Post-Impressionism
==Post-Impressionism Characteristics:==
- 1886-1905
- Instead of art being a window onto the world, it became a window into the artist’s mind using memories/emotions
- Symbolic & personal
- Focused on abstract form and pattern
- Combination of the colour and light of impressionism with the design and structure/composition of traditional painting.
- Sought to make an emotional experience through the use of: * Symbolism * Vibrant colour * Captivating forms
- An exaggerated form of impressionism
- Dabs of colour allow the viewer’s eye to blend them (diff people saw diff things)
\ ^^Differences with Impressionism:^^
- Artists planned their canvases instead of going by an instantaneous glimpse
- Combination of Impressionism’s colour and light with traditional structure and composition
\ ^^2 Directions of Impressionism:^^
- Cézanne & Seurat: Looked for the permanence of form and concentrated on design
- Van Gogh and Gaugin: Emphasized emotional and sensuous expression * Considered “spiritual” post-impressionists due to their depcition of emotion and shying away from Realism
\ ^^Impact on 20th-Century Artists:^^
- Freed artists from traditional painting techniques and Renaissance concepts of space and form
- Produced a variety of styles
- Gave an extreme range of individual expression that characterizes art in the 20th century
\ %%Seurat:%%
- Created “marvellously light-filled pictures” based on impressionist techniques and scientific ones (photography + physics)
- Master of pointillism/divisionism
- Used vibrant colour + optical mixing + structured compositions
- Ex. Bathers at Asnières, A Sunday Afternoon on the Island of La Grande Jatte (rich people pointillism)
\ %%Van Gogh%%
- Used Impasto: thick globs of paint (vigorous strokes)
- Early work: Used very dark tones (depressed, suicidal), traditional technique
- After seeing Impressionism: Colour brightened, and brushstrokes became visible * Brilliant colour to immortalize his subjects & textured surface * He used CONTRAST to create a visual vibration that at first might seem shocking.
- Eventually committed suicide
- Ex. Café Terrace at Night, The Starry Night, Sunflowers
\ %%Toulouse-Lautrec:%%
- Broke both legs at 14, then became a painter. * Painted at elbow-height
- A favourite subject for his caricatures: dancers & circus performers
- Immerses his viewers into his art (ex. woman and table in At the Moulin Rouge draw the viewer into direct relationship with the scene).
- First artist to produce modern posters for commercial purposes such as cabarets’ advertisements
- Drew circus posters & oil pieces with the pretty woman
- Ex. At the Moulin Rouge, The Glutton, Japanese Couch
\ %%Gauguin:%%
- Very simplistic style (stark lines)
- Rejected the formlessness of Impressionism and realistic portrayal
- He wanted to return to a primitive form of art with simple forms and symbolism rendered in a decorative and stylized way
- Gauguin outlined his shapes and used many Egyptian poses * He flattened form into decorative shapes and combined brilliant colours to express his feelings
- Combines his Christianity with tropical lifestyle/Tahiti (ex. depicts Tahitian woman and her son like Mary and Christ)
- “Goofy art” * Ex. The Yellow Christ, Self Portrait with the Yellow Christ, Tahitian Women on the Beach, Parau Api
\ %%Cézanne:%%
- Liked: * Balance, thick paint, objects reduced to simple forms
- Did not want his paintings to imitate the realistic 3 dimensionalities of nature
- He felt free to move objects and adjust relationships of colour/form even it meant distortion
- He discarded the traditional aerial and linear perspective and painted foreground, middleground, background, and sky with the same intensity.
- Uses flat abstract planes of colour to manipulate dimensions/space
- Began painting still-life because nobody would sit for him (unless they are card-players that would sit for hours)
- Painted still-life and card players
- Ex. The Basket of Apples, The Card Players \n
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