Artworks Surrealism
Salvador Dali

SALVADOR DALI, LOBSTER TELEPHONE, 1936. TELEPHONE, PLASTER. THIS OBJECT SHOWS HOW DALI WOULD COMBINE EVERYDAY OBJECTS TO CREATE A DREAMLIKE EFFECT

SALVADOR DALI, THE PERSISTENCE OF MEMORY, 1931. OIL ON CANVAS.
In the PERSISTENCE OF MEMORY (24x33cm) Dali creates a barren space where time stands still.
A strange never-setting sun illuminates the landscape.
The cliffs in the distance are actually from a place in Catalonia
An amorphous creature sleeps in the foreground. , where he grew up.
This could be the face of Dali himself with long eyelashes that seem to be insect-like.
Dali has draped this creature with a limp pocket watch.
Joan Miro

JOAN MIRO, CARNIVAL OF HARLEQUIN, 1924-25. OIL ON CANVAS
A room with a window and a table are indicated and they belong more or less to the everyday world, but after that Miro’s imagination took over.
Bizarre assemblies of insect-like creatures play, dance and make music.
One of them has the suggestion of a human face with a ridiculous moustache. According to Miro: “I begin painting and as I paint the picture begins to assert itself, under my brush
Rene Magritte

RENÉ MAGRITTE, TIME TRANSFIXED, 1938. OIL ON CANVAS
In this painting Magritte puts together precisely and realistically painted objects that do not belong together logically .
He paints a smoking steam train coming out of a fireplace in a suburban room.
He blends together the ordinary to create a strange and disturbing scene from a nightmare

RENÉ MAGRITTE, THIS IS NOT A PIPE, 1931. OIL ON CANVAS.
The work, This is not a pipe, is also known as the Treachery of Images.
Magritte represents a meticulously painted briar pipe.
It looks like a real pipe, but then he writes underneath it in French that ‘this is not a pipe’, which of course it is not, it is only a painted image of a pipe .
With this, Magritte explores the relationship between the real world and the painted world