Non-fiction texts are based on factual information and aim to inform, persuade, or describe real events, people, and ideas. They are distinct from fiction, which is imagined or invented.
Purpose: Non-fiction texts are written with a specific purpose in mind. Common purposes include:
To Inform: To provide facts, explain ideas, or give instructions. (e.g., news reports, articles, textbooks, instructions)
To Persuade: To convince the reader to agree with a particular viewpoint or take action. (e.g., opinion pieces, speeches, advertisements, reviews)
To Describe: To create a vivid picture of a person, place, event, or idea. (e.g., travel writing, biographies, descriptive essays)
To Advise: To offer guidance or recommendations. (e.g., advice columns, self-help articles)
To Entertain: While primarily factual, some non-fiction can also be entertaining. (e.g., humorous essays, travelogues)
Audience: Writers consider their intended audience when writing non-fiction. The audience can influence:
Language: Formal or informal, complex or simple vocabulary.
Tone: Serious, humorous, critical, supportive.
Content: Level of detail, background information provided, types of examples used.
Form/Genre: Non-fiction comes in many forms. Understanding the form helps you analyse the text:
Articles: News reports, features, opinion pieces, reviews.
Speeches: Political speeches, persuasive talks, presentations.
Letters: Formal letters, open letters, personal letters (if used for non-fiction purposes).
Autobiographies/Biographies: Accounts of a person's life.
Travel Writing: Accounts of travel experiences.
Essays: Formal or informal discussions of a topic.
Websites/Blogs: Online content, often with a specific purpose and audience.
Leaflets/Brochures: Informational or persuasive documents, often for a specific organisation or cause.
When analysing non-fiction, focus on these key elements:
Purpose: What is the writer trying to achieve? (Inform, persuade, describe, advise, entertain?)
How to identify purpose: Look at the overall message, the type of text, the language used, and the intended audience.
Audience: Who is the text written for?
How to identify audience: Consider the publication/source, the language level, the content, and any direct address to the reader.
Context: When and where was the text written? What are the surrounding circumstances or events?
How to identify context: Look for dates, locations, references to events, and consider the historical, social, or cultural background.
Form/Genre: What type of non-fiction text is it? (Article, speech, letter, etc.)
How to identify form: Consider the layout, structure, typical features of the genre, and where you found the text.
Language: How does the writer use language to create effects and achieve their purpose? Consider:
Vocabulary: Formal/informal, specialised, emotive, descriptive.
Sentence Structure: Short/long sentences, varied sentence types (declarative, interrogative, exclamatory, imperative).
Figurative Language: Similes, metaphors, personification, hyperbole, irony, etc.
Rhetorical Devices: Rhetorical questions, repetition, parallelism, lists of three, direct address.
Tone: The writer's attitude towards the subject and audience (e.g., serious, humorous, sarcastic, angry, passionate, objective).
Bias: Is the text presented in a balanced way, or does it favour a particular viewpoint?
Structure: How is the text organised? How does the structure contribute to the writer's purpose? Consider:
Headings and Subheadings: How do they guide the reader and organise information?
Paragraphing: How are paragraphs used to develop ideas?
Topic Sentences: Do paragraphs have clear topic sentences?
Chronological Order: Is the text arranged in time order?
Logical Order: Are ideas presented in a logical sequence (e.g., cause and effect, problem and solution)?
Opening and Closing: How does the text begin and end? What effect do these sections create?
Tone and Viewpoint: What is the writer's attitude and perspective?
How to identify tone: Look at word choices, sentence structure, and overall feeling conveyed.
How to identify viewpoint: Consider the writer's background, stated opinions, and what perspective is presented (or omitted).
Bias and Objectivity: Is the text objective and balanced, or does it present a biased perspective?
How to identify bias: Look for loaded language, selective use of evidence, emotional appeals, and consider if alternative viewpoints are acknowledged or dismissed.
Familiarise yourself with these common techniques used in non-fiction writing:
Rhetorical Questions: Questions asked for effect, not requiring an answer, to engage the reader and make them think.
Example: "Surely, we can all agree that education is important?"
Repetition: Repeating words, phrases, or sentence structures for emphasis and to create a memorable effect.
Example: "We will fight them on the beaches, we will fight them on the landing grounds, we will fight them in the fields and in the streets..."
Parallelism: Using similar grammatical structures to create a sense of balance and rhythm, and to emphasise ideas.
Example: "It was the best of times, it was the worst of times..."
Lists of Three (Tripling): Presenting ideas in groups of three for emphasis and memorability.
Example: "Friends, Romans, countrymen..."
Direct Address: Speaking directly to the reader using "you" or "we" to create a personal connection and engage them.
Example: "You might be wondering..."
Emotive Language: Words and phrases that evoke emotions in the reader (e.g., anger, sadness, joy, fear).
Example: "The heartbreaking scenes of poverty shocked the nation."
Statistics and Facts: Using numerical data and verifiable information to support claims and add credibility.
Example: "Studies show that 80% of teenagers..."
Anecdotes: Short personal stories used to illustrate a point and make the text more relatable.
Example: "Let me tell you about a time when I..."
Expert Testimony/Quotes: Using the words or opinions of experts to lend authority to an argument.
Example: "According to Dr. Smith, a leading scientist..."
Humour/Irony/Sarcasm: Using humour, irony (saying one thing but meaning the opposite), or sarcasm (bitterly mocking) to engage the reader or make a point.
Imagery and Figurative Language: Using similes, metaphors, personification, etc., to create vivid images and make abstract ideas more concrete.