The Early Christian Church and Secular Song

the early christian church and secular song

the early Christian church: musical thought

roman music:

  • lyric poetry often song
  • music part of most public ceremonies
  • greek architecture, music, and philosophy imported into rome

roman empire decline:

  • Christian church gained influence
  • church fathers interpret bible, set down principles
    • similar to ancient greeks
    • beautiful things exist to remind us of divine and perfect beauty, not to inspire self-centered enjoyment or seduce our senses
  • Christian church became the main and often only unifying force and channel of culture in europe
  • church took over rome's mission of civilizing and unifying the peoples under its sway
  • music was used to influence the people

transmission of greek music theory:

  • martianus capella described the seven liberal arts - verbal arts (trivium), mathematical disciplines (quadrivium - included music because its mathematical relationships seemed to explain the universe)
  • boethius was the most revered authority on music in the middle ages
  • de institutione musica treats music as a science of numbers
  • borrowed lots from greek sources

the early Christian church: musical practice

greek legacy:

  • greek music was a heavy influence for the first two or three centuries but church leaders rejected their idea of cultivating music purely for enjoyment - wanted to wean converts away from anything associated with their pagan past
  • early church leaders saw music as servant of religions
  • Christian music became unaccompanied singing

Judaic heritage:

  • some elements of Christian observances derive from Jewish traditions
    • chanting and singing of scripture and psalms
  • both traditions relied on vocal music in worship services
  • strophic devotional songs/hymns began to emerge as the early church spread
  • strophic form - music repeats and melody stays the same with changing text

eastern and western churches:

  • 395 ce - eastern and western empires split, followed by eastern and western churches
  • western church - Catholic, ruled from rome
  • eastern church - orthodox, byzantine, blend of cultures
  • western churches in italy, france and germany developed chants; most local versions of chants disappeared or were absorbed into the single uniform practice under the authority of the roman Catholic church
    • constantinople
    • western church became increasingly romanized
  • monks preserved chants by learning to sing and notate them - gregorian chants

key facts

  • music consisted of a single melodic line
  • vocal melody was intimately linked with the rhythm and meter of words
  • musical performances were memorized or improvised
  • philosophers believed music was both an orderly system interlocked with nature and a force in human thought and conduct
  • a scientifically based acoustical theory was in the making
  • scales were built up from tetrachords
  • musical terminology was well developed

medieval song

goliard songs:

  • oldest written secular songs, latin texts
  • goliards - poets and composers who were students or clerics and exalted a libertine lifestyle
  • celebrate wine, women, satire
  • music does not survive in precise notation
  • early manifestation of literacy

jongleurs:

  • sung by jongleurs (minstrels)
    • traveled from village to village entertaining
    • social outtcasts, denide protection of the law
  • troubadours and trobairitz were poet-composers who flourished in france
    • created and sang their own songs - mainly about love but covered other topics too
    • very well thought of, unlike jongleurs
    • most songs were about their social lives and complaint songs about their love lives
    • basically the influencers of the medieval era
    • composition was competitive, oral tradition
    • troubadours - southern france
    • trouveres - northern france
  • variety and ingenuity
  • refrain is a line or two of poetry that returns with its own music from one stanza to another, each stanza sung to the same melody
  • narrow range

minnesinger:

  • modeled after the troubadours

  • sang about love in an abstract and religious way

  • tunes were more tightly organized, used bar (aab) form

  • songs about spring, dawn, crusade songs

  • cantigas de santa maria - collection of songs honouring the Virgin Mary

    </p>

\