Gothic Art: Non-French

Salisbury, Cathedral, 1220-1260
- Double transept
- rectangular
- Not as vertical focused
Gloucester, Cathedral
- choir, 1332-1357 Perpendicular style
- Romanesque barrel vault, decorative vaulting
- cloister, ca. 1370
- covered w/ barrel vault
London, Westminster Abbey, Chapel of Henry VII, 1503-1519
- Fan vaults like stalactites
Cologne, Cathedral, Choir, 13th-14th cent.
- copy of Amiens Cathedral
- ribbed vault
Marburg, St. Elizabeth, 1235-1283
- curvilinear pattern, like a clover/ trefoil
- Hall Church: aisles same height as nave

Chartres Cathedral, West Façade, 1145-1155
- Chartres, West Portal, “Royal”
- images of Mary
- Christ in Majesty
- elements of learning
- Kings and Queens of Old Testament
- higher relief
- lanky
- Aristotle taught: body and soul are equal
- South Transept Portal
- SS. Martin and Jerome
  - full bodied figures
  - Jerome holding translated bible
  - return to Classical style
- St. Theodore
  - figure standing in S curve w/ lean
Reims, Cathedral, ca. 1230
- Central Portal:
- scenes of Mary’s life
- 2 pairs of figures
- enunciation & visitation
- figures separated from jams
- jamb: a side post or surface of a doorway, window, or fireplace
- Gabriel somewhat androgynous
  - somewhat archaic face
- Visitation group: Togas and roman inspiration, Elizabeth and Mary
Virgin of Paris, Notre Dame Cathedral, early 14th cent.
- S curve
- opulent drapery
- aristocratic
Naumberg Cathedral, Germany, Donor Groups
- Ekkehard and Uta, ca. 1250
- man and wife, wife detached/aloof
- painted
- Uta hides herself in cloak, arm still visible
Bamberg RIder, 1235-1240
- floral decoration on pedestal
- passive stance
- natural figures
- classical revival