Chapter 46 Introduction

  • The Protestant Reformation emerged due to concerns over papal overreach, primarily in Northern Europe.
  • Key Protestant Reformer: Martin Luther (1483-1546)
    • Led a scholarly dispute against the Catholic Church in 1517 by publishing the Ninety-Five Theses.
    • Luther’s German translation of the Bible facilitated individual interpretation without clergy mediation.
  • The artistic approach of Protestant churches was distinct from Catholic churches:
    • Protestant art relied less on visual imagery.
    • Merchants started cultivating new art patronage avenues, leading to the introduction of new themes and subjects not centered on the church.
  • Other notable reformers included Desiderius Erasmus (in Holland) and John Calvin (in Switzerland).
  • 1534: King Henry VIII broke with the Roman Catholic Church, further demonstrating the Reformation's impact.
  • Holy Roman Emperor Charles V led the Catholic response to the Reformation.
  • Increased literacy rates and the widespread use of the printing press allowed more Europeans to participate in religious debates.
  • The political and religious strife over the years had significant repercussions for artists, exemplified by Iconoclasm, which was characterized by the destruction of religious images and widespread artwork damage.

Albrecht Durer Self Portrait

  • Durer's Self Portrait showcases a half-length frontally posed figure, contrasting with previous portrait formats.
    • The static gaze of the subject suggests an icon, typically reserved for representations of Christ.
    • Naturalism is evident in the meticulous detail displayed in each strand of hair.
    • Durer included his monogram, name, and date in gold letters for self-promotion.
    • The richness of the outfit indicates his high social standing.
  • Quentin Massys, The Money Changer and His Wife
    • This piece is regarded as an occupational portrait, depicting a goldsmith weighing coins.
    • The wife is shown distracted from her pious devotions by the money, serving as a cautionary reminder to viewers not to lose sight of religious beliefs amid the world of burgeoning commerce.

Catherine van Hemessen: Self Portrait at an Easel

  • This work is recognized as the first portrait of a female artist at her easel.
  • Female artists typically faced numerous career obstacles; however, many received training through family members.
  • Like van Hemessen, most female artists often ceased their careers upon marriage.
    • The self-portrait features an inscription that highlights her skill at age 20, marking the early stages of her artistic career.

Albrecht Durer: Great Piece of Turf

  • Durer’s Great Piece of Turf reveals his deep observations of nature, aimed at comprehending the larger universe.
  • The artwork is notable for its scientifically precise rendering and is composed to reflect both realism and beauty.

Chapter 47 Sixteenth Century Art of Italy (1500-1600)

Mannerism

  • The Mannerism movement is characterized by:
    • Artificiality, grace, and elegance over traditional ordered balance.
    • Artists instigated distortions of conventions, yielding enigmatic forms.
    • Elements such as irrational spatial environments and contrived compositions emerged, often quoting predecessors’ works.
    • This anti-Classical movement valued artificiality and elegance above lifelike attributes.
    • Peculiar, esoteric subjects became popular among patrons.
    • Artists, painters, and sculptors often engaged in self-referential playfulness via quoted works.
    • Architectural Features of Mannerism:
    • Visual instability marked by irregular spacing of constructions
    • Distortions of classical motifs and a clear rejection of classical orders.
    • Common visual components included broken pediments, blind windows, and giant order columns that spanned multiple stories.
    • Monumental staircases often flared at the base, with some featuring curved steps.
    • Employed segmental arches and rustication that was heaviest at the bottom and decreased as the structure ascended.
    • Featured playful motifs and bizarre combinations throughout the designs.
    • Regular use of skewed perspectives.

Tintoretto: Last Supper

  • Tintoretto’s painting of the Last Supper incorporates a dark interior contrasted with divine light emanating from Christ and the apostles.
    • The inclusion of servants in the foreground introduces everyday people to the miraculous scene.
    • The dramatic diagonal perspective signifies anticipation of Baroque compositions.

Church of the Gesù by Giacomo da Vignola and Giacomo Della Porta

  • Notable architectural features include:
    • Pilasters designed to project further from the midpoint, creating a sculptural and three-dimensional facade.
    • Short transepts and absence of narthex enhance the unity of the interior space.
    • The broad, open nave, constructed without side aisles, was intended to accommodate larger congregations.
    • This design became a prototype for Jesuit churches, extending its influence into the twentieth century.

Chapter 51: Early Modern Art of South Asia and Southeast Asia

Ceramics from the Hoi An Hoard

  • Discovered in a shipwreck off the central coast of Vietnam.
  • Notable for most Vietnamese blue and white ware.

Vietnamese Porcelain Manufacturing

  • Vietnamese artisans learned to produce porcelain from the Chinese during the Ming dynasty’s occupation of Vietnam (1407-1428).
  • Key term: Porcelain.

Ceremonial Banner

  • A 650-year-old Indian textile preserved in a Toraja village on Indonesia's island of Sulawesi.
    • Called Lusaka, a sacred heirloom signifying the cloth of ancestors.
    • Created through woodblock printing and resist-dyeing techniques.
    • Radiocarbon dated to approximately 1350 CE.

Buland Darwaza

  • A monumental entrance to a congregational mosque characterized by:
    • Architectural polychromy
    • Chhatris situated along the roofline.
    • A prominent pishtaq.

Key Terms:

  • Pishtaq**: A significant architectural feature.
  • Iwan: A vaulted space opening on one side, often used in Islamic architecture.
  • Polychromy: The practice of decorating architectural elements in multiple colors.
  • Chhatri: Elevated dome-shaped pavilions characteristic of Indo-Islamic architecture.

Artwork: Panch Mahal

  • Features an arcade, a covered walkway supported by a series of arches and piers.
  • Jali: A perforated stone or lattice screen featuring calligraphy or geometric designs.
  • Panch Mahal (circa 1570-1585, Mughal, Fatehpur Sikri, India).

Diwan-i-Khas

  • The Diwan-i-Khas, Akbar's private audience hall, is described as:
    • A pavilion, two stories high, dominated by a pillar capped with an oversized capital.
    • Akbar would sit atop this capital.

Key Terms:

  • Capital: The topmost member of a column or pilaster.

Krishna Holds up Mount Govardhan to Shelter the Villagers of Braj

  • This illustration originates from a genealogy of Krishna, one of the incarnations of Vishnu.
  • It is characteristic of Akbar-period painting that featured:
    • Original compositions created by court artists, following iconographic rules from Hindu religious texts.
    • A unique blend of Persian and South Asian painting traditions, with additional influences from European prints.

Bichitr: Jahangir Preferring a Sufi Shaykh to Kings

  • Jahangir (r. 1605-1627) was Akbar's son and an avid patron of the arts.
  • Court artists produced allegorical portraits incorporating complex iconography combining Jahangir's supremacy with spiritual themes.
  • Self-portrait of the artist is located in the lower left of the painting.
  • Inlay: A decorative technique that involves embedding materials into a primary surface.
  • Calligraphy: The art of expressive, decorative or carefully crafted handwriting.
  • Pietra dura: An inlay technique where small pieces of colored stone create patterns or images.

Taj Mahal

  • Commissioned by Shah Jahan (r. 1628-1658) as a tomb for his wife, Mumtaz Mahal.
  • The site consists of a vast 42-acre complex that includes:
    • Charbagh (a Persian-style garden), mosque, assembly hall, gateway, bazaars, and caravanserai.
  • Architectural features embodying Mughal architecture include:
    • Bilateral symmetry, tripartite compositions, repetition of forms, careful proportions, and luxurious details, many referring to paradise.

Key Terms:

  • Mausoleum: A large tomb, typically an elaborate one.
  • Charbagh: A Persian style of garden divided into quadrants.
  • Caravanserai: An inn with a courtyard for travelers in the desert regions of Asia.
  • Bilateral symmetry: A balance of two sides in an artwork or structure.
  • Façade: The front face of a building.
  • Minaret: A tower commonly found adjacent to a mosque.
  • Plinth: The base of a structure, often broader than the main body.
  • Chamfer-cornered: A technique in architecture where corners are cut at an angle.
  • Inlay: Artistic technique involving embedding pieces into a surface.
  • Calligraphy: Decorative handwriting.
  • Pietra dura: Stone inlay technique using colored stones.