Characters, Ethics, Voice & Poetic Language – Exam Review Notes
Characters & Characterisation
- Narratives require a main figure: protagonist (fiction) or subject (non-fiction)
- Characters are semiotic constructs; readers know them only via textual signifiers
- Flat characters: single idea/type, few traits, little change
- Round characters: complex, contradictory, past-shaped, capable of growth; protagonists are usually round
Subjects in Narrative Non-Fiction
- Biography: subject = protagonist; memoir: narrator = protagonist
- Apply fiction techniques but remain factually accurate
Ethical Representation & Symbolic Harm
- Ethics = standards of right/wrong AND reflection on those standards
- Symbolic harm: stereotypes, reinforcing oppression, gratuitous violence
- Key questions: potential harm? societal benefit? mitigation? benefit > risk?
- Non-fiction: align with evidence, respect living relatives, observe Australian defamation law (does not cover the deceased)
Techniques for Characterisation
- Description: appearance, movement, bodily sensations
- Motif: recurring image/object signalling traits or symbolism
- Dialogue: speech patterns reveal background & relationships
- Interior monologue: access to thoughts/feelings (limited in biography)
- Place interaction: landscape + character perception builds meaning
Voice (Narrative Style)
- Narrator’s perspective shapes diction and tone
- Consider: word choice, tone, dialect, verbosity, sentence structure, rhythm
- Use varied sentences (active/passive, length, fragments) for effect
Poetic Language in Prose
- Purpose: surprise, evoke emotion through connotation & imagery; avoid clichés
- Devices:
• Vivid imagery: concrete, specific, allegorical
• Motif: repeated element for emphasis
• Metaphor: A=B to transfer qualities (e.g., "faces = petals")
• Simile: A like B (e.g., "breasts are huge exciting anchors")
• Personification: human traits to inanimate objects