Dystopia part A: AO3 context
Thomas Moore (1516)- Utopia No/Good Place
Gendler- 1984= a broader critique of totalitarianism, media and language
Dystopia Begins with Gulliver’s Travels by Johnathan Swift-
Satire- Certain trends in common society are taken to the greatest of extremes
HG Wells- The Time Machine- different classes were given humanity e.g. higher classes= humans, lower classes= monsters
Iron Heel- Jack London= an oligarchy that retains control through terror
Huxley’s Brave New World- Technological dystopia- biological birth is a social taboo
Pleasure seeking desires lead to the downfall of humanity and putting convenience over hard work e.g. birthing systems
Both Nazis and Communists were keen on removing social distinctions and classes
We by Zamyatin- a future were free will has been eroded- written immediately after Russian Revolution
It Can’t Happen Here - Sinclair Lewis= builds on ideas in Iron Heel
The ease that democracy gives way to fascism
Harrison Ford= Bladerunner- Phillip K Dick: Do Androids dream of Electric Sheep
Doctor Strange love- How Learned to love the bomb and Watchmen
Explore the threat of nuclear war
By Alan Moore- V for Vendetta- informed Anonymous costume acts of terrorism to overthrow fascist government- Governments should be afraid of their people
Dystopias are cautionary tales about the idea that humanity can be moulded into an ideal shape
‘Within every dystopia there’s a little utopia.’- Atwood
‘Better doesn’t mean better for everyone it always means worse for some’
Utilitarianism- the greatest amount of good for the greatest number of people
John Carey- ‘merely a utopia from another point of view’
Key dystopia tropes:
Satire- The use of humour, irony, exaggeration, or ridicule to expose and criticise people’s stupidity or vices, particularly in the context of contemporary politics and other topical issues. E.g. A Modest Proposal, Gulliver’s Travel
Herland- Charlotte Perkins (1915)- Matriarchal society run by and for women from asexual reproduction
The War of The Worlds- commentary of colonisation
Post-WW2 Dystopia:
Dystopia was greatly popularised after WWII
Scale of suffering and death
Nuclear anxiety
Political disillusionment
Gendered dystopia:
Made in response to rise of reproductive technology
The Handmaid’s Tale
The Children of Men