MB

Flash_Site_Specificity

Introduction to Site Specificity

  • Introduction by Susan Rademacher: Discussion of George Hargreaves' contributions in the context of ecological and artistic movements in landscape architecture during the early 1980s.

Convergence of Forces

  • Two Driving Forces:

    • The science of ecology compelled landscape architects to examine interconnectivity, including community, ecological succession, and innovative planning methods, moving away from traditional patterns.

    • The fine art movement aimed to escape the confines of galleries, instead engaging with the surrounding landscape, emphasizing real-life processes over self-referential art.

Impact on Landscape Architecture

  • Challenging Traditional Compositions:

    • Predominance of simplistic templates in education that oversimplified landscape compositions, neglecting the richness of the original designs by Eckbo, Halprin, and Kiley.

    • A critique of Olmsted's landscapes which, while uplifting, were often detached from their urban context and lacked deeper meanings, likened to "plastic display food."

Robert Smithson's Influence

  • Smithson vs. Olmsted:

    • Contrast drawn between Olmsted's idealized nature and Smithson’s critical realism.

    • Hargreaves navigated between these two approaches, seeking to redefine landscape architecture away from static narratives.

    • Hargreaves emphasized the importance of construction in realizing landscape ideals, famously noting, "It doesn't count if you haven't built it."

Hargreaves' Philosophical Shift

  • Shift Toward Physicality:

    • Developed a '21st-century picturesque style' grounded in natural processes, avoiding mere mimicry.

    • Early works include significant projects like Candlestick Point and Villa.

Evolution of Design Narrative

  • Narrative in Design:

    • Hargreaves explored the storytelling potential within landscapes by connecting natural and cultural narratives.

    • His works serve as a map of passage—highlighting the importance of personal and cultural journeys through the landscape.

  • Open-ended Composition:

    • Hargreaves’ designs provoke thought without giving explicit answers and invite personal interpretation.

    • By interlinking nature and culture with landform, he creates places that are distinctly tied to their contexts.

Rewriting Landscape Architecture

  • Challenging Old Clichés:

    • Hargreaves counters the notion that beautiful landscapes appear as if crafted by divine hands, advocating instead for landscapes that reflect active engagements between nature and culture.

    • Narrative: Defines narrative as interactions with both natural and cultural phenomena, reshaping the perceptions of landscape architecture.

Core Values in Landscape Design

  • Simplicity, Honesty, and Directness:

    • Emphasis on authenticity in materials and ideas, ensuring functionality and technological integrity of spaces.

    • Integrity stems from conceptual relationships between elements, facilitating personal connections for users as they navigate spaces.

Personal Engagement with Landscapes

  • Individual Experiences:

    • Recognition that each person's interaction with a landscape is unique, influencing how they engage with physical, sensory, and imaginative aspects of their surroundings.

    • Hargreaves aims to design landscapes that facilitate profound, personal experiences for all who encounter them.