Guide to Poetic Terms
anaphora | the repetition of a word or phrase, usually at the beginning of a line. |
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alliteration | the repetition of sounds in a sequence of words. (See alsoconsonance and assonance.) |
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allegory | narrative with two levels of meaning, one stated and one unstated. |
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apostrophe | direct address to an absent or otherwise unresponsive entity (someone or something dead, imaginary, abstract, or inanimate). |
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assonance | the repetition of vowel-sounds. |
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beat | a stressed (or accented) syllable. |
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binary | dual, twofold, characterized by two parts. |
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blank verse | unrhymed iambic pentameter. |
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caesura | an audible pause internal to a line, usually in the middle. (An audible pause at the end of a line is called an end-stop.) The French alexandrine, Anglo-Saxon alliterative meter, and Latin dactylic hexameter are all verse forms that call for a caesura. |
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chiasmus | from the Greek letter Chi ( Χ ), a "crossed" rhetorical parallel. That is, the parallel form a🅱🅰b changes to a🅱🅱a to become a chiasmus. |
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climax | the high point; the moment of greatest tension or intensity. The climax can occur at any point in a poem, and can register on different levels, e.g. narrative, rhetorical, or formal. |
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consonance | the repetition of consonant-sounds. |
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couplet | two lines of verse, usually rhymed. Heroic couplet: a rhymed iambic pentameter couplet. |
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diction | word choice, specifically the "class" or "kind" of words chosen. |
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elegy | since the 17th century, usually denotes a reflective poem that laments the loss of something or someone. |
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end-stopped line | a line that ends with a punctuation mark and whose meaning is complete. |
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enjambed line | a "run-on" line that carries over into the next to complete its meaning. |
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foot | the basic unit of accentual-syllabic and quantitative meter, usually combining a stress with one or more unstressed syllables. |
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free verse | poetry in which the rhythm does not repeat regularly. |
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imagery | the visual (or other sensory) pictures used to render a description more vivid and immediate. |
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meter | a regularly repeating rhythm, divided for convenience intofeet. |
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metonomy | a figure of speech in which something is represented by another thing that is commonly and often physically associated with it, e.g. "White House" for "the President." |
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ode | a genre of lyric, an ode tends to be a long, serious meditation on an elevated subject. |
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prosody | the study of versification, i.e. the form—meter, rhyme, rhythm, stanzaic form, sound patterns—into which poets put language to make it verse rather than something else. |
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refrain | a phrase or line recurring at intervals. (N.b. the definition does not require that a refrain include the entire line, nor that it recur at regular intervals, though refrains often are and do.) |
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rhythm | the patterns of stresses, unstressed syllables, and pauses in language. Regularly repeating rhythm is called meter. |
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scansion | the identification and analysis of poetic rhythm and meter. To "scan" a line of poetry is to mark its stressed and unstressed syllables. |
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simile | a figure of speech that compares two distinct things by using a connective word such as "like" or "as." |
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speaker | the "I" of a poem, equivalent to the "narrator" of a prose text. In lyric poetry, the speaker is often an authorial persona. |
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speech act | the manner of expression (as opposed to the content). Examples of speech acts include: question, promise, plea, declaration, and command. |
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stanza | a “paragraph” of a poem: a group of lines separated by extra white space from other groups of lines. |
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symbol | an image that stands for something larger and more complex, often something abstract, such as an idea or a set of attitudes. (See imagery.) |
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symbolism | the serious and relatively sustained use of symbols to represent or suggest other things or ideas. (Distinct from allegory in that symbolism does not depend on narrative.) |
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synecdoche | a figure of speech in which a part of something is used to represent the whole, e.g. “wheels” for “car.” |
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tone | the speaker’s or author’s attitude toward the reader, addressee, or subject matter. The tone of a poem immediately impresses itself upon the reader, yet it can be quite difficult to describe and analyze. |
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topos | a traditional theme or motif (e.g. the topos of modesty). |
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trope | a figure of speech, such as a metaphor (trope is often used, incorrectly, to mean topos) |
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valediction | an act or utterance of farewell. |