play notes
TITLE PAGE
Title: TOPDOG/UNDERDOG
Author: Suzan-Lori Parks
Published by: Dramatists Play Service, Inc.
The play's setting: New York, NY
Casts:
Lincoln: Jeffrey Wright (later Mos Def)
Booth: Don Cheadle
Opening dates:
Premiered at the Joseph Papp Public Theater (July 26, 2001)
Opened on Broadway at the Ambassador Theatre (April 7, 2002)
INTRODUCTION
Date of Reflection: January 1999
Previous Work: The America Play (written seven years earlier)
Features a black man impersonating Abraham Lincoln.
Engages in interactive play where people shoot him as part of entertainment.
Inspiration for New Play:
Introduces a new character, another black Lincoln impersonator.
Focuses on his home life, introducing characters named Lincoln and Booth (suggestive relation to the historical figure and John Wilkes Booth).
Personal Experience with 3-card Monte:
Inspired by a conversation with husband regarding the shell game seen on Canal Street.
Husband, Paul, was a hustler of 3-card monte during his music career.
AUTHOR'S NOTE
Elements of Style:
Uses unconventional theatrical elements, such as pauses and repetitions, noted in transcription style.
Explains distinct denotations:
(Rest) - denotes pauses.
(Parentheses) - indicates softly spoken passages or asides.
[Brackets] - show possible cuts for production.
SCENE ONE
Setting: A seedily furnished room in a rooming house, the environment is minimalistic with basic furniture.
Booth's Action:
Practices the 3-card monte hustle, initially clumsy and mechanical.
Dialogue demonstrates his hustling technique with emphasis on showmanship and engagement of potential players.
Uses colorful and engaging rhetoric to entice involvement, leading to a harsh self-outburst at imagined players who lose.
Lincoln's Entrance:
Lincoln enters dressed as Abraham Lincoln while Booth is still engrossed in his practice.
Initial tension as Booth draws a gun, but Lincoln's non-threat prompts a discussion about his getup.
Character Dynamics:
Booth adamantly dislikes Lincoln's disguise out of concern for image and impending relationships.
They share a more personal discussion about women and loyalty.
SCENE TWO
Time Transition: Set in the immediate time following Scene One, now focusing on a Friday evening.
Booth, showing signs of materialism, reveals his character's ongoing struggles and aspirations.
Booth's Romantic Interest:
Planning a date with Grace, demonstrating a desire to elevate his status; he wants to impress her with wealth he suggests garnered through less honest means (boosting jewelry).
Booth's Plans:
Engages in mischievous design, displaying ambition contrasted against Lincoln’s contemplative resignation to his circumstances.
Shared Childhood Memories:
The brothers reminisce about their shared experiences growing up, illustrating their bond and the emotional undercurrent of family trauma.
Underlying Tensions:
Lincoln reveals thoughts on his work situation and deeper reflections on their family dynamic, hinting at generational cycles of failure and trauma.
SCENE THREE
Transition to Evening: Lincoln wakes in a drunken stupor; Booth's narrative exposes his self-congratulating nature contrasted against Lincoln’s quiet contemplation.
Social dynamics continue to play out as they navigate desires for connection with women and their shared understanding.
Struggle with Identity:
Both men conceptually explore their pasts, ambitions, and the nature of familial bonds.
Financial Situations:
Exchange information about small finances—a running theme of struggle.
SCENE FOUR
Character Evolution:
Lincoln, having re-engaged with his hustling past, enjoys the thrill of unexpectedly garnering cash.
Subtle shifts in character balance as Booth feels overshadowed, driving conflict.
Emphasis on Lincoln’s hustling days in the past as motivating factors.
SCENE FIVE
Immediate Conflict: The scene builds towards an explosive confrontation as the brothers' ambitions collide.
Booth, recognizing Lincoln’s past failures and their implications, becomes increasingly insecure.
Profound Climax:
A series of escalating exchanges leads to a climax where Lincoln is fatally shot, underscoring themes of betrayal and rivalry.
Final Emotional Exchange:
Highlighting their deep-seated issues of respect, familial loyalty, and survival instincts leading to Booth’s ultimate outburst of regret and anger.
PROPERTY LIST
Items mentioned for production:
Playing cards
Wooden chairs
Lincoln costume (frock coat, fake beard, etc.)
Liquor and glasses
Gun (belonging to Booth)
Chinese food containers
Guitar
Miscellaneous household items
SOUND EFFECTS
Gunshot, marking the end of a character and pivotal plot point.
ANALYSIS OF THEMES AND CHARACTERS
Rivalry and Brother Dynamics:
Physical manifestations of jealousy and ambition, showing how societal conditions breed tension.
Identity and Historical Context:
The weight of historical figures on modern representations of selfhood among black men.
Economic Struggles:
Insights into economic conditions faced by marginalized communities and how aspirations often clash with reality, revealing despair and destructive behaviors as coping mechanisms.