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Page 1: Introduction
Lecture 7: Relation of art and science
Report By: Group 3
Page 2: Group Members
Benedict M. Aragon
Anne P. Delvo
Katherine Lagunda
Mary Janne F. Pelea
Alloyd Seledio
Luigi S. Santos
Page 3: Objectives
Art and Science Relationship: Explore how art relates to Biological, Archaeological, Physical, Chemical, and Computer Sciences.
Artwork Identification: Recognize artworks, styles, and artists influenced by scientific principles.
Biological Theory of Art: Understand concepts of beauty in art as interpreted through biological frameworks.
Chemical Analysis: Investigate chemical compositions used in visual art media.
Physics in Art: Apply physics principles in art design and composition.
Technological Approach to Art: Formulate a modern scientific and technological perspective for art appreciation.
Emerging Art Forms: Examine new forms of art facilitated by computer and information technology.
Page 4: Lecture Areas
7.1: Darwinian Theory of Beauty and Art
7.2: Media and Elements of Visual Art
7.3: Design and Principles of Composition
7.4: Application of Technology in Art
7.5: The Art of Selfies and Groupies
Page 5: Acheulean Hand Axes
Historical Significance: Found in Olduvai Gorge, East Africa, dating back 2 million years.
Function: Served as a 'fitness signal' for mate attraction, influencing survival.
Page 6: From Archaeology to Art
Transition from early artifacts to complex art forms over millennia.
Page 7: Evolution of Art
Cultural Significance: Acheulean hand axes to modern artworks; assertion that artists create art as a mating signal.
Page 8: Pablo Picasso
Complex Relationships: Influences of women in his life significantly shaped his artworks.
Page 9: Picasso's Affairs
Sexual History: Engaged with numerous lovers, indicating an early and persistent interest in women.
Relationships: Two wives, six significant mistresses, and many lovers.
Intentional Separation: Refused to divorce first wife to retain wealth.
Page 10: Personal Tragedies
Olga's Death: Died from alcoholism, highlighting the personal costs of Picasso's relationships.
Francoise Gilot: Only woman to leave Picasso after years of relationship.
Jacqueline Roque: Married later, tragically committed suicide post-Picasso's death.
Page 11: Key Relationships
Wives and Mistresses
Olga Khokhlova
Marie-Therese Walter
Page 12: Continued Relationships
Others:
Jacqueline Roque
Francoise Gilot
Page 13: Artistic Focus on Relationships
Artwork Theme: Many of Picasso's works depict his wives and mistresses.
Page 14: Notable Works
Woman Reading (1923): Model was Picasso’s first wife, Olga.
Page 15: Honorary Depictions
Green Leaves and Bust (1932): Model was his mistress Marie Therese.
Page 16: Depicting Love
Jacqueline with Flowers (1954): Model was his second wife Jacqueline.
Page 17: Media of Visual Art
Significance of Media: Fundamental elements out of which art is made.
Page 18-24: Surfaces and Materials for Painting
Canvas: Typically cotton or linen over wooden frames.
Wood Panels: Used for rigid supports in painting.
Paper: Common for watercolors and pastels.
Glass: Utilized for specialized techniques.
Fabric: Beyond canvas, silk and textiles are also used.
Page 25-29: Types of Paint Pigments
Oil Paint: Known for rich colors; example: The Starry Night by Van Gogh.
Acrylic Paint: Dries quickly; example: Campbell's Soup Cans by Warhol.
Watercolor: Creates translucent layers; example: The Blue Boat by Homer.
Gouache: Opaque with added white pigment; example: I and the Village by Chagall.
Encaustic: Uses hot wax for texture; example: Fayum Mummy Portraits.
Page 30-33: Sculpture and Mediums
Architecture Materials: Includes stone, wood, metal, and clay for sculpting.
Page 34-35: Music as Medium
Human Voice: An expressive medium in music.
Musical Instruments: Transform physical materials into sound.
Page 36: Picture Plane Concepts
Components:
Background: Distant elements.
Figure: Main subject.
Foreground: Closest elements to viewers.
Frame: Boundary of the picture.
Page 38-40: Famous Artworks
Mona Lisa: Iconic oil painting by Leonardo da Vinci.
The Starry Night: Recognized piece by Van Gogh.
The Sistine Chapel Ceiling: Masterpiece by Michelangelo.
Page 41: Elements of Art
Key Elements Include: Point, Line, Shape, Size, Value, Color, Texture.
Page 42-45: Visual Principles
Examples of Elements: Spiderwebs and Japanese Calligraphy used to illustrate various elements of art.
Page 47-56: Design and Composition Principles
Artistic Form: Structure and organization of elements.
Harmony: Achieved through repetition and rhythm.
Variety: Use diverse elements to create effects.
Balance: Equilibrium among elements; types include symmetrical and asymmetrical.
Dominance: Emphasizing specific elements.
Page 57: Art in Modern Context
Selfie Definition: A self-taken photograph; originated from an Australian forum.
Page 58-60: Selfies and Groupies
Dynamic Impact on Identity: Selfies reflect personal identity trends and social media culture.
Groupie Definition: A photo taken with others.
Page 61-66: Art and Technology
Walter Benjamin's Theory: Explores the impact of mechanical reproduction on art's uniqueness.
Shanken's Expansion: Investigates how digital tools focus on concepts rather than physical pieces.
Page 67-75: Art Reproduction Techniques
Mechanical Methods: Founding, stamping, engraving, lithography, and photography outline how reproductions dilute originality.