How can we psychoanalytically interpret the poems in The Journals of Susanna Moodie by Margaret Atwood_ - eNotes.com
Psychoanalytical Interpretation of Atwood's The Journals of Susanna Moodie
Overview of Psychoanalysis
Psychoanalytic Criticism: Based on Sigmund Freud's theories, focuses on three elements of the human psyche:
Id: Represents the individual unconscious, focused on pleasure-seeking and pain avoidance.
Ego: The conscious mind, rational and dealing with reality.
Superego: Represents morality, conscience, and adherence to higher principles.
The Role of the Ego in Moodie's Poetry
In "Disembarking at Quebec":
Contrasts between the narrator's restrained reaction and the uninhibited enthusiasm of fellow immigrants.
Moodie's rational ego is highlighted against the instinctual responses (id) of others, depicted through imagery of “leap” and “shout / Freedom!”
"Further Arrivals":
Moodie's calm, rational voice continues, showing her reliance on intellect over passionate emotional responses.
Again, contrasts with other immigrants’ pleasure-driven behavior.
Emotion and the Id
Despite her rational demeanor, Moodie occasionally expresses fears originating from her id.
Example: The metaphor “fears hairy as bears” conveys her innate fears.
References to sensing “malice in the trees’ whispers” display a shift toward embracing her emotions.
In "First Neighbours":
Displays no bitterness towards taunts, showing a reasoned acceptance of her past in England.
Resolves to confront challenges rationally, aligning her approach with her ego.
The Intersection of Id and Ego
"The Planters":
Contrasts the rational responses of Moodie's husband and male friends with Moodie's burgeoning acknowledgment of her fears.
Represents a significant concession to her id’s emotional force.
"The Wereman":
Illustrates a movement away from ego-driven narrative toward id-driven fantasy, highlighting a more pronounced emotional depth in her later poetry.
Absence of the Superego
The poems reveal a striking lack of reference to the superego:
No mention of God or moral dilemmas, suggesting a disconnect from moral or conscientious influences.
Moodie's experiences and emotions are primarily framed within the context of id and ego without external moral guidance or constraints.
Conclusion
The psychoanalytical interpretation of Atwood's poetry reveals a complex interplay between id and ego, with a notable absence of superego influences, showcasing a trajectory of Moodie's emotional and psychological journey as an early immigrant.