Willam Christensen: Contributions to American Ballet

Willam F. Christensen: Life and Contributions to American Ballet

Early Life and Background

  • Birth: William Farr Christensen was born in 1902 in Brigham City, Utah.
  • Family: He belonged to a Danish Mormon family that had emigrated to America.
  • Dance Heritage:
    • His grandfather taught folk and social dancing.
    • His father and uncles were also educators in social dancing, running schools throughout the Northwest.
  • Introduction to Ballet:
    • The Christensen family was introduced to ballet through teachers' conventions.
    • The three Christensen brothers (Willam, Lew, Harold) received classical ballet training from various instructors.

The Christensen Brothers

  • Profession: All three brothers worked as choreographers, teachers, and directors, contributing significantly to the growth of ballet in the United States.
  • Influence: While they worked primarily in the West, their impact was felt nationwide.

Early Career

  • First Teaching Position:
    • Willam began teaching at his uncle's dancing school in Portland, Oregon, in 1932.
    • Quickly organized a ballet company with his students; this group disbanded when he was hired as a leading dancer for the San Francisco Opera Ballet in 1937.
  • San Francisco Ballet:
    • He became the director of San Francisco Ballet in 1938.
    • The company remains a major ballet institution in America today.

Move to Salt Lake City

  • Relocation: In 1951, he moved to Salt Lake City for the health of his ailing wife, Mignon.
  • University of Utah:
    • Started teaching ballet at the University of Utah.
    • His classes led to the establishment of a university ballet department, which evolved into a professional company known as Ballet West in 1968.
  • Retirement: Christensen retired from Ballet West in 1978 and subsequently ran his own school, the Christensen Ballet Academy.

Contributions to Ballet Productions

  • Pioneering Full Productions: In San Francisco, he staged the first complete American productions of:
    • Coppélia (1939)
    • Swan Lake (1940)
    • The Nutcracker (1944)
    • His versions were based on historical research and the recollections of older dancers who had performed in Europe.
  • Nutcracker Tradition:
    • His version of "The Nutcracker," created a decade prior to George Balanchine's production, helped instill the tradition of performing this ballet as a Christmas classic.

Original Works

  • Notable Original Ballets:
    • Winter Carnival (lighthearted ballet)
    • Nothin' Doin' Bar (a Prohibition-era farce)
    • Christensen believed in ballet's ability to serve as theatrical entertainment accessible to all audiences.

Personal Philosophy and Approach to Ballet

  • Cultural Perspective:
    • Throughout his career, Christensen maintained that ballet was not an inherently foreign art form.
  • Stage Name:
    • Unlike many American dancers of his time who adopted foreign names, he chose to retain a version of his name, becoming known as Willam instead of William.

Legacy and Recognition

  • Teaching Influence:
    • Christensen's students included notable figures such as:
    • Janet Reed
    • Scott Douglas
    • Onna White
    • Jocelyn Vollmar
    • Kent Stowell
    • Bart Cook
    • Michael Smuin
    • These students achieved significant success in ballet and musical theater across the U.S.
  • Awards:
    • Received the Dance Magazine Award in 1973.
    • Honored with the Capezio Dance Award in 1984.

Death

  • Passing: Willam Christensen passed away at the age of 99 in Salt Lake City on October 17, 2001.
  • Survivors: He is survived by his second wife, Florence; a daughter, Roxanne Lazzara; a son, Lee Christensen; and nine grandchildren.