The Early Christian Church and Secular Song
the early christian church and secular song
the early Christian church: musical thought
roman music:
- lyric poetry often song
- music part of most public ceremonies
- greek architecture, music, and philosophy imported into rome
roman empire decline:
- Christian church gained influence
- church fathers interpret bible, set down principles
- similar to ancient greeks
- beautiful things exist to remind us of divine and perfect beauty, not to inspire self-centered enjoyment or seduce our senses
- Christian church became the main and often only unifying force and channel of culture in europe
- church took over rome's mission of civilizing and unifying the peoples under its sway
- music was used to influence the people
transmission of greek music theory:
- martianus capella described the seven liberal arts - verbal arts (trivium), mathematical disciplines (quadrivium - included music because its mathematical relationships seemed to explain the universe)
- boethius was the most revered authority on music in the middle ages
- de institutione musica treats music as a science of numbers
- borrowed lots from greek sources
the early Christian church: musical practice
greek legacy:
- greek music was a heavy influence for the first two or three centuries but church leaders rejected their idea of cultivating music purely for enjoyment - wanted to wean converts away from anything associated with their pagan past
- early church leaders saw music as servant of religions
- Christian music became unaccompanied singing
Judaic heritage:
- some elements of Christian observances derive from Jewish traditions
- chanting and singing of scripture and psalms
- both traditions relied on vocal music in worship services
- strophic devotional songs/hymns began to emerge as the early church spread
- strophic form - music repeats and melody stays the same with changing text
eastern and western churches:
- 395 ce - eastern and western empires split, followed by eastern and western churches
- western church - Catholic, ruled from rome
- eastern church - orthodox, byzantine, blend of cultures
- western churches in italy, france and germany developed chants; most local versions of chants disappeared or were absorbed into the single uniform practice under the authority of the roman Catholic church
- constantinople
- western church became increasingly romanized
- monks preserved chants by learning to sing and notate them - gregorian chants
key facts
- music consisted of a single melodic line
- vocal melody was intimately linked with the rhythm and meter of words
- musical performances were memorized or improvised
- philosophers believed music was both an orderly system interlocked with nature and a force in human thought and conduct
- a scientifically based acoustical theory was in the making
- scales were built up from tetrachords
- musical terminology was well developed
medieval song
goliard songs:
- oldest written secular songs, latin texts
- goliards - poets and composers who were students or clerics and exalted a libertine lifestyle
- celebrate wine, women, satire
- music does not survive in precise notation
- early manifestation of literacy
jongleurs:
- sung by jongleurs (minstrels)
- traveled from village to village entertaining
- social outtcasts, denide protection of the law
- troubadours and trobairitz were poet-composers who flourished in france
- created and sang their own songs - mainly about love but covered other topics too
- very well thought of, unlike jongleurs
- most songs were about their social lives and complaint songs about their love lives
- basically the influencers of the medieval era
- composition was competitive, oral tradition
- troubadours - southern france
- trouveres - northern france
- variety and ingenuity
- refrain is a line or two of poetry that returns with its own music from one stanza to another, each stanza sung to the same melody
- narrow range
minnesinger:
modeled after the troubadours
sang about love in an abstract and religious way
tunes were more tightly organized, used bar (aab) form
songs about spring, dawn, crusade songs
cantigas de santa maria - collection of songs honouring the Virgin Mary
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