Class XII Mass Media Studies - Comprehensive Notes
Advertising Concept and Process
Product Definition and R&D: - When a product is launched, the Research and Development [R & D] section of an organization defines its identity. - This includes the form, specifications, conditions, look, appearance, and packaging for physical products. - USP (Unique Selling Point): The R & D section determines the specific feature that makes the product stand out from competitors.
Market Testing: - Prototypes are tested by blanking out the product name and showing various color schemes or appearances to different groups. - Responses are often analyzed by psychologists and sociologists to determine the most successful packaging and look.
Industrial vs. Consumer Advertising: - Consumer Products: These are typically marketed to the general public. - Industrial Products/Services: These involve one manufacturer serving the specific needs of another. The process begins with identifying customer needs through extensive research at their workplace. - For technical gadgets, advertising emphasizes technical specifications, range of functions, improvements over existing systems, and tangible benefits presented attractively.
Market Research Projections: - Research provides a socio-economic profile of targeted buyers. - It determines the product's positioning and selling strategy.
Formal Definition of Advertising: Advertising is a comprehensively planned and launched effort to give a product a personality or identity through audio-visual language.
Product Sectors and Targeted Buyers
Automotive: - Economy brands (e.g., Nano) priced at approximately . - Hatchbacks priced between and . - Sedans ranging from to several millions. - Premium brands and a large two-wheeler segment (scooters/motorcycles).
Beverages: - Divided into alcoholic and non-alcoholic. In India, advertising of alcoholic products is prohibited. - Includes global, national, and regional brands for aerated drinks and extracts.
Cellular Products: - Prices range from (functional) to (multi-utility).
Clothing: - Coexistence of global, national, and regional brands. - High end features fashion house products; low end features local brands.
Computers and Electronics: - Range includes desktops, laptops, i-pads, and standard audio/video gadgets (tape recorders, CD/DVD players, transistors).
Entertainment: - Films, music concerts, plays, and live events.
Financial: - Banking, investments, and insurance. Innovation is critical due to high competition.
Food and Snacks: - Ranging from staples (aata, rice) to luxuries (chocolates). - Key targets are housewives and children.
Health Related: - Medicines, nutritional supplements, and exercise gadgets.
Home Appliances: - White goods like refrigerators, washing machines, and cooking appliances (microwaves, food processors).
ISP and Search Engines: - Global search engines and local ISPs. Media like YouTube and Facebook serve as both products and advertising vehicles.
Personal Care and Fast Food: - Hygiene products (toothpaste, soaps) and luxury cosmetics. - Fast food chains (Global and National) and coffee shops.
Defining and Segmenting the Market
The Identification Process: - Features: Characteristics that come with the product (e.g., a stain remover liquid). - Benefits: The advantage to the customer (e.g., saving money by avoiding professional laundry).
Risks of Broad Targeting: - Message dilution: The message may not reach the target group effectively. - Cost inefficiency: Broad campaigns often lack focus and exceed promotional budgets.
Market Segmentation Categories: - Geographic: Urban vs. rural structures. Climate-sensitive products (e.g., room heaters marketed in areas with severe winters, not in Maharashtra or Goa). - Demographic: Factors include age, race, religion, gender, income level, family size, occupation, education, and marital status. - Behaviouristic: Based on buying habits, brand loyalty, or peer pressure. - Psychographic: Based on status, desire for enhanced appearance, or feeling rich (common for luxury items).
Functions and Types of Advertising
Major Functions: - Introducing new products. - Distinguishing a product from competitors. - Creating brand identity and loyalty. - Expanding sales and creating new demand.
Prominent Media: - Print: Newspapers, magazines, brochures, fliers. - OOH (Out of Home): Billboards, kiosks, tradeshows. - Broadcast: Radio, TV. - Digital: Internet, mobile, social media.
Specific Forms of Advertising: - Institutional: Promotes the company's image rather than a specific product, often aligning with social causes. - Public Service (PSA): Focuses on social awareness and changing wrong practices. - Advocacy: Influences public opinion on economic, political, or social issues (e.g., electoral reforms). - Comparative: Compares brands directly or indirectly. The FTC (USA) claims it assists rational purchase decisions. - Cooperative: Two businesses share advertising costs (e.g., a soft drink brand advertising on a local grocery store's sign). - Point-of-Purchase (POP): Designed for impulsive buying at the payment point (e.g., LCD displays in retail stores). - Cross-Promotion: Two or more businesses team up to reach a broader population (e.g., the Egyptian restaurant and American coffee shop case study).
Specialty Advertising (Merchandise): Putting logos on items like caps, glassware, and keychains.
Covert Advertising: Embedding products in entertainment (e.g., Aston Martin in James Bond films).
The Filmmaking Process
Principal Stages: 1. Pre-shooting: Includes writing, budgeting, casting, and scheduling. 2. Shooting Stage: Executing the plan on location or in a studio. 3. Post-shooting Stage: Lab processing, editing, and sound synchronization.
Budget Basics: - Above-the-Line Costs: Principal creative elements (story, script, producer, director, lead performers). - Below-the-Line Costs: Crew, secondary cast, travel, insurance, and post-production. - Contingency: Extra allowance, usually at least , to cover unexpected expenses.
Shooting Ratio: The ratio of finished film length to the length of total footage shot. - Satyajit Ray: to . - Apocalypse Now (Coppola): (nearly of footage for a film). - The Hurt Locker (Bigelow): . - Mughal-e-Azam: Cost approximately ( in modern terms).
Post-Production Elements: - Rushes/Dailies: Developed takes screened daily for evaluation. - Rough Cut: Preliminary assembly of shots to tell the story economically. - Final Cut: The finished version with sound and titles. - Answer Print: A positive print used to grade color and light levels. - Sync Sound: Dialogues recorded during shooting (e.g., Lagaan, Swades).
Television and Radio Production
TV Production Types: - Live: Instant telecasts (e.g., IPL matches) using online editors and multiple camera angles. - Non-Live: Scripted shows (e.g., daily soaps) involving extensive filming and post-production.
TV Production Personnel: - Producer: Concept launcher and team leader. - Technical Director (TD): Operates the video switcher in the control room. - Lighting Director (LD): Designs the lighting plan. - Floor Manager: Coordinates activities on the set.
Radio Formats: - Spoken Word: News bulletins (AIR summaries for ), talks, plays, and features. - Music: DJ programs and countdown shows.
Radio Scripting Principles: - Written for the ear, not the eye. - Use the "KISS" formula: Keep It Simple and Straightforward. - Focus on imagery and personal conversation style.
Print Media and Daily Journalism
Newspaper Departments: - Editorial: Gathering and processing news; design and layout. - Commercial: Advertising and marketing. - Management: Policy making and administration. - Technical: Printing and production. - Distribution: Circulation and retail delivery.
Editorial Cycle: - Morning: News meeting to discuss ideas. - Afternoon: Tracking stories, editing copies, and receiving marketing data. - Evening (): Page making and sealing the city edition. - Night: Printing for distribution by .
The Sub-Editor: Often called the "lifeguard" or "private detective" of the office. They judge reporter accuracy, write headlines, and ensure the credibility of the paper.
Internet and Digital Media Production
Website Components: - URL (Uniform Resource Locator): Consists of Protocol (e.g., HTTP), Domain, Path, and File. - Static Content: Remains constant unless manually updated (HTML). - Dynamic Content: Content adapts based on user interaction (PHP, ASP, JavaScript).
Web Design Tools: - Markup Languages: HTML, XHTML, XML. - Style Sheets: CSS, XSL. - Encoding: XML is a set of rules for electronic encoding, emphasizing simplicity and Unicode support. - Compression: JPEG (Joint Photographic Experts Group) offers lossy compression, typically at a ratio.
Conceptualization: Creating a positioning statement of that is keyword-rich to establish identity quickly.
Creative Contributions of Key People
Film Writer: Creates the script through stages of synopsis and treatment. Must understand theatricality and story principles.
Director: The "true author" of the film; responsible for artistic vision and managing the crew/budget.
Producer: Conceptualizes and finances the project. Handles legal, administrative, and promotional duties across the production.
Cinematographer (DoP): Artist-technician responsible for the visual look, framing, and lighting. Subrata Mitra (for Satyajit Ray) is a noted historical example.
Music Composer: In India, music directors often focus on creating song tunes. Notable Indian example: S.D. Burman.
Internet Conceptualizer: Brainstorms elements to ensure the website is "an inch wide and a mile deep," focusing on narrow topics for better ranking.
Content Writer: Specializes in search ability (keywords) and relevance for engagement and conversion.
Questions & Discussion
1. What are the differences between the job of a reporter and a sub-editor? - Response: A reporter is an "out-of-doors" individual covering a specific "beat" to gather primary information. They often receive bylines. A sub-editor is a "deskman" who works behind the scenes to proofread, check accuracy, and provide headlines, serving as the final gatekeeper for credibility.
2. Describe the relationship between information and democracy according to Walter Lipmann. - Response: Lipmann argued that for democracy to function, the average voter must be well-informed to make good choices. He expressed concern in that newspapers and early radio were insufficient systems for educating the masses.
3. What are the three megatrends Majid Tehranian identifies for the century? - Response: The three trends are Globalization, Regionalization, and Democratization, with the latter currently lagging behind the first two.
4. Discuss the scope of Direct Mailing in context of advertising. - Response: Direct mail offers the highest level of selectivity and response rates. It is effective for small businesses because it is low-cost and allows results to be easily measured, though it risks being viewed as "junk mail."