Exploring Early Philippine Conventional and Contemporary Music and Arts
Learning Objectives and Curriculum Overview
- Target Grade and Quarter: This content is designed for Music and Arts Grade , Quarter , covering Weeks under the MATATAG curriculum framework (Bansang Makabata, Batang Makabansa).
- General Learning Objective: The primary goal is for students to differentiate between evolving early Philippine conventional and contemporary performing and visual arts concepts, processes, and practices.
- Lesson Objective : Identify characteristics of early Philippine conventional and contemporary performing and visual arts.
- Lesson Objective : Describe the concepts, processes, and practices employed in early Philippine conventional and contemporary performing and visual arts.
- Lesson Objective : Compare evolving early Philippine conventional and contemporary performing and visual arts in terms of concepts, processes, and practices.
Exploratory Content and Themes
- Theme: "Exploring Early Philippine Music and Arts according to Forms and Function in Music and Arts."
- Core Pillars of Discussion:
- Concepts, processes, and practices of early Philippine conventional and contemporary performing and visual arts.
- Identification of specific characteristics for both styles.
- Comparative analysis of the evolution from conventional to contemporary styles.
Introductory Activity: "My Own Festive Dance"
- Activity Description: Learners play music from a local festival and dance for minutes. The focus is to observe the execution of steps and movements.
- Named Example: The Dawa Festival of Gonzaga, Cagayan.
- Short Review Questions:
- What did you feel when you heard the music?
- What were your considerations in creating your movements/dance steps?
- Are your steps/movements similar all throughout?
- Did you enjoy the activity?
Unlocking Content Vocabulary
- Conventional Art (TNEOAVCINOTL RTA): A traditional form that follows established techniques, styles, and themes.
- Contemporary Art (RPYTCONMTAEO RAT): Art created in the present time.
- Concept (CEOTPCN): The thought, intention, or meaning behind the artwork.
- Process (RCPEOSS): The sequence of actions or steps taken to create a work.
- Practices (CTREISCAP): The activities, techniques, and approaches involved in making art.
- Technology (LOTHGCEYON): Tools, machines, techniques, and processes used by people to solve problems, accomplish tasks, or create products.
- Social Issues (IOLSACS SESUI): Problems or challenges within society that affect people's well-being, relationships, and quality of life.
- Diversity (RSITIDVEY): The presence of a variety of different characteristics or qualities within a group, community, or society.
Characteristics of Conventional and Contemporary Arts
Early Philippine Conventional Arts
- Heritage Connection: These arts connect the present to the past by representing historical culture, skills, and knowledge.
- Methodology: Follows established methods and uses traditional materials.
- Oral Tradition: Early Filipinos did not record stories, songs, and art in books; they were performed to remember important facts.
- Instrumentation: Musical instruments are crafted from bamboo, gongs of various sizes, and drums covered with animal skin. Each region has distinct instruments and sounds.
- Vocal Traditions: People engaged in singing and chanting for special occasions, storytelling, rituals, and ceremonies.
- Inspiration: Themes are heavily inspired by nature, including plants, animals, and the world around them.
- Purpose: Used to honor nature spirits and ancestors. It is a communal activity used to celebrate important events, rituals (like weddings), and the commemoration of the deceased.
- Role of the Artist: Skilled individuals served as both the artists and the craftsmen of their time to keep traditions alive.
Philippine Contemporary Arts
- Cultural Blending: Reflects the country's history by blending cultures and diverse voices.
- Integration of Styles: Contemporary artists mix traditional and modern styles, combining old stories and designs with modern methods of creation.
- Social Expression: Artists use art to express views on political, environmental, human rights, technological, and globalization issues. Art serves as a commentary or critique.
- Boundaries: It goes beyond traditional boundaries to explore new forms, utilizing diverse styles, themes, and techniques.
- Technological Integration: Involves the adoption of emerging technologies and non-traditional performance techniques.
Comparison Table: Conventional vs. Contemporary Art
| Feature | Philippine Conventional Art | Contemporary Art |
|---|---|---|
| Concept | Nature worship, animism, and ancestor veneration | Social issues, identity, technology integration, and global influences |
| Process | Use of local environmental materials; passed down orally; community participation; non-verbal communication | Innovation, experimentation, collaboration, interdisciplinary methods; limitless boundaries |
| Practice | Music, dance, and theater as part of rituals; work of craftsmen (textile weaving) | Painting, sculpture, digital arts, and multi-media performances |
Case Studies in Art Evolution
- Conventional Example: Ragragsakan: A traditional dance representing the Kalinga people's practice of celebrating a successful headhunt or peace pact.
- Contemporary Example: "Mapa" by SB19: A contemporary dance/song performance that utilizes modern choreography and music production while maintaining Filipino cultural themes.
- Comparative Guide Questions:
- What are the concept, process, and practice of conventional arts based on the video?
- Describe the concept, process, and practice of contemporary arts based on the video.
- What Filipino culture is reflected in the creative work presented?
- What art forms are incorporated/integrated in the creative work?
- How did the incorporation/integration of other art forms contribute to the overall presentation?
Deep Dive: Philippine Indigenous and Ethnic Music
Definition and Scope
- Ethnic Music: Traditional, typically anonymous music that expresses the life of a community.
- Diversity: Filipino music is highly diverse due to the indigenous population being spread across hundreds of islands with approximately ethnic groups.
- Functionality: Pre-colonial indigenous music was largely functional, integrated into every phase of life from birth to death.
Regional Distribution
- Indigenous traditions are maintained by approximately of the population, concentrated in:
- Northern Luzon (Central Cordilleras).
- Central Philippine Islands: Mindoro and Palawan.
- Southern Islands: Mindanao and Sulu.
- Mindanao and Sulu Traditions:
- Islamic: Maguindanao, Maranao, Yakan, Tausog, and Samal.
- Pre-Islamic: Bagobo, Manobo, Bukidnon, Tagakaolo, Bilaan, Mansaka, Subanon, and Mandaya.
Musical Characteristics
- Style: Varies by region.
- Complexity: Often polyphonic with highly interlocking repeated patterns.
- Instrumentation: Primarily percussion, with some wind and string instruments.
- Influence of Nature: Instruments consist of bamboo, wood, shell, animal skin, and metal. Melodies and rhythms often imitate nature's sounds and movements.
Comparative Styles: Southern vs. Northern
Southern Style (Mindanao/Sulu):
- Tausug (Sulu Archipelago): Known for a sophisticated repertoire called Kulintang.
- Instruments: Gongs similar to Indonesian styles.
- Aerophone Example: Palendag.
- Chordophone Example: Kaltsang.
- Idiophone Example: Kulintang.
Northern Style (Central Cordilleras of Luzon):
- Gongs: Use of unbossed gongs called Gangsa, which originate from mainland Asia.
- Aerophone Example: Paldong.
- Chordophone Example: Gitgit.
- Idiophone Example: Gangsa.
Functions and Phases of Life
| Phase of Life | Example/Song Type | Ethnic Group |
|---|---|---|
| Child Birth | Appros | Kalinga |
| Courtship / Love Songs | Ading | Kalinga |
| Courtship / Love Songs | Inegegkak si labago | Tingguian |
| Death / Funerals | Dikir | Maranao |
| Work Songs (Rice Pounding) | Ayoweng | Bontoc |
| Invited Guests Songs | Tenis-tenis | Samal |
| Other Functions | Religious ceremonies, rituals, and hunting songs | Various Groups |
Formative Assessment Guide
- Statement Analysis (True or False):
- Animism is a concept in early Philippine arts because Filipinos believe in spirits. (True)
- Music, dance, and theater were part of rituals and ceremonies in the early period. (True)
- Stories, songs, and dances were all written during the early period. (False - They were oral/performed).
- Early art processes involved use of technology. (False - They used available natural materials).
- Textile weaving, music, and dance are early practices. (True)
- There is no significant difference between conventional and contemporary arts. (False - They differ in concepts like social issues vs. nature worship).
- Contemporary arts have a limitless concept. (True)
- Social issues and globalization can be concepts for contemporary art. (True)
- Traditional styles are never used in contemporary works. (False - They are often mixed).
- Different art forms can be integrated into either conventional or contemporary performances. (True)