Class Introduction
- Greeting: Welcome to class.
- Event Details:
- Location: AGV
- Speaker: Susan Shook (pronunciation may be clarified at event)
- Date & Time: 12 PM on February 13
- Topic: Surrealism
- Further Instructions:
- Attendance: Take a picture at the event for proof of attendance.
- Write-up Submission: Short write-up to be submitted for extra credit.
- General Extra Credit Reminder:
- Attend any campus event sponsored by the museum/art history department for extra credit (up to 3% added to your grade).
- Sporting events also qualify for extra credit.
- Formal Analysis Guide:
- A printed guide on how to write a formal analysis has been provided.
- Contains information about constructing a thesis.
- Online Resources:
- A website from UNC Chapel Hill about formal analysis (to be explored individually).
- A PDF guide (around 65 pages) by Sylvan Barnett titled "A Short Guide to Writing about Art" has been included.
- Discussion on Resources:
- Mention of a smart history video (not intended to be shown in class) for a basic understanding of analyzing paintings.
- Assignment Reminder:
- Due date: February 27 at 5 PM
- Format: MLA style.
Academic Support Systems
- Tutoring Resources:
- Academic Success Zone: Free tutoring included in tuition fees; highly recommended for writing assistance.
- Student writing tutors are effective in improving grades.
- Citation Tips:
- Zotero is less favored for citation generation; hand-writing citations is encouraged for accuracy.
- Emphasis on knowing the MLA format.
Class Assignments
- Writing Preparation:
- Students are encouraged to start drafting their papers early.
- Importance of MLA formatting and expectations set by the professor.
- Midterm Information:
- Slide/visual aids will be provided during the midterm exam for identifying artworks.
Discussion on Historical Contexts in Art
- Focus on Viennese Genesis:
- Description of the illuminated manuscript, its artistic significance, and historical context.
- Text written in tarnished silver ink, showcasing symbolic art style and medieval characteristics.
- Narrative Content:
- Story of Jacob wrestling with an angel visualized through continuous narrative.
- Byzantine Influence:
- Introduction of centrally planned churches and their characteristics.
- Examples include the depiction of Emperor Justinian, his divine representation, and the patronage of church artworks.
Architectural Developments
- Hagia Sophia:
- Building details including the architectural design, use of domes, and structural techniques such as pendentives.
- Historical transformation of the structure (originally church, then mosque, and now museum).
- Romanesque Period:
- Descriptive characteristics of Romanesque architecture, emphasizing low structures and rounded arches.
- Introduction of features like bell towers, ambulatories, arcades, and rib vaults for support.
- Saint Foy and Reliquaries:
- Discussed the reliquaries and their materials, such as gold and gemstones.
- Pilgrimage Architecture:
- Structures built to facilitate pilgrimages, showcasing the importance of religious architecture in the Middle Ages.
The Bayeux Tapestry
- Description of Artwork:
- Hand-embroidered, 20 inches tall and 230 feet long; serves as political propaganda recounting William the Conqueror's victory.
- Historical Significance:
- Perspective of the Norman conquest and the importance of visual storytelling in an illiterate society.
- Depicts scenes of battles, daily life, and ceremonies significant to the cultural context.