Postmodern Day 1 - Postmodernism
emerged as a response to the limitations of modernism
modernism was based in originality and authenticity, postmodernism began to give up on that
after WWI and WWII, optimism was effectively destroyed, artists began to question the stability of knowledge and the nature of reality
consumer culture and media on the rise
senses of fragmentation and complexity, self-awareness and alienation
literature
forms and genres:
metafiction
fragmentation
pastiche (imitating the style of another work) and intertextuality
irony and satire
unconventional storytelling
themes and motifs:
skepticism of grand narratives
identity/identity crises
blurring of high and low culture
distrust of language (struggling to put things into words, using types of wordplay to get across your meaning)
simulacra (a physical symbol for a broad reality) and hyperreality
postmodern drama (theatre)
emerged as an extension of other literatures
breaking the fourth wall
incorporated elements of metafiction
the ruling class (1968)
working class began to struggle for more power
social hierarchy being highlighted
dangers of political power being explored
countercultural movements
challenged the norms being upheld by the aristocracy (ruling class)
changing moral values
critique of conservatism
settings and characters of the ruling elite
the gurney estate
jack, 14th earl of gurney
ruling class is so complex, insanity → understanding his privilege, ruling class has to confront its role in [corruption]
supporting characters represent all the opinions and parts of the ruling class
ruling class as a postmodern text
challenging social norms, especially the aristocracy
dismantling the view of upper class as noble and superior
critique of religion
jack viewing himself as jesus (even though he is delusional and truly does believe), people can twist and warp religion for personal and political gain
metafiction - jack’s delusion of being jesus
characters perception of reality VS actual reality
difficult to understand the actual reality within the play
irony and satire - play is self aware of the fact that it is a play
characters comment on their own actions
music creates dissonance that highlights the commentary of absurdity of the play
identity/identity crisis - jack slowly acknowledges his mental state
unconventional storytelling - can’t stick to one genre, blurring boundaries between reality and fiction