chapter 03 - Sound Reflection Diffraction Diffusion - Color

Chapter 3: Architectural Acoustics

3) Sound Reflection, Diffraction and Diffusion


3.1 The Boundary Phenomena

  • Incident sound energy when sound interacts with enclosure boundaries.

  • Reflected sound energy divided into three parts:

    • Reflected energy returns to the space.

    • Absorbed energy is converted into heat by the material.

    • Transmitted energy passes through the boundary element.

  • Energy balance equation: ( P = \rho + \alpha + \tau = 1.0 )


3.2 Absorption Coefficient of Sound

  • Absorbed and transmitted sound energy is grouped together as energy lost from the enclosure.

  • Reflection and absorption are characterized by: ( \rho + \alpha = 1.0 )


3.3 Sound Diffraction

  • Sound diffraction is the ability of sound to bend around obstacles.

  • Without diffraction, sound would travel straight, creating shadows behind obstacles, similar to light.

3.3.1 Wavelength of Sound and the Size of Reflector

  • Degree of diffraction is dependent on wavelength (frequency).

  • Low-frequency sounds (long wavelength) bend more than high-frequency sounds (short wavelength).

  • Small elements relative to sound wavelength lead to significant sound diffraction, creating minimal shadows.

  • Larger elements compared to sound wavelength result in reflection, with slight diffraction.

3.3.2 Experimental Observations

  • For effective sound reflection, a plane panel must have dimensions at least 5λ (lambda).

  • Example: A 3 m x 3 m (10 ft x 10 ft) panel is required for reflecting 500 Hz sound (λ ≈ 0.6 m).

  • Sound reflecting panels are useful in auditoriums to direct sound towards the audience.


3.4 The Relevance of Acoustical Shadows

  • Acoustical shadows negatively affect hearing and listening in performance venues.

  • Formed under deep balconies, affecting high frequencies more than low frequencies.

  • Low-frequency sounds can diffuse into shadow areas; high frequencies cannot, leading to tonal coloration of music.


3.5 Acoustical Transparency of a Screen

3.5.1 Factors Affecting Acoustical Transparency

  • Acoustical transparency depends on visual transparency, sound frequency, and void distribution in the screen.

  • Smaller, closely spaced voids allow more sound diffusion compared to fewer large voids.

  • Lightweight, knitted or perforated fabrics enhance acoustical transparency.


3.6 Diffuse and Specular Reflections

3.6.1 Specular Reflection

  • Occurs when a smooth reflecting surface creates directed reflections.

  • "Smooth" means surface irregularities are smaller than the wavelength of sound.

3.6.2 Diffuse Reflection

  • Heavy texture on walls required for diffuse reflection; surface should have irregularities comparable to sound wavelength (e.g., 0.3 m for 1 kHz).


3.7 Sound Diffusion

  • A perfectly diffuse sound field is where sound reaches listeners equally from all directions.

  • Important for musical performance spaces to avoid harsh reflections (acoustic glare).

  • Excessive diffusion can hinder clarity in speech-focused spaces.

3.7.1 Effect of Room Geometry and Size on Sound Diffusion

  • Poor diffusion typically occurs in rectangular rooms with flat walls.

  • Non-rectangular designs favor better sound diffusion.

3.7.2 Effect of Sound Absorption on Sound Diffusion

  • Reflective surfaces improve diffusion, while sound absorption materials reduce it.

3.7.3 Interior Ornamentation

  • Ornamental features like pilasters, balconies increase sound diffusion.

  • Extensive ornamentation contributes to the acoustics of older symphony halls.

3.7.4 Diffusion and Convex Reflectors

  • Convex surfaces scatter sound and improve diffusion.

  • Concave surfaces can focus and concentrate sound, leading to poor acoustics unless designed to scatter sound effectively.


3.8 Sound Diffusers

  • Reflective surfaces with irregularities comparable to wavelength serve as diffusers.

  • Randomness in surface irregularities enhances diffusion performance.