Postmodern Day 1 - Postmodernism

  • emerged as a response to the limitations of modernism

    • modernism was based in originality and authenticity, postmodernism began to give up on that

  • after WWI and WWII, optimism was effectively destroyed, artists began to question the stability of knowledge and the nature of reality

  • consumer culture and media on the rise

  • senses of fragmentation and complexity, self-awareness and alienation

literature

  • forms and genres:

    • metafiction

    • fragmentation

    • pastiche (imitating the style of another work) and intertextuality

    • irony and satire

    • unconventional storytelling

  • themes and motifs:

    • skepticism of grand narratives

    • identity/identity crises

    • blurring of high and low culture

    • distrust of language (struggling to put things into words, using types of wordplay to get across your meaning)

    • simulacra (a physical symbol for a broad reality) and hyperreality

  • postmodern drama (theatre)

    • emerged as an extension of other literatures

    • breaking the fourth wall

    • incorporated elements of metafiction

the ruling class (1968)

  • working class began to struggle for more power

  • social hierarchy being highlighted

  • dangers of political power being explored

  • countercultural movements

    • challenged the norms being upheld by the aristocracy (ruling class)

  • changing moral values

  • critique of conservatism

  • settings and characters of the ruling elite

    • the gurney estate

    • jack, 14th earl of gurney

      • ruling class is so complex, insanity → understanding his privilege, ruling class has to confront its role in [corruption]

    • supporting characters represent all the opinions and parts of the ruling class

ruling class as a postmodern text

  • challenging social norms, especially the aristocracy

  • dismantling the view of upper class as noble and superior

  • critique of religion

    • jack viewing himself as jesus (even though he is delusional and truly does believe), people can twist and warp religion for personal and political gain

  • metafiction - jack’s delusion of being jesus

    • characters perception of reality VS actual reality

    • difficult to understand the actual reality within the play

  • irony and satire - play is self aware of the fact that it is a play

    • characters comment on their own actions

    • music creates dissonance that highlights the commentary of absurdity of the play

  • identity/identity crisis - jack slowly acknowledges his mental state

  • unconventional storytelling - can’t stick to one genre, blurring boundaries between reality and fiction