paint, string.
• $165$. Painted elk hide: Cotsiogo (Cadzi Cody). c. $1890$–$1900\,\text{C.E.}$. Medium: Painted elk hide.
• $166$. Black-on-black ceramic vessel: Maria and Julian Mart\u0033nez. Mid-$20\text{th}$ century. Medium: Blackware ceramic.

Content Area 6: Africa, $1100$–$1980\,\text{C.E.}$ ($14$ Works)

• $167$. Conical tower and circular wall of Great Zimbabwe: Shona peoples. c. $1000$–$1400\,\text{C.E.}$. Medium: Coursed granite blocks.
• $168$. Great Mosque of Djenn\u0039: Mali. Rebuilt $1906$–$1907$. Medium: Adobe.
• $169$. Wall plaque, from Oba’s palace: Edo peoples, Benin. $16\text{th}$ century. Medium: Cast brass.
• $170$. Sika dwa kofi (Golden Stool): Ashanti peoples. c. $1700\,\text{C.E.}$ Medium: Gold over wood.
• $171$. Ndop (portrait figure): Kuba peoples. c. $1760$–$1780\,\text{C.E.}$. Medium: Wood.
• $172$. Power figure (Nkisi n’kondi): Kongo peoples. Late $19\text{th}$ century. Medium: Wood and metal.
• $173$. Female (Pwo) mask: Chokwe peoples. Late $19\text{th}$ to early $20\text{th}$ century. Medium: Wood, fiber, pigment.
• $174$. Portrait mask (Mblo): Baule peoples. Early $20\text{th}$ century. Medium: Wood and pigment.
• $175$. Bundu mask: Mende peoples. $19\text{th}$ to $20\text{th}$ century. Medium: Wood, cloth, fiber.
• $176$. Ikenga (shrine figure): Igbo peoples. $19\text{th}$ to $20\text{th}$ century. Medium: Wood.
• $177$. Lukasa (memory board): Luba peoples. $19\text{th}$ to $20\text{th}$ century. Medium: Wood, beads, metal.
• $178$. Aka elephant mask: Bamileke. $19\text{th}$ to $20\text{th}$ century. Medium: Wood, raffia, cloth, beads.
• $179$. Reliquary figure (byeri): Fang peoples. $19\text{th}$ to $20\text{th}$ century. Medium: Wood.
• $180$. Veranda post of enthroned king and senior wife: Olowe of Ise. $1910$–$1914\,\text{C.E.}$. Medium: Wood and pigment.

Content Area 7: West and Central Asia, $500\,\text{B.C.E.}$–$1980\,\text{C.E.}$ ($11$ Works)

• $181$. Petra, Jordan: Treasury and Great Temple: Nabataean Ptolemaic/Roman. $400\,\text{B.C.E.}$–$100\,\text{C.E.}$. Medium: Cut rock.
• $182$. Buddha: Bamiyan, Afghanistan. Gandharan. c. $400$–$800\,\text{C.E.}$ (destroyed $2001$). Medium: Cut rock with paint.
• $183$. The Kaaba: Mecca. Islamic. Rededicated $631$–$632\,\text{C.E.}$. Medium: Granite, silk, gold/silver thread.
• $184$. Jowo Rinpoche, enshrined in the Jokhang Temple: Lhasa, Tibet. Yarlung Dynasty. Brought to Tibet $641\,\text{C.E.}$ Medium: Gilt metals, semiprecious stones.
• $185$. Dome of the Rock: Jerusalem. Islamic, Umayyad. $691$–$692\,\text{C.E.}$ Medium: Stone masonry, wooden roof, ceramic tile.
• $186$. Great Mosque (Masjid-e Jameh): Isfahan, Iran. Seljuk up to Safavid. c. $700\,\text{C.E.}$ Medium: Stone, brick, wood, ceramic tile.
• $187$. Folio from a Qur’an: Abbasid. c. $8\text{th}$ to $9\text{th}$ century. Medium: Ink, color, gold on parchment.
• $188$. Basin (Baptist\u0038re de St. Louis): Muhammad ibn al-Zain. c. $1320$–$1340\,\text{C.E.}$. Medium: Brass inlaid with gold/silver.
• $189$. Bahram Gur Fights the Karg, folio from the Great Il-Khanid Shahnama: Islamic, Il-Khanid. c. $1330$–$1340\,\text{C.E.}$. Medium: Ink, watercolor, gold on paper.
• $190$. The Court of Gayumars, folio from Shah Tahmasp’s Shahnama: Sultan Muhammad. c. $1522$–$1525\,\text{C.E.}$. Medium: Ink, watercolor, gold on paper.
• $191$. The Ardabil Carpet: Maqsud of Kashan. $1539$–$1540\,\text{C.E.}$. Medium: Silk and wool.

Content Area 8: South, East, and Southeast Asia, $300\,\text{B.C.E.}$–$1980\,\text{C.E.}$ ($21$ Works)

• $192$. Great Stupa at Sanchi: India. Buddhist. c. $300\,\text{B.C.E.}$–$100\,\text{C.E.}$. Medium: Stone masonry, sandstone.
• $193$. Terra cotta warriors from mausoleum of the first Qin emperor of China: Qin Dynasty. c. $221$–$209\,\text{B.C.E.}$. Medium: Painted terra cotta.
• $194$. Funeral banner of Lady Dai (Xin Zhui): Han Dynasty. c. $180\,\text{B.C.E.}$ Medium: Painted silk.
• $195$. Longmen caves: Luoyang, China. Tang Dynasty. $493$–$1127\,\text{C.E.}$. Medium: Limestone.
• $196$. Gold and jade crown: Silla Kingdom, Korea. $5\text{th}$ to $6\text{th}$ century. Medium: Metalwork.
• $197$. Todai-ji: Nara, Japan. Kei School. $743\text{ C.E.}$ Medium: Bronze and wood (sculpture); wood/tile (architecture).
• $198$. Borobudur Temple: Java, Indonesia. Sailendra Dynasty. c. $750$–$842\,\text{C.E.}$. Medium: Volcanic-stone masonry.
• $199$. Angkor Wat and Angkor Thom: Cambodia. Angkor Dynasty. c. $800$–$1400\,\text{C.E.}$. Medium: Stone masonry, sandstone.
• $200$. Lakshmana Temple: Khajuraho, India. Chandella Dynasty. c. $930$–$950\,\text{C.E.}$. Medium: Sandstone.
• $201$. Travelers among Mountains and Streams: Fan Kuan. c. $1000\text{ C.E.}$ Medium: Ink and colors on silk.
• $202$. Shiva as Lord of Dance (Nataraja): Chola Dynasty. c. $11\text{th}$ century. Medium: Cast bronze.
• $203$. Night Attack on the Sanj\u0034 Palace: Kamakura Period. c. $1250$–$1300\,\text{C.E.}$. Medium: Handscroll (ink and color on paper).
• $204$. The David Vases: Yuan Dynasty. $1351\,\text{C.E.}$ Medium: White porcelain with cobalt-blue underglaze.
• $205$. Portrait of Sin Sukju: Imperial Bureau of Painting. $15\text{th}$ century. Medium: Hanging scroll (ink/color on silk).
• $206$. Forbidden City: Beijing, China. Ming Dynasty. $15\text{th}$ century. Medium: Stone, marble, brick, wood, and tile.
• $207$. Ryoan-ji: Kyoto, Japan. Muromachi Period. c. $1480\,\text{C.E.}$ Medium: Rock garden.
• $208$. Jahangir Preferring a Sufi Shaikh to Kings: Bichitr. c. $1620\,\text{C.E.}$. Medium: Watercolor, gold, and ink on paper.
• $209$. Taj Mahal: India. Architect Ustad Ahmad Lahori. $1632$–$1653\,\text{C.E.}$. Medium: Stone masonry and marble with inlay.
• $210$. White and Red Plum Blossoms: Ogata Korin. c. $1710$–$1716\,\text{C.E.}$. Medium: Ink, watercolor, and gold leaf on paper.
• $211$. Under the Wave off Kanagawa (Great Wave): Katsushika Hokusai. $1830$–$1833\,\text{C.E.}$. Medium: Polychrome woodblock print.
• $212$. Chairman Mao en Route to Anyuan: unknown artist. c. $1969\,\text{C.E.}$ Medium: Color lithograph.

Content Area 9: The Pacific, $700$–$1980\,\text{C.E.}$ ($11$ Works)

• $213$. Nan Madol: Micronesia. Saudeleur Dynasty. c. $700$–$1600\text{ C.E.}$ Medium: Basalt boulders/columns.
• $214$. Moai on platform (ahu): Rapa Nui. c. $1100$–$1600\,\text{C.E.}$. Medium: Volcanic tuff on basalt.
• $215$. ‘Ahu ‘ula (feather cape): Hawaiian. Late $18\text{th}$ century. Medium: Feathers and fiber.
• $216$. Staff god: Rarotonga, Cook Islands. Late $18\text{th}$ to early $19\text{th}$ century. Medium: Wood, tapa, fiber.
• $217$. Female deity: Nukuoro, Micronesia. c. $18\text{th}$ to $19\text{th}$ century. Medium: Wood.
• $218$. Buk (mask): Torres Strait. Mid- to late $19\text{th}$ century. Medium: Turtle shell, wood, fiber, feathers.
• $219$. Hiapo (tapa): Niue. c. $1850$–$1900\,\text{C.E.}$. Medium: Tapa, freehand painting.
• $220$. Tamati Waka Nene: Gottfried Lindauer. $1890\text{ C.E.}$ Medium: Oil on canvas.
• $221$. Navigation chart: Marshall Islands. $19\text{th}$ to early $20\text{th}$ century. Medium: Wood and fiber.
• $222$. Malagan display and mask: New Ireland Province. c. $20\text{th}$ century. Medium: Wood, pigment, fiber, shell.
• $223$. Presentation of Fijian mats and tapa cloths to Queen Elizabeth II: Fiji. $1953\,\text{C.E.}$ Medium: Multimedia performance.

Content Area 10: Global Contemporary, $1980\,\text{C.E.}$ to Present ($27$ Works)

• $224$. The Gates: NYC. Christo and Jeanne-Claude. $1979$–$2005\,\text{C.E.}$. Medium: Mixed-media installation.
• $225$. Vietnam Veterans Memorial: Washington, D.C. Maya Lin. $1982\,\text{C.E.}$ Medium: Granite.
• $226$. Horn Players: Jean-Michel Basquiat. $1983\,\text{C.E.}$ Medium: Acrylic and oil paintstick.
• $227$. Summer Trees: Song Su-nam. $1983\,\text{C.E.}$ Medium: Ink on paper.
• $228$. Androgyn III: Magdalena Abakanowicz. $1985\,\text{C.E.}$ Medium: Burlap, resin, wood.
• $229$. A Book from the Sky: Xu Bing. $1987$–$1991\,\text{C.E.}$. Medium: Mixed-media installation.
• $230$. Pink Panther: Jeff Koons. $1888\,\text{C.E.}$ Medium: Glazed porcelain.
• $231$. Untitled (#228): Cindy Sherman. $1990\,\text{C.E.}$ Medium: Photograph.
• $232$. Dancing at the Louvre: Faith Ringgold. $1991\,\text{C.E.}$ Medium: Acrylic on canvas with pieced fabric border.
• $233$. Trade (Gifts for Trading Land with White People): Jaune Quick-to-See Smith. $1992\,\text{C.E.}$ Medium: Oil/mixed media on canvas.
• $234$. Earth’s Creation: Emily Kame Kngwarreye. $1994\,\text{C.E.}$ Medium: Synthetic polymer paint on canvas.
• $235$. Rebellious Silence: Shirin Neshat. $1994\text{ C.E.}$ Medium: Ink on photograph.
• $236$. En la Barberia no se Llora: Pepon Osorio. $1994\,\text{C.E.}$ Medium: Mixed-media installation.
• $237$. Pisupo Lua Afe (Corned Beef 2000): Michel Tuffery. $1994\,\text{C.E.}$ Medium: Mixed media.
• $238$. Electronic Superhighway: Nam June Paik. $1995\,\text{C.E.}$ Medium: Mixed-media (video, neon, steel).
• $239$. The Crossing: Bill Viola. $1996\,\text{C.E.}$ Medium: Video/sound installation.
• $240$. Guggenheim Museum Bilbao: Frank Gehry. $1997\,\text{C.E.}$ Medium: Titanium, glass, and limestone.
• $241$. Pure Land: Mariko Mori. $1998\,\text{C.E.}$ Medium: Color photograph on glass.
• $242$. Lying with the Wolf: Kiki Smith. $2001\,\text{C.E.}$ Medium: Ink and pencil on paper.
• $243$. Darkytown Rebellion: Kara Walker. $2001\,\text{C.E.}$ Medium: Cut paper and projection.
• $244$. The Swing (after Fragonard): Yinka Shonibare. $2001\,\text{C.E.}$ Medium: Mixed-media installation.
• $245$. Old Man’s Cloth: El Anatsui. $2003\,\text{C.E.}$ Medium: Aluminum and copper wire.
• $246$. Stadia II: Julie Mehretu. $2004\,\text{C.E.}$ Medium: Ink and acrylic on canvas.
• $247$. Preying Mantra: Wangechi Mutu. $2006\,\text{C.E.}$ Medium: Mixed media on Mylar.
• $248$. Shibboleth: Doris Salcedo. $2007$–$2008\,\text{C.E.}$. Medium: Installation.
• $249$. MAXXI National Museum of XXI Century Arts: Zaha Hadid. $2009\text{ C.E.}$ Medium: Glass, steel, and cement.
• $250$. Kui Hua Zi (Sunflower Seeds): Ai Weiwei. $2010$–$2011\,\text{C.E.}$. Medium: Sculpted and painted porcelain.

Appendix C: Processes of Art Historical Analysis

• Analysis of Form: This involves investigating component materials and how they create physical and visual elements. Use knowledge of design principles/elements to examine fundamental visual components and their relationship to the work.
• Analysis of Function: Consider the intended use(s) and actual use(s). Functions include utility, intercession, decoration, communication, commemoration, spiritual expression, social, political, or personal expression.
• Analysis of Content: Explore design elements, representation, and presentation. Content includes subject matter (formal, representative, or symbolic depictions) and may be narrative, spiritual, historical, mythological, or propagandistic.
• Analysis of Context: Examine the historical and cultural milieu.     * Location: Time, place, and culture of creation.     * Interaction: When and how audiences interacted with the work.     * Purpose: The artist's intended purpose and site choice.     * Display: Modes of display, associated paraphernalia, and sensory stimuli.     * Demographics: Characteristics of the artist and the audience (social, economic, political).     * Patronage: Ownership and power relationships.     * Evidence: Provided via records, religious chronicles, academic publications, artifacts, research, and archaeological data.