Lady Macbeth and Macbeth envy the peaceful dead
Macbeth reassures Lady Macbeth that their problems will be solved by a terrible deed that will happen that night
âI would attend his leisure for a few words.â - Lady Macbeth
Lady Macbeth has to ask the servant to speak with her own husband
Sense of alienation and isolated due to guilt, trauma, their actions - she is cut off from love and intimacy
Males the audience feel pity
âNought's hadâ - Lady Macbeth
They have lost everything
She admits weakness - juxtaposing what she was like in Act 1
Shows feminine side
âTis safer to be that which we destroy than by destruction dwell in doubtful joyâ - Lady Macbeth
Better to be the person murdered than to live with the murder (without happiness, with regret)
She already canât handle the guilt
Showing signs of weakness - maybe she wasnât as strong as she claimed to be
Emphasises how she forced herself to be strong enough to murder Duncan
Rhyming couplet draws attention to this quote (destroy and joy)
âwhy do you keep alone,â - Lady Macbeth
Macbeth is also isolated
âaloneâ - emphasises the theme of ostracisation
âthoughts which should indeed have diedâ - Lady Macbeth
Hypocritical as she still constantly thinking about the murder
Projects her own weaknesses to avoid confrontation (scapegoating)
Denial
âdiedâ - dysphemism, not euphemism - shows that she isnât THAT guilty yet (engineers Lady Macbethâs gradual spiral into insanity).
âWe have scorch'd the snake, not kill'd itâ - Lady Macbeth
Job is only half done
Paranoia - believes they are still in danger
âkillâdâ - another dysphemism - engineering Macbeths gradual spiral into insanity (insanity that is different to Lady Macbethâs)
âsnakeâ - often used in the play to symbolise treachery/betrayer of trust (Macbeth believes someone will betray him and he will face the consequences of his actions)
âThat shake us nightlyâ - Macbeth
Admits that he is shaken but is willing to destroy the world - similar to what Lady Macbeth says earlier in the scene where she also admits weakness
âBetter be with the dead,â - Macbeth
Echoes what Lady Macbeth said (sheâd rather be dead than live with the guilt)
âdeadâ - dysphemism
âBe bright and jovial among your guests tonightâ - Lady Macbeth
She has hope that things will become normal/she will become sane
Self-preservation - cares more about her reputation than Macbethâs mental health
Appearance vs reality theme prominent
âmake our faces vizards to our heartsâ - Macbeth
âvizardsâ - mask, disguise for protection
Paranoia - Macbeth is becoming more insane (especially knowing what will happen to Banquo later)
Finally realising that what he has done is bad and shouldnât be discovered - redemption
He hates hiding his mind but accepts that he has to - possibly a good man with a moral conscience (contrasts his psychotic traits shown in Act 1, Scene 2)
âfull of scorpions is my mind, dear wife!â - Macbeth
âscorpionsâ - image of the thoughts uncomfortably crawling around in his mind
His actions are all he can think about
Possibly has anxiety or depression - humanised, the audience feels pity as he is suffering
Exclamative
âdear wifeâ - love, intimacy, fear
âblack Hecate's summonsâ - Macbeth
Evil, otherworldly imagery
âWhat's to be done?â - Lady Macbeth
She is feminine/the lady of the house again
The moment when the gender roles are switching and being put back into what is stereotypical for the Jacobean time period
âdearest chuckâ - Macbeth
Protecting Lady Macbeth
Gender roles are switching
Loving/tender scene
Macbeth and Lady Macbeth are humanised in this scene
The audience feels pity for the characters due to them being written in a humane way
Lady Macbeth enters with a servant
They long to be dead and act childish because of it
Lack of self knowledge - didnât'/doesnât realise he canât deal with kingship
Their life was also sustained by love of others
Pity
Humanity
Corruption
Gender/Masculinity/Femininity
Scene ends with 2 rhyming couplets to draw attention to those lines