play notes

TITLE PAGE

  • Title: TOPDOG/UNDERDOG

  • Author: Suzan-Lori Parks

  • Published by: Dramatists Play Service, Inc.

  • The play's setting: New York, NY

  • Casts:

    • Lincoln: Jeffrey Wright (later Mos Def)

    • Booth: Don Cheadle

  • Opening dates:

    • Premiered at the Joseph Papp Public Theater (July 26, 2001)

    • Opened on Broadway at the Ambassador Theatre (April 7, 2002)

INTRODUCTION

  • Date of Reflection: January 1999

  • Previous Work: The America Play (written seven years earlier)

    • Features a black man impersonating Abraham Lincoln.

    • Engages in interactive play where people shoot him as part of entertainment.

  • Inspiration for New Play:

    • Introduces a new character, another black Lincoln impersonator.

    • Focuses on his home life, introducing characters named Lincoln and Booth (suggestive relation to the historical figure and John Wilkes Booth).

  • Personal Experience with 3-card Monte:

    • Inspired by a conversation with husband regarding the shell game seen on Canal Street.

    • Husband, Paul, was a hustler of 3-card monte during his music career.

AUTHOR'S NOTE

  • Elements of Style:

    • Uses unconventional theatrical elements, such as pauses and repetitions, noted in transcription style.

    • Explains distinct denotations:

    • (Rest) - denotes pauses.

    • (Parentheses) - indicates softly spoken passages or asides.

    • [Brackets] - show possible cuts for production.

SCENE ONE

  • Setting: A seedily furnished room in a rooming house, the environment is minimalistic with basic furniture.

  • Booth's Action:

    • Practices the 3-card monte hustle, initially clumsy and mechanical.

    • Dialogue demonstrates his hustling technique with emphasis on showmanship and engagement of potential players.

    • Uses colorful and engaging rhetoric to entice involvement, leading to a harsh self-outburst at imagined players who lose.

  • Lincoln's Entrance:

    • Lincoln enters dressed as Abraham Lincoln while Booth is still engrossed in his practice.

    • Initial tension as Booth draws a gun, but Lincoln's non-threat prompts a discussion about his getup.

  • Character Dynamics:

    • Booth adamantly dislikes Lincoln's disguise out of concern for image and impending relationships.

    • They share a more personal discussion about women and loyalty.

SCENE TWO

  • Time Transition: Set in the immediate time following Scene One, now focusing on a Friday evening.

    • Booth, showing signs of materialism, reveals his character's ongoing struggles and aspirations.

  • Booth's Romantic Interest:

    • Planning a date with Grace, demonstrating a desire to elevate his status; he wants to impress her with wealth he suggests garnered through less honest means (boosting jewelry).

  • Booth's Plans:

    • Engages in mischievous design, displaying ambition contrasted against Lincoln’s contemplative resignation to his circumstances.

  • Shared Childhood Memories:

    • The brothers reminisce about their shared experiences growing up, illustrating their bond and the emotional undercurrent of family trauma.

  • Underlying Tensions:

    • Lincoln reveals thoughts on his work situation and deeper reflections on their family dynamic, hinting at generational cycles of failure and trauma.

SCENE THREE

  • Transition to Evening: Lincoln wakes in a drunken stupor; Booth's narrative exposes his self-congratulating nature contrasted against Lincoln’s quiet contemplation.

    • Social dynamics continue to play out as they navigate desires for connection with women and their shared understanding.

  • Struggle with Identity:

    • Both men conceptually explore their pasts, ambitions, and the nature of familial bonds.

  • Financial Situations:

    • Exchange information about small finances—a running theme of struggle.

SCENE FOUR

  • Character Evolution:

    • Lincoln, having re-engaged with his hustling past, enjoys the thrill of unexpectedly garnering cash.

    • Subtle shifts in character balance as Booth feels overshadowed, driving conflict.

    • Emphasis on Lincoln’s hustling days in the past as motivating factors.

SCENE FIVE

  • Immediate Conflict: The scene builds towards an explosive confrontation as the brothers' ambitions collide.

    • Booth, recognizing Lincoln’s past failures and their implications, becomes increasingly insecure.

  • Profound Climax:

    • A series of escalating exchanges leads to a climax where Lincoln is fatally shot, underscoring themes of betrayal and rivalry.

  • Final Emotional Exchange:

    • Highlighting their deep-seated issues of respect, familial loyalty, and survival instincts leading to Booth’s ultimate outburst of regret and anger.

PROPERTY LIST

  • Items mentioned for production:

    • Playing cards

    • Wooden chairs

    • Lincoln costume (frock coat, fake beard, etc.)

    • Liquor and glasses

    • Gun (belonging to Booth)

    • Chinese food containers

    • Guitar

    • Miscellaneous household items

SOUND EFFECTS

  • Gunshot, marking the end of a character and pivotal plot point.

ANALYSIS OF THEMES AND CHARACTERS

  • Rivalry and Brother Dynamics:

    • Physical manifestations of jealousy and ambition, showing how societal conditions breed tension.

  • Identity and Historical Context:

    • The weight of historical figures on modern representations of selfhood among black men.

  • Economic Struggles:

    • Insights into economic conditions faced by marginalized communities and how aspirations often clash with reality, revealing despair and destructive behaviors as coping mechanisms.