ARCH 250 - Weeks 5 to 9

Chinese Cities & Architecture:

  • Vocabulary:

    • Yingzao-fashi, 1100

      • Chinese Building Principles were recorded in this.

      • Superintendent of State Building wrote this, but why?

        • Did it to establish state control over construction & infrastructure throughout China

      • What else did this do?

        • Establish & Registered Craftsmen into the government records.

        • Craftsmen belonged to hereditary family guilds, guarded their practices

    • Jian

      • Chinese measurements for building proportions & scale

      • Rectangular room or space defined by four columns or walls

        • standard unit of spatial organization which may be expanded or repeated to form an individual or groups of buildings

    • Axial Planning

      • Axial means to have an axis

      • Symmetry means to have exactly similar parts on each axis

      • Symmetrical and orthogonal structuring of plan and elevation is basically the direct

        representation of the Chinese cosmos

    • Kao Gong Ji, 5th century

      • Book recording city planning regulation & standards

      • Based on Confucian writings

        • Urban planning that emphasizes SOCIAL HIERARCHY

          • The emperor is at the top of the pyramid of social class

      • Seen in Beijing’s own city planning:

        • Oriented to the cardinal directions

        • Square Shaped Plan

        • Walls and Moats for defense

        • Streets run east-west

    • spatial sequencing

      • A combination of hall to courtyard sequence

        Spatial sequences along the axis, from South to North, and from least to most

        important

    • Main Themes seen in Chinese Architecture:

    • Treatise on Architectural Methods or State Building Standards

      • Chinese building practices were recorded in the Yingzao-Fashi

      • Meant to have STATE CONTROL of building practices throughout China

      • Other Books/Recordings of practice regulations:

        • Building Technology

        • Handbook for Administrations

    • There’s four main parts of a building according to Yingzao-Fashi:

      1. Foundation Platform with stone or brick

      2. Timber frame with columns & Brackets

        1. Timber frame had post-n-lintel supports, brackets, and purlins below terracotta roof tiles

      3. Wooden Purlins (roof beams)

      4. Decorative roof (terracotta roof tiles)

    • Design Principles of Traditional Chinese Architecture

      • Modular Design

        • Everything is centered around the jian (standard unit) in proportions & form.

      • Spatial Sequencing & Axial Planning are major proponents of Chinese design

        • Buildings facing the MOST NORTH are MOST IMPORTANT

        • Buildings that are the HIGHEST, BIGGER, & TALLER, & MOST DECORATED as MOST IMPORTANT

    • Philosophical Principles

      • Confucianism:

        • Respect your elders, authority, and whomever’s higher than you socially

        • More about social order, thus design principles emphasize AXIALITY & HIERARCHICAL ELEMENTS

      • Daoism

        • Nature triumphs all

          • Harmony between man and nature

        • Oracle Text - I Ching

          • Translation: “Book of Changes”

      • Indigenous Practices

        • Animism

        • Life after Death

        • Ancestor Worship

          • Like the scene in Mulan, with the anscestors

      • Geomancy

        • The art of divination by means of signs

          derived from the earth.

        • Good v. Evil influences

          • They act in spaces and the people in them

        • “Good” = SOUTH

        • “Evil” = NORTH

        • Feng Shui   

          • Wind & Water

          • a kind of geomancy for dealing

            with good & evil influences in homes & building design

  • Monuments

    • Imperial and Forbidden Cities, Beijing, China, 15th century

      • Type of Building:

      • Patron:

      • Architect:

      • Style of architecture:

      • Techniques and materials used in its construction:

      • What does it teach us about the culture that made it?

        • What kind of complex is the Forbidden City? Why is it called this?

        • How does its design reflect axial planning and spatial sequencing?

        • What are some of the buildings found inside the Forbidden City and what purposes do they serve?

        • What was the Hall of Supreme Harmony used for and how does its architectural design reflect its function

          and importance?

    • Forbidden City, Hall of Supreme Harmony, Beijing, China, 15th Century

      • Type of Building:

      • Patron:

      • Architect:

      • Style of architecture:

      • Techniques and materials used in its construction:

      • What does it teach us about the culture that made it?

        • What kind of complex is the Forbidden City? Why is it called this?

        • How does its design reflect axial planning and spatial sequencing?

        • What are some of the buildings found inside the Forbidden City and what purposes do they serve?

        • What was the Hall of Supreme Harmony used for and how does its architectural design reflect its function

          and importance?

    • Traditional House Plan, Beijing, China, 15th century

      • Type of Building:

      • Patron:

      • Architect:

      • Style of architecture:

      • Techniques and materials used in its construction:

      • What does it teach us about the culture that made it?

        • What is significant about the orientation of the building? What is the basic module used in its design.

        • How does the house design reflect family structure in 15th century Beijing? Who would have lived here?

        • What does the design have in common with the sequence of halls and open spaces in the Forbidden City?

    • Temple of Heaven, Beijing, China, 15th century

      • Type of Building:

      • Patron:

      • Architect:

      • Style of architecture:

      • Techniques and materials used in its construction:

      • What does it teach us about the culture that made it?

        • What is the purpose of the Temple of Heaven? What activities would take place here and who would

          participate?

        • How does its design reflect axial planning and spatial sequencing?

        • What are the three main buildings found in the complex? What are the architectural, decorative, and

          spatial characteristics that reveal their importance?

Japanese Cities & Architecture:

  • Vocabulary:

  • Monuments:

    • Yoshimura House, near Osaka, Japan, ca. 1620

      • Type of Building:

      • Patron:

      • Architect:

      • Style of architecture:

      • Techniques and materials used in its construction:

      • What does it teach us about the culture that made it?

        • What are some of the materials and techniques used to build a minka?

        • What is the basic module used in its design?

          • Tatami

        • How was art displayed in a minka belonging to a wealthy or important family?

        • How does this house compare to a courtyard house in Beijing?

    • Himeji Castle, Near Osaka, Japan, 1609

      • Type of Building:

      • Patron:

      • Architect:

      • Style of architecture:

      • Techniques and materials used in its construction:

      • What does it teach us about the culture that made it?

        • Who built the great castles in Japan?

        • What are some of the functions of a castle in Japan at this time?

        • What are some of the defensive features see here? How does this compare to what is found in medieval

          European castles?

    • Katsura Imperial Villa & Tea Houses, Kyoto, Japan, ca.1616-1660

      • Type of Building:

      • Patron:

      • Architect:

      • Style of architecture:

      • Techniques and materials used in its construction:

      • What does it teach us about the culture that made it?

        • Who built this complex and what is its purpose?

        • How does the design of the Katsura villa exemplify the Shoin style of interior (image at bottom center)?

          What are three important characteristics?

        • What are the most important design characteristics of a Japanese tea house (image at left)? How does its

          design reflect the interest in nature, principles of Zen Buddhism, and the arts?

Islamic Cities & Architecture:

  •   What is the purpose of a mosque and what are some of the architectural requirements for its design?

    • Mosques are meant for Islamic worship & gathering, aka house of congressional prayer

    • They require:

      • To be oriented towards Mecca

        • To have minarets

          • Tower for muezzin to call faithful for prayer five times a day

        • Quibla wall points in direction of Mecca

      • Place to wash before prayer

        • Courtyard with fountain

      • Sahn - Covered hall for prayer

        • Congressional prayer faces quibla wall, which faces to Mecca

        • Mihrab is a arched niche pointing towards Mecca.

          • Acts as a visual and acoustic focus

        • Minbar is a pulpit for the preacher/imam

    • Three types:

      • Hypostyle

        • Sahn, then quibla wall, then mihrab

      • Four-Iwan

        • four iwans (three normal, one quibla iwan) surrounding a sahn

      • Central Plan

        • Quibla wall is inside sahn’s interior

  • Mosque and külliye of Sultan Suleyman, Istanbul, Turkey, Sinan, 1550-1557

    • Type of Building: Mosque complex

    • Patron: Sultan Suleyman I

    • Architect: Koca Sinan

    • Style of architecture: Central Mosque Plan

    • Techniques and materials used in its construction:

      • Has dome, half-domes, minarets (added later), Ottoman mausoleums, Hammam of Hurrem Sultan

      • Muqarnas vaults hang above entrance

        • Above are calligraphic verses from the Qu’ran in gold

      • There’s central dome, half dome, domes on each bay of courtyard, pointed arches with polychrome voussiors, and caligraphic golden decoration

      • Arches are supported by columns with Muqarnas capital

      • Has a square central dome supported by pendatives

      • Half domes are accompanied by celestories and pendatives

      • Mausoleum (Turbe) of Suleyman

        • Covered walkway supported by marble columns with muqarnas capitals, arcade with polychrome voussoirs. Polychrome marble decoration, with stone jali (screens) in windows, muqarnas along eaves.

      • Hammam (Bathhouses)

        • Important building to urban society, particularly important for Muslims, for whom bathing is proscribed by the faith.

        • Men’s bath entrance on left, women on right. Interior with central fountain, followed by warm room and hot room.

    • What does it teach us about the culture that made it?

      • What kind of mosque is this, and what older building in the same city inspired the architect?

        • It is a central plan domed mosque inspired by the central plan Christian Basilica of Hagia Sophia

      • What is the building seen at bottom left? What older Islamic building does its design reference and why is

        this significant?

        • Dome of Rock

        • Octagonal plan with dome on drum draws inspiration from the Dome of the Rock in Jerusalem, 687-691.

      • What are some of the buildings found in an Ottoman külliye? What does this tell us about its function and

        contribution to Ottoman society?

        • There are mudrasas, Hadith School, Hostel (caravanserai), Mausoleaum

        • Meant for community service, education, community resources, lodging, commerical activity, and cementaries

  • Quwwat al-Islam mosque, Iron Pillar, and Qutb Minar,

    Delhi, India, 12th-13th centuries

    • Type of Building: Mosque & City Complex

    • Patron: Muhammed of Ghur

    • Architect: slave Qutb

      al-Din Aybak

    • Style of architecture: Hypostyle Mosque Plan

    • Techniques and materials used in its construction:

      • Has ovigal arches

      • Mosque is a Hypostyle Mosque

        • used Hindu temple spolia from 27 destroyed temples, as per recorded evidence

        • Built on location of Hindu Temple

        • Has a colonnade courtyard

        • Walkways & interior are a combination of post-n-lintel construction along with a corbelled ceiling

      • Qutb Minar is 379 to the top, 72.5 meters

      • Iron pillar made of pure iron

        • Compare to Asoka Pillar from

          Sarnath, India, ca. 250 BCE:

          Four lions may be emblems of

          Buddha, universal nature of

          Buddhism.

          Wheel (chakra) refers to

          Wheel of Law.

          Lotus blossom symbolizes

          the presence of divine purity

          in the imperfect world.

    • What does it teach us about the culture that made it?

      • What does Quwwat al-Islam mean? Who built this complex? What are its main buildings?

        • Built by Hindu craftsmen & used Hindu temple spoilia

        • Has a screen wall, Quwwat Al-Islam Mosque, Iron pillar, and Qutb Minar

      • There are many architectural elements reused in the complex, including the Iron Pillar. Where did these

        come from originally and what message would their reuse here send to a visitor?

        • There is Sanskrit inscription that was made in ca.400 by King Chandragupta II dedicated to Vishnu, a Hindu god

        • Their reuse would send to a visitor of the ruler’s right to rule in this region, by using spolia as a trophy to behold

      • What techniques were used to build the screen wall mosque complex? How does this demonstrate the

        use of traditional Hindu building techniques with new architectural shapes?

        • The screen wall complex has ogival arches leading into the courtyard where the Iron Pillar stands

        • Hindu traditional building were more familiar with corbelled arches, not true arches. Thus, a new arch was made: The Corbelled Ogival Arch

      • What is the purpose of the Qutb Minar? How does its design and decoration reflect new developments in

        Islamic architecture of South Asia?

        • The purpose was to be a minaret, to call the faithful for prayer

        • Qutb - Axis, or staff

        • It is built of stone & decorated with caligraphy, the balconies are supported by muqrana arches and brackets

        • It shows the Islamic conquest in South Asia through the intergration and fusion of Islam & Hindu art and architecture

  • Taj Mahal, Agra, India, 1631-1647

    • Type of Building: Mausoleum

    • Patron: Shah Jahan, fifth Mughal Ruler

    • Architect: Mir Abd Al-Karim

      • Caligrapher was Abdul Haqq

      • Supervisor was Ustad Ahmad Lahauri

    • Style of architecture:

    • Techniques and materials used in its construction:

      • Tomb, mosque, and “guest house” at North

      • Central place occupied by square garden divided by four by water canals - four plot plan

      • planted with flowering trees and plants as a symbol of rebirth and fertility

      • emphasis on symmetry and axiality

      • Entrance at south, through a main gateway

        set on axis with the tomb. This area originally

        had shops.

      • Made of black and yellow inlaid marble

      • Two stories tall with iwans framed by pilasters decorated with a chevron pattern

      • Made of semi-precious stones like lapis lazuli, jasper, agate, jade, coral, amethyst, and turquoise.

    • What does it teach us about the culture that made it?

      • Who paid for the construction of the Taj Mahal and what is its purpose?

        • Shah Jahan paid for its construction to honor his wife, who died in childbirth

      • What are the principal elements of this complex?

        • 4 minarets, 4 chatris, 2 story facade

        • has an iwan & paradise garden

        • Main mausoleum with a tomb with eight halls & side tombs to represent the afterlide

        • Gateway market & guest house

      • Explain how the four-part garden design expresses the idea of paradise and why this would be symbolic in

        the context of the Taj Mahal.

        • Represents the Islamic ideals of paradise: water, honey, milk, and wine

        • It’s meant to create an interpretation of what an Islamic heaven looks like from the Qu’ran

      • What are some of the architectural forms and decoration found on the exterior and interior of the main

        building and how are they related to its purpose?

        • Calligraphic design - inlaid with marble & are verses from Qu’ran + Floral imagrey

        • Floral imagrey

          • Both are done to show connection to Islam & the Islamic idea of paradise

        • Everything is done in multiples of 4 & 8: Eight-sided screen, eight halls & side rooms

          • 8 is a holy number, and connects to heaven

  • The Alhambra Palace, Granada, Spain (Nasrid phase, 13th-15th

    centuries, Spanish Renovations 16th century)

    • Type of Building: City Complex with Mosque, Palace Residence, City Center, and defensive walls & fortresses

    • Patron: Nassirids

    • Architect: Muhammad V built the court of lions; Pedro Manchua built Palace of Charles V

    • Style of architecture: Islamic

    • Techniques and materials used in its construction:

      • Square floor plan with series of squinches rising to a star shaped drum & muqarnas vault

        • Eight muqarnas squinches

      • Muqarnas - 3D geometric projections that has levels of induvidual decorative elements that project over lower elements

        • can be used to decorate projecting vaults, cornices, squinches, pendatives, vaults, and domes

        • Can be made with wood, stone, stucco, brick, or tile

      • Court/Patio of Mrytle Trees & Comares Tower:

        • Hall of Ambassadors

        • Exterior court emphasizing symmetry

        • Water provides mirror-like reflection

        • Decorated by Colorful tiled stucco

    • What does it teach us about the culture that made it?

      • Who first built this complex and what purposes did it originally serve?

        • The Nassirids built this complex to function as a city for administrative & residential functions.

      • Describe the design of the garden in the Court of the Lions: what does the plan represent, symbolically?

        How does it compare to the garden in the Taj Mahal?

        • The design of the garden is separated by four channels of water, which emphasizes the axiality of the setting.

          • Four channels represents the four paradises: water, honey, milk, and wine

          • Originates from Persia and is considered a paradise garden, which is similar to the Taj Mahal’s version of it

        • In the middle, we have a fountain with 12 lions surrounding it outwards, which is meant to symbolize the courage & power of the Nassirid rulers

        • Surrounding the garden are open-arcades with muqarnas

          • Muqarnas symbolize the relationship between the induvidual and the divine (one to the infinite) and ties Islam to the right of rule

      • Where did the sculpture in the Court of the Lions originally come from? What is significant or symbolic

        about their use in the palace?

        • The sculpture of the lions came from a Jewish palace, which was taken by the Nassarids

        • This was used to showcase the might of the empire & Islamic conquest outside of the middle east & was another significant use of spolia in Islamic architecture

      • What happened to the Alhambra at the end of the Nasrid dynasty rule in Spain? What style of architecture

        was used in the period and why is this significant?

        • in 1492, Granada was retaken by Christian forces and Charles V built a large Renaissance palace in the 16th century

        • The style of architecture was Italian renaissance based, as it was inspired by Roman & Greek architecture

          • Has circular colonnades & tuscan columns

          • Rusticated Masonry

          • Triglyph & Metope Frieze

  • Royal Mosque, Isfahan, Persia (Iran), 1611-1630

    • Type of Building: Mosque

    • Patron: Safavid Rulers

    • Architect: Shah Abbas I

    • Style of architecture: Four-Iwan Mosque

    • Techniques and materials used in its construction:

      • Buildings on the open space include shops while center is a park with central pool of water

      • Has two minarets, entrance iwan, and bulbous dome with drum and screened windows

        • Top of the Minarets are supported by Muqarnas

        • Has a central iwan

      • Dome is supported by Muqarna squinches from interior

        • also decorated inside and out with glazed tiling

    • What does it teach us about the culture that made it?

      • Who commissioned the building of this mosque?

        • The Safavids

      • What type of mosque is this and what are the significant parts of its plan?

        • Four-iwan mosque plan with a central courtyard

        • The axis of the complex changes so that the

          prayer hall is oriented towards Mecca.

        • Mosque has central courtyard with an

          iwans in the center of each side.

        • Two madrasas in corners of mosque

          complex.

      • What are the distinguishing characteristics of the entrance facade?

        • Central iwan is decorated with blue polychromatic tiling with calligraphy on it

      • What are some of the materials and techniques used in the structure and decoration of the mosque

        • Polychrome & Glazed tiles were used in the decoration of Dome and drum.

          • Dome and drum are decorated with polychrome tiling with caligraphy & floral designs. Dome has floral arabesques while drum has different forms of caligraphy

          • Dome is decorated in the interior with glazed tiling

        • Muqarnas support top of Minarets & support the dome within the interior on squinches

South American Cities & Architecture:

  •  How did the Road of the Inca contribute to the growth and governance of the Inca empire?

  • Cuzco, Peru, ca.1500

    • Type of Building: City complex

    • Patron: Inkas

    • Architect: Unknown

    • Style of architecture:    

      • City is shap

    • Techniques and materials used in its construction:

    • What does it teach us about the culture that made it?

  • Macchu Picchu, Peru, 15th Century

    • Type of Building:

    • Patron:

    • Architect:

    • Style of architecture:

    • Techniques and materials used in its construction:

    • What does it teach us about the culture that made it?

African Cities & Architecture:

  • Church of St. George, Lalibela, Ethiopia, 13th century

    • Type of Building:

    • Patron:

    • Architect:

    • Style of architecture:

    • Techniques and materials used in its construction:

    • What does it teach us about the culture that made it?

  • Gedi, Kenya, 10th-17th centuries, palace and mosque

    • Type of Building:

    • Patron:

    • Architect:

    • Style of architecture:

    • Techniques and materials used in its construction:

    • What does it teach us about the culture that made it?

Renaissance Cities & Architecture:

  •  Florence Cathedral (Santa Maria, del Fiore), Gothic Church begun in 1292, dome 1436

    • Type of Building:

    • Patron:

    • Architect:

    • Style of architecture:

    • Techniques and materials used in its construction:

    • What does it teach us about the culture that made it?

  • Laurentian Library, San Lorenzo, Italy, begun 1524

    • Type of Building:

    • Patron:

    • Architect: Michelangelo

    • Style of architecture:

    • Techniques and materials used in its construction:

    • What does it teach us about the culture that made it?

  • Villa Barbaro, Maser, Italy, 1557-1558

    • Type of Building:

    • Patron:

    • Architect: Andrea Palladio

    • Style of architecture:

    • Techniques and materials used in its construction:

    • What does it teach us about the culture that made it?

  • Chateau, Chambord, France, 1519-1547

    • Type of Building: Hunting lodge

      • had 440 rooms and 13,000 acres of forest

    • Patron: King Francois I (initially) and King Louis XIV

    • Architect: Domenico de Cortona

    • Style of architecture: Combination of medieval (castle and wall) and Renaissance qualities (symmetry and classical details)

    • Techniques and materials used in its construction:

      • Steep roofs and chimneys are needed because of the snow & rain happening in France

      • Access to upper floors with a spiral staircase in the interior courtyard

      • Central keep has a modular design with “Greek Cross in Square” plan & suites of rooms in each corner and tower.

      • Centralized square plan is based on Italian Renaissance designs

      • Spiral staircase inspired by Leonardo Da Vinci

    • What does it teach us about the culture that made it?

      • Who first commissioned the construction of the Château at Chambord? Who completed it?

        • French King Francois I was the initial patron, but it was completed by Louis XIV

      • How does its design express a nostalgic admiration for medieval castles?

        • References to medieval castles include outer walls connected by four corner towers, a central keep (donjon) with four towers, and a moat around walls fed by River Cosson

      • How does the façade of Chambord reflect influence from Renaissance Italy?

        • Renaissance influence with classical elements (pilasters, horizontal string course, cornice, and balustrade) used to articulate the relationship of the exterior facade and interior spaces

  • The Palace Royal (Palace de Vosges), Paris, France, 1605-1612

    • Type of Building: City Square

    • Patron: Henry IV

    • Architect: King’s Architect (unknown)

    • Style of architecture:

    • Techniques and materials used in its construction:

      • Each building is four bays wide, three stories high (excluding dormered attic story)

        • is built of brick with stone trim and roofed with slate

      • All Buildings have a Mansard roof, which originated in France, and were popular because of property taxes were based on the number of stories below the roof line

      • Uniform facades with stone quoins

      • Arcades create covered portico around square and access to shops

        • Made of inexpensive Materials, including brick and stone

    • What does it teach us about the culture that made it?

      • Who commissioned the construction of the Place Royale (Place des Vosges) in Paris?

        • King Henry IV, who reigned 1589-1610

          • Exploited symbolic and political value of architecture to confirm his right to rule

          • made a addition to the Louvre and built the Pont Neuf across the Seine

          • Marries Marie de’ Medici (family of Florence), their son will rule as Louis XIII

      • What types of buildings are found around the central square, and what are they used for?

        • In the center there are taller structures, which

      • What was so innovative about this design?

        • Done through the large central square accessed by city streets at one end and buildings on all four sides with ground floor shop and residential space above (townhouses), which allows Royal ceremonies, promenade for all the citizens, and a Residential district with houses and businesses

      • What did the patron hope to accomplish?

        • Intended to create an economic stimulus and provide income to the Royal Treasury by attracting businesses and people to settle in the city

  • Wollaton Hall in Nottinghamshire, England, 1580-1588

    • Type of Building: Residential Townhouse

    • Patron: Sir

      • Sherrif of Nottingham

    • Architect: Robert Smythson

    • Style of architecture: Elizabethan Style

    • Techniques and materials used in its construction:

      • Combines medieval and renaissance ideas

        • Central Hall based upon Medieval fortified

        • Great Hall has Medieval elements tracery in windows and hammerbeam trusses to support the roof

        • Renaissance elements, which are classical Doric triglyphs and metope frieze along the wall

    • What does it teach us about the culture that made it?

  • Banqueting House, Whitehall Palace, London, 1618-1622

    • Type of Building: Meant to house masques, a performance with dancing and acting by masked players

    • Patron: James I and his wife Anne

    • Architect: Indigo Jones

      • Son of a carpenter

      • traveled widely in Europe and carried a copy of Palladio’s Four Books of Architecture with him to Italy

      • Designed stage sets for court entertainments known as masques (acting and dancing) in which he was able to experiment with Renaissance Forms

      • Appointed surveyor of King’s works by of James I (first of Stuart Kings) and introduced Renaissance Classism and Palladian Design into England

    • Style of architecture: Palladian Architectural Design

    • Techniques and materials used in its construction:

      • Originally part of larger palace complex, most of which was destroyed in fire in 1698

      • Building has one interior space, not two stories

        • form of double cube

        • 1636 - King Charles I commissioned Peter Paul Ruben to paint the ceiling with canvases glorifying the reign of his father (first of Stuart Monarch who united England rule and Scotland as James I of England and James VI Scotland)

        • January 30th, 1649 - King Charles I was executed in front of the Banqueting House during the English Civil War

    • What does it teach us about the culture that made it?

      • Who was this built for? What is the purpose of this building?

        • James I and his wife Anne wanted this built

        • Used for dining and entertainment, and to hold masques

      • What are some of the classically inspired elements and decoration seen on its façade?

        • Tripartite Facade

        • Balustrade at top

        • Cornice

        • Frieze with decoration

        • Pilasters and engaged columns

        • Triangular and rounded pediments above winodws

        • Heavier masonry at bottom (rustication)

      • How does the design and decoration (inside and out) illustrate its purpose?

        • Frieze decoration reflects symbolism with abundance & actors

          • Both signs are connected to the idea of masques and banquets

      • What are some of the architectural elements and design principles that reflect Palladio’s work and ideas?

        • Illusionistic paintings on Tripartites

          • Canvases installed