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Artists' Response to Progress - Embraced and fled from modernity. - Example: Pablo Picasso and Henri Matisse knit new styles with traditional subject matter.

Influence on Artists and Society - Modernity influenced by groundbreaking scientific advancements.
Max Planck (1858–1947) - Year: 1900 - Proved energy and matter indistinguishable. - Introduced the concept of quanta: energy emitted and absorbed in bundles. - Disproving stable energy theory; energy and matter in constant flux.
Discovery of Radioactivity by Ernest Rutherford (1871–1937) - Year: 1902 - Fundamental shift in understanding atomic structure.
Niels Bohr (1885–1962) - Year: 1913 - Redefined the atom with protons and neutrons, showing constant movement.
Albert Einstein (1879–1955) - Published pivotal theories in 1905 and 1916. - Introduced the Theory of Relativity: time, space, and motion are relative to the observer. - Supplanted Newtonian world view with a dynamic, complex universe.

Henri Bergson (1859–1941) - Influential French philosopher in the early 20th century. - Life experienced not as rational moments but as random intuitions and perceptions. - Conceptualized the chaotic experience of life as a "booming buzzing confusion." - Introduced idea of the mind as élan vital ("vital force") penetrating the essence of existence.
Sigmund Freud (1856–1939) - Founded psychoanalysis; refined ideas of the unconscious through clinical practice. - Proposed a fragmented model of human consciousness, emphasizing internal conflict.

Artists tested traditional forms while incorporating modern ideas. - Work mirrored the dynamic vision of a complex, fluctuating world.
Studios treated as laboratories by artists like Picasso and Georges Braque.
Adoption of new psychological perspectives by artists, such as the Italian Futurists, embracing modernity.
German Expressionists sought an antidote to modernity's coldness and materialism, often drawing from primitive art and spirituality.

Emergence as the first major 20th-century style. - Heritage traceable to influential figures: Van Gogh, Gauguin, Monet, Delacroix.
Characteristics of Fauvism - Explosive, expressive use of color; autonomy from representation. - Example: Henri Matisse (1869–1954) heavily influenced by Post-Impressionism. - Presented radical works at Salon d’Automne in 1905; shocked critics with bold color schemes.
Le Bonheur de Vivre (The Joy of Life) - Features nonrealistic coloring and abstraction of space. - Abolishment of logical scale leads to a joyful, abstract interplay of color and design. - Reflective of classical themes, yet implemented with a radical style.

Leadership of Cubism by Pablo Picasso and Georges Braque.
Transition to Cubism influenced by Post-Impressionism and Fauvism.
Les Demoiselles d’Avignon (The Young Ladies of Avignon) - Unveiled by Picasso in 1907; shocked contemporaries with its stylistic departure from past works. - Thematic portrayal of male lust conveyed through abstract qualities of the medium. - Characteristics of the painting: incoherent space, violent forms. - Drawing from classical sources and ethnic art, reflecting Picasso’s diverse influences.
Analytic Cubism: - Developed with Georges Braque; characterized by fractured forms and geometrical structures. - Example: The Portuguese by Braque (1911). - Use of visual puns and subtle cues to convey subject matter without a clear narrative.

Transition from monochrome paintings to collage, breaking conventions and enhancing texture.
Early collages featured real objects pasted onto paintings, much like Picasso’s imitation chair caning.
Shattered Renaissance conceptualization of the picture plane, transforming it into an interactive surface.
Example: Guitar and Wine Glass by Picasso (1912) - Exploration of dynamic visual language and relationship to music.

The outbreak of World War I disrupted the artistic dialogue between Picasso and Braque.
Transformative effects on modern art, extending beyond painting to redefined sculpture and architecture.

Historical context tracing back to Renaissance artists with tensions between physical and psychological elements.
Emergence as a cohesive movement around 1905, characterized by conflicting expressions ranging from primitive to elemental spirituality.
Die Brücke (The Bridge): - Founded in 1903 by artists like Ernst Ludwig Kirchner as a lifeline to modern art against traditional establishments. - Focus on exploring unsettling aspects of modern German life through intense colors and emotional depth.
Der Blaue Reiter (The Blue Rider): - Originated in Munich, exploring spirituality through abstract visuals. - Key figure: Vasily Kandinsky (1866–1944), with focus shifting towards total abstraction.

Vienna noted for producing neurotic and disturbing imagery, spearheaded by Oskar Kokoschka's emotionally charged portraits.
The Bride of the Wind (1914) - Represents Kokoschka's tumultuous love life and expression of psychological distress through violent brushstrokes.

Section d’Or (Golden Section) group formed to promote Cubism and further its development in France.
Robert Delaunay’s innovative works drew from the dynamics of modern existence, contrasting with the early Analytic Cubism’s constraints.

Founded by Filippo Tommaso Marinetti in 1909, emphasizing modernization and rejection of classical tradition in favor of energetic new expressions. - Theme of Futurism includes capturing the dynamism of modern life, using scientific influences and the visualization of motion.
Umberto Boccioni’s States of Mind I: Farewells serves to illustrate emotional energies associatively merged with modernity.

Russian context heavily influenced by Cubism and Futurism during social turmoil leading to radical artistic expressions.
Kazimir Malevich’s pursuits led him to an abstract language, culminating in the creation of Black Square.
Lyubov Popova’s works showcased the intersection of Cubism and Futurism with a focus on materiality.

De Chirico’s Cubist-inspired reflections evolved into dreamlike compositions with mysterious undertones, leading into future Surrealist developments.
The unsettling quality of disjointed space and symbolic motifs found expression through his Metaphysical Paintings.

Brancusi’s work in minimalism signifies a profound transformation in sculpture to capture the essence rather than representational realism.
Bird in Space (1928) - Redefines the approach to form and subjects through sleek, abstract representation aiming to evoke universal themes.

The advent of modernism in America came with the Armory Show in 1913, introducing European innovations to New York.
American artists decided to assimilate these works while simultaneously developing their unique stylistic interpretations.
Arthur Dove emerged as an early American abstract painter, drawing inspiration from nature and universal forces, culminating in works such as Plant Forms.

The narratives of modernity in the early 20th century depict a revolutionary evolution across multiple artistic domains as influenced by the surrounding sociopolitical climate, reflecting foundational shifts in reality perception, artistic methodologies, and cultural ideologies.