Peer Feedback in Creative Writing - Week 10
Week 10 Overview
- Peer feedback is part of a creative writer’s toolkit; aims to guide useful peer feedback.
- Readings: none this week. Focus on developing your place narrative for peer feedback next week.
Why peer feedback?
- Writing is not a solitary activity; genre conventions show dialogue with past works and can shape future iterations.
- The writing/publishing industries involve editors, coaches, and publishers who help writers develop and publish.
- Writing communities and writers’ groups use feedback and workshops to grow.
- Benefits of peer feedback (supported by research):
- improves content knowledge;
- supports thinking and reflection;
- develops social skills through engagement with texts;
- increases deeper engagement with one’s own writing;
- fosters higher-level learning, critical insights, reflection, and knowledge building.
- Feedback helps you grow as a practicing writer and as a learning tool.
Perceived risks
- Lack of peer knowledge/training: peers may seem less credible than markers or professionals.
- Lack of peer engagement: concern that feedback won’t be reciprocated.
- Feedback that is too nice: may boost ego but offer little direction.
- Feedback that is insensitive or hurtful: criticism of personal life can be painful.
Mitigating risks (Giver)
- Make a genuine effort to give feedback; if you need more time, communicate this and choose a group that fits your timeline; if you can’t give feedback, consider alternatives (e.g., a friend or family member).
- Focus on the creative work, not the author; avoid language that judges life decisions or experiences.
- Use taught vocabulary to discuss storytelling techniques (research, narrative structure, narrator, characterisation, voice, poetic/descriptive language).
- A feedback template is provided; you will have chances to add to it.
- Comment on what you enjoyed about the work.
- Make suggestions aligned with the author’s intentions, not how you think the story should be written.
Mitigating risks (Receiver)
- Recognise the value of reading and giving feedback on other drafts; it’s a learning opportunity to see writing as a process.
- Reading drafts helps you understand revision/ editing as part of writing; giving feedback practices analysis and "reading like a writer."
- You don’t have to take all feedback; there is no obligation to implement every suggestion.
- Your peer represents a real reader; feedback offers perspective from readership; if a peer is unclear, their confusion signals where the intent may not be coming through.
Example draft and peer feedback
- An activity asks you to give feedback on an example story; the example story and statement of intent are available here.
- Complete learning activity 2 and compare with the suggested feedback here.
- Use this example as a guide for what to submit to receive feedback and for giving feedback in the coming weeks.