K-Pop Notes

Second-Generation K-Pop Idols

  • Leading figures of second-generation K-pop idols.
  • The globalization of second-generation K-pop idols and their music.
  • Second-generation K-pop idols’ musical and non-musical activities
  • Non-idol musicians are recognized as K-pop stars outside of Korea

TVXQ! (東方神起)

  • Five-member boy band produced and promoted by SM, debuting in 2003
  • Targeting the Asian pop music audience from the beginning
  • Immense popularity in Japan and other Asian countries
  • “Mirotic (Korean title: 주문 Jumun, 呪文)” (2008)
  • Three members’ lawsuit against SM
  • Xia Junsu, Hero Jaejoong, and Micky Yoochun separated from TVXQ! and re- organizing JYJ
  • Current J(Y)J: Junsu Kim and Jaejoong Kim
  • U Know Yunho and Max Changmin still working as TVXQ!
  • Official fan club “Cassiopeia”
  • Pearled red
  • Global fan club

Big Bang

  • Five-member idol boy band produced and promoted by YG Entertainment, debuting in August 2006
  • G-Dragon as a rapper, a composer, and a producer
  • Hip-hop-based music
  • “Lies (거짓말)” (2007) (c.f. FreeTEMPO “Sky High”)
  • Trendsettersticks,
  • Official fan club “VIP”
  • Official light (glow) stick with a nickname – “Bang Bong”

Wonder Girls

  • Idol girl group produced and promoted by JYP Entertainment, debuting in February 2007 (disbandment in February 2017)
  • Starting with five members and ending up with four members
  • “Tell Me” (2007): very popular for choreography in addition to catchy tunes
  • JYP’s choreography before releasing the song
  • Police officers' cover
  • “Nobody” (2008): targeting the global audience (BUT not successful in the U.S.)
  • Inspired by American Motown music (c.f. Supremes “Stop in the Name of Love”)
  • Official fan club “Wonderful”
  • Pearled burgundy

Linguistic and Musical Traits of K-Pop

  • English titles or lyrics
  • Nonsense words or phrases
  • English, Japanese, or Chinese versions
  • Repetition of ‘catchy’ melodies, ‘danceable’ rhythms, and simple words
  • Singing and rapping
  • Melodic sections to show off singers’ vocal techniques
  • Rhythmic sections or transitions between verses by rappers
  • Dance performance
  • Synchronized group dancing (칼군무 kalgunmu)
  • Dancing to ballads

Globalization of K-Pop (1)

  • K-pop labels’ recruitment and inclusion of non- Koreans or ethnic Koreans with foreign citizenship in K-pop idol groups
  • Super Junior: Hangeng (Chinese)
  • Girls Generation: Jessica and Tiffany (Korean American)
  • 2PM: J Park (Korean American), Taecyeon (US permanent resident), Nickkhun (American-born Chinese Thai)
  • f(x): Victoria (Chinese), Amber (Taiwanese American), Krystal (Korean American)
  • Miss A: Fei and Jia (Chinese)

Globalization of K-Pop (2)

  • K-pop idols’ remakes of global pop since the late 1990s
  • aespa “Dreams Come True” (2021) remaking S.E.S. “Dreams Come True” (1998) having remade Finnish female duo Nylon Beat’s “Rakastuin mä luuseriin (Like a Fool)” (1996)

Globalization of K-Pop (3)

  • Musical collaboration with composers and producers outside of Korea since second-generation idols’ music
  • f(x) “Chocolate Love” (2009) composed and produced by Bloodshy & Avant (Swedish songwriting and production duo) (c.f. Girls’ Generation version)
  • SHINEE “Juliette” (2009) composed by Mikkel Remee Sigvardt (Denmark), Jay Sean (UK)
  • Girls’ Generation “Run Devil Run” (2010), composed by Kalle Engström (Sweden), Michael Busbee (US), and Alex James (UK)
  • Hyori Lee “Chitty Chitty Bang Bang” (2010), composed by Antwann Forest, Ronald Frost, Anetra Terrel, Ryan S. Jhun (US, *Jhun - Korean American)
  • Hyun Joong Kim “Break Down” (2011), composed and produced by Steven Lee (US, *Korean American)

Domestic Recognition of K-Pop

  • The term K-pop coined and commonly used by the global pop scene BUT not favorable in Korea
  • K-pop recognized by the Korean government, media, and academia since second-generation idols’ success both within and outside of Korea
  • JYJ’s special performance at the Presidential inauguration in 2013
  • K-pop dance cover competition, entitled Cover Dance Festival: K- Pop Road Show 40120, produced and aired by MBC (Munhwa Broadcasting Cooperation) as a part of events to promote the government-driven 2011 Visit Korea Year campaign

Second-Generation K-Pop Idols’ Musical Expansion

  • The remake of Korean hit songs in the 1980s and '90s
  • TVXQ! “Balloons (풍선)” (2006)
    • Original song: Five Fingers “Balloons” (1986)
  • Girls’ Generation “Girls’ Generation (소녀시대)” (2007)
    • Original song: Seung-chul Lee “Girls’ Generation” (1990)
  • Big Bang “Sunset Glow (붉은 노을)” (2008)
    • Original song: Moon-se Lee “Sunset Glow” (1988)
  • Other musical genres than dance music: ballads and rock ‘n’ roll
    • FT Island “Love Sick (사랑앓이)” (2007)

K-Pop Musicians’ Non-Musical Activities (1)

  • Yoon-ah (Girls’ Generation) starring in KBS daily drama You Are My Destiny (너는 내 운명) (May 2008-January 2009)
  • IU starring in KBS weekend drama You Are the Best Lee Soon Shin (최고다 이순신) (March 2013-August 2013)

K-Pop Musicians’ Non-Musical Activities (2)

  • tvN Reply series featured K-pop idols
  • Eunji Jung (Apink) and Hoya (ex-Infinite) starring in Reply 1997 (July 2012-September 2012)
  • Baro (ex-B1A4) starring in Reply 1994 (October 2013- December 2013)
  • Hyeri (ex-Girl’s Day) starring in Reply 1988 (November 2015-January 2016)

Non-Idol Musicians as K-Pop Stars: PSY (1)

  • Attending Berklee College of Music
  • Member of an online ‘Black’ music community
  • Starting as a featured rapper for Zo PD and pursuing rap dance music
  • Debut song “Bird (새)” (2000)
  • Arrested for smoking marijuana and suspended for 2yrs
  • Successful comeback with the song “Champion” (2002) (popular as the 2002 World Cup cheering song)
  • Criticized due to irregularities in military service and hiatus during fulfillment of military obligations

Non-Idol Musicians as K-Pop Stars: PSY (2)

  • Returning to the Korean popular music scene as a concert singer (featuring in campus festivals)
  • Unanticipated mega hit of “Gangnam Style” (2012)
  • Representing Korean popular music as a K-pop singer AND as a Hallyu star
  • Audience members’ creating and sharing fan-made videos (including flash mobs) parodying PSY’s original MV through social media: K-pop as an inclusive cultural phenomenon featured by audiences (fans)’ participatory culture