English Phonology Lecture Notes

Stress

  • Stress refers to the relative prominence of a syllable within a sequence of syllables.
  • It is a suprasegmental or prosodic feature, meaning it applies to a syllable rather than an individual sound (segment).
  • A stressed syllable is perceived as more prominent and is produced with more muscular energy.
  • Prominence is associated with:
    • Loudness
    • Length
    • Pitch
  • Example: "table" - the first syllable is stressed, hence louder, longer and with a relatively higher pitch.

Levels of Stress

  • Primary Stress:
    • The strongest type of stress.
    • Marked by a high vertical line ( ' ).
    • Example: a'round
  • Secondary Stress:
    • Stress weaker than primary stress but stronger than unstressed.
    • Marked by a low vertical line ( . ).
    • Example: .magazine

Placement of Stress

Factors Affecting Stress Placement:

  • Phonological structure of the syllables
  • Number of syllables
  • Morphological structure
  • Word class
I. Phonological Structure
  • Strong Syllable:
    • Has a rhyme with:
      • A syllable peak which is a long vowel or diphthong with or without a coda (the consonants that follow the vowel).
        • Example: amazing /ə'mei.zɪŋ/
      • A syllable peak which is I, e, æ, ɔ, or ʊ followed by at least one consonant.
        • Example: rusty /'rʌs.ti/
  • Weak Syllable:
    • Examples:
      • testa /'tes.tə/
      • i, u without a coda
        • easy /'i:.zi/
      • influence /'ɪn.flu.əns/
  • Key Points:
    • Strong syllables may or may not be stressed.
    • Weak syllables must be unstressed.
    • A stressed syllable must be a strong syllable (strong syllable attracts stress), but not all strong syllables are stressed.
II. Disyllabic Words and IV. Word Class
  • Two-Syllable Nouns:
    • Usually stressed on the first syllable unless the first syllable is weak and the second is strong.
      • Examples: present, China, table
  • Two-Syllable Verbs:
    • Usually stressed on the second syllable unless the final syllable is weak or contains /ɪ/.
      • Examples: to export, to decide, to begin

Stress to Differentiate Meaning

  • The stress placement can sometimes be used to differentiate between nouns/adjectives and verbs with identical spelling.
    • import
      • 'import (n.): A ban on beef imports has been imposed.
      • im'port (v.): The apples were imported from Japan.
    • perfect
      • 'perfect (adj.): Mary's Mandarin is perfect.
      • per'fect (v.): These exercises help students perfect their reading skills.
III. Compound Words and IV. Word Class
  • N+N: The primary stress is usually on the first part
    • e.g. 'car-ferry
  • Adj + N: the primary stress is usually on the first part
    • e.g. 'lighthouse, 'tightrope
  • Adj + -ed: the primary stress is usually on the second part
    • e.g. heavy-handed
  • If the first part is a number, stress the second part:
    • e.g. first-class; three-'wheeler
  • When compounds function as adverbs → final-stressed
    • e.g. head-'first, down'stream
  • When compounds function as verbs and have an adverbial first part → final-stressed
    • e.g. down'grade, ill-'treat
III. Suffixes
  • The following suffixes themselves usually carry primary stress:
    • -ee: evacuee
    • -ese: journalese
    • -eer: mountaineer
    • -ette: launderette
    • -esque: picturesque
  • Stress on second to last syllable for words ending in:
    • -(e)ous: courageous (cf. courage)
    • -ial: presidential (cf. president)
    • -ion: education (cf. educate)
    • -ic: climatic (cf. climate)
    • -ian: musician (cf. music)
  • Stress on third to last syllable for words ending in:
    • -ity: readability
    • -ise/-ize: modernise

Tone

  • Three primary tones:
    • Falling
    • Rising
    • Level
  • Combined tones:
    • Fall-rise
    • Rise-fall
  • In the English language, tones do not change the meaning of a word; they help us express emotions and attitudes.

Tones and Functions

  • Falling Tone:
    • To indicate certainty and give an impression of 'finality.'
      • Example: A: Are you with me? B: 'Yes
  • Rising Tone:
    • To invite the interlocutor to continue.
      • Example: A: Were you back yesterday? B: No
  • Level Tone:
    • To convey a feeling of saying something routine or uninteresting.
      • Example: A: Have you brushed your teeth? B: _Yes
  • Fall-Rise:
    • To suggest reservations about what is said.
      • Example: A: I guess he may come. B: Maybe
  • Rise-Fall:
    • To show surprise.
      • Example: A: I have not dined out for months. B: ^Wow
  • Note:
    • In multisyllabic words, the tone is placed on the most strongly stressed syllable.
      • Examples: algain, to/night

Connected Speech

Rhythm

  • Perceived regularity of prominent units in speech.
  • English has stress-timed rhythm.
  • Stressed syllables tend to occur at equal intervals of time.
  • All other unstressed syllables need to be squeezed into one slot.
  • Example: "Walk to the end of the road." *Note: that spoken in natural speech, some function words are pronounced in their weak forms, consider the examples provided:
    • to
      • tə (before consonants) time to leave
      • tu (before vowels) time to eat
    • of
      • ᎾᏙ scared of you
    • the
      • də (before consonants) the phone
      • ði (before vowels) the end

Assimilation

  • The influence exercised by one sound segment upon the articulation of another so that the sounds become more alike or identical.
  • It usually affects consonants.
  • Types of assimilation:
    • Assimilation of place
    • Assimilation of manner
    • Assimilation of voice
a. Assimilation of Place
  • A sound takes on the place of articulation of a neighbouring sound.
    • Example:
      • that person /ðæt pɜːsən/ → /ðæp pɜːsən/ (alveolar plosive → bilabial plosive)
      • light blue /laɪt bluː/ → /laɪp bluː/ (alveolar plosive → bilabial plosive)
      • this shoe /ðɪs ʃuː/ ⇒ /ðɪʃ ʃuː/ (alveolar fricative → palatal fricative)
b. Assimilation of Manner
  • A sound takes on the manner of articulation of a neighboring sound.
    • Example:
      • good night /ɡʊd naɪt/ → /ɡʊn naɪt/ (alveolar plosive → alveolar nasal)
c. Assimilation of Voice
  • A sound takes on the voicing of a neighbouring sound.
    • Examples:
      • have to /hæv tuː/ → /hæf tuː/ (voiced → voiceless)
      • cheese cube /tʃiːz kjuːb/ → /tʃiːs kjuːb/ (voiced → voiceless)
      • that side /ðæt saɪd/ → /ðæs saɪd/ (alveolar plosive → alveolar fricative)
    • Past tense
      • jump + /ɪd/ → /dʒʌmpt/ (/p/- voiceless)
      • judge + /ɪd/ → /dʒʌdʒd/ (/dʒ/ voiced)

Direction of Assimilation

  • Progressive Assimilation:
    • A sound takes on the feature of another sound preceding it.
  • Regressive Assimilation:
    • A sound takes on the feature of another sound following it.

Elision

  • The loss of sounds.
    • /v/ in of before consonants
    • Complex consonant cluster
      • acts → /æks/
      • twelfth night → /twelfθnaɪt/
    • A syllable may be elided when it is next to a similar or even identical syllable
      • probably (probly)

Linking

  • Two kinds of linking involving /r/:
    • (1) Linking /r/
      • The spelling of a word suggests a final r. The next word begins with a vowel
        • Example:
          • Here and now → /hɪər ən naʊ/
      • It occurs in both AmE and BrE
    • (2) Intrusive /r/
      • /r/ is added when a word ends with a vowel and the next word begins with a vowel
        • There is no 'justification' from the spelling
        • Example:
          • China and America ⇒ /'tʃaɪ.nər ən ə'mer.ɪ.kə/
      • Unique to BrE