Basics of Film and Music 8/27
Pioneers of Film
George Méliès - a magician who incorporated films into his magic shows
Experimented with new camera techniques - slow down, dissolves, fade-outs, superimpositions
One of the first to make films with a narrative/plot
Edwin Porter - an American projectionist who had worked for Edison
Created The Great Train Robbery, the first major American narrative film
Retells the true story of a 1900 train robbery in Wyoming by Butch Cassidy
Tells the story with discontinuous action - shifting between multiple simultaneous events
Music for Early Film
Venue options:
Small neighborhood movie houses wih a keyboardists
Nickelodeons - small theaters with a 5-cent admission price
Medium-sized theaters with a small ensemble (5-10 musicians)
Early films were NOT SILENT!
Music wasn’t only used for drama:
Covered the noise of the projector
Made it more relatable to the audience - compensated for lack of actors
Originally improvised, but later written down/planned
Music for early films was handled by the venus, not the filmmakers
If shown in a smaller theater, it would be accompanied by 1-3 musicians
Almost always a keyboard (especially organ)
Sometimes added a drummer (for sound effects), violinist/cellist, or singers
The Wurlitzer organ was designed specifically for accompanying silent films
Invented in 1911; over 2,000 built