Peer Feedback in Creative Writing - Week 10

Week 10 Overview

  • Peer feedback is part of a creative writer’s toolkit; aims to guide useful peer feedback.
  • Readings: none this week. Focus on developing your place narrative for peer feedback next week.

Why peer feedback?

  • Writing is not a solitary activity; genre conventions show dialogue with past works and can shape future iterations.
  • The writing/publishing industries involve editors, coaches, and publishers who help writers develop and publish.
  • Writing communities and writers’ groups use feedback and workshops to grow.
  • Benefits of peer feedback (supported by research):
    • improves content knowledge;
    • supports thinking and reflection;
    • develops social skills through engagement with texts;
    • increases deeper engagement with one’s own writing;
    • fosters higher-level learning, critical insights, reflection, and knowledge building.
  • Feedback helps you grow as a practicing writer and as a learning tool.

Perceived risks

  • Lack of peer knowledge/training: peers may seem less credible than markers or professionals.
  • Lack of peer engagement: concern that feedback won’t be reciprocated.
  • Feedback that is too nice: may boost ego but offer little direction.
  • Feedback that is insensitive or hurtful: criticism of personal life can be painful.

Mitigating risks (Giver)

  • Make a genuine effort to give feedback; if you need more time, communicate this and choose a group that fits your timeline; if you can’t give feedback, consider alternatives (e.g., a friend or family member).
  • Focus on the creative work, not the author; avoid language that judges life decisions or experiences.
  • Use taught vocabulary to discuss storytelling techniques (research, narrative structure, narrator, characterisation, voice, poetic/descriptive language).
  • A feedback template is provided; you will have chances to add to it.
  • Comment on what you enjoyed about the work.
  • Make suggestions aligned with the author’s intentions, not how you think the story should be written.

Mitigating risks (Receiver)

  • Recognise the value of reading and giving feedback on other drafts; it’s a learning opportunity to see writing as a process.
  • Reading drafts helps you understand revision/ editing as part of writing; giving feedback practices analysis and "reading like a writer."
  • You don’t have to take all feedback; there is no obligation to implement every suggestion.
  • Your peer represents a real reader; feedback offers perspective from readership; if a peer is unclear, their confusion signals where the intent may not be coming through.

Example draft and peer feedback

  • An activity asks you to give feedback on an example story; the example story and statement of intent are available here.
  • Complete learning activity 2 and compare with the suggested feedback here.
  • Use this example as a guide for what to submit to receive feedback and for giving feedback in the coming weeks.