Pre-colonization:
Diverse and resource-rich land
Tribal control by local communities
Colonial Period:
Foreign rule by Egypt and later home rule under Christian and Muslim governments
Unified administration under the Anglo-Egyptian Condominium (1899-1956)
British held primary political and military power
Division into:
North: Predominantly Muslim, Arabic-speaking
South: Multi-religious, ethnic, and linguistic communities
Control of education:
North: British managed education
South: Left to Christian missionaries
Independence:
Achieved in 1956, establishing the Republic of Sudan
Civil Wars:
First Sudanese Civil War (1955-1972)
Second Sudanese Civil War (1983-2005)
South Sudan’s Independence (2011)
Third Sudanese Civil War (2023-present)
Historical Illustration:
An 1897 lithograph depicting the Mahdist War (1881-1899)
Tayeb Salih (1929–2009):
Often regarded as “the genius of the Arabic novel” by leading Arab critics (1976)
Noted for his works as a writer, novelist, journalist, and UNESCO staff member
His novel Season of Migration to the North (SMN) recognized as “the most important Arab novel of the 20th century” (2001)
Initial serialization in a Lebanese magazine in 1966, published as a book in 1967
Collaborated closely with translator Denys Johnson-Davies
Renowned for his work between Arabic and English, acknowledged by Edward Said
Salih emphasized the significance of writing in Arabic as a matter of principle, in contrast to using English, the colonial language
Frantz Fanon:
Martinican psychiatrist and political philosopher recognized for his anticolonial perspectives
Key Works:
The Wretched of the Earth (1961)
Black Skin, White Masks (1952)
Autoethnography:
Blends personal experiences with historical critique of colonial impact on identity
Examination of violence:
Colonial violence against colonized cultures and peoples
Anti-colonial violence as a response to reclaim dignity
Impact of colonialism on the psyche of both Black and White individuals
Concept of the “white mask” – adopting a façade to assimilate into white society
Inquiry into how SMN integrates these postcolonial theories and themes