Gothic Literature
Themes:
Horror vs terror
The other - anything different from normal, perceived as a threat
Supernatural
Good v evil, morality vs sin
The uncanny - strange, eerie or mysterious, something nearly normal but not quite
The sublime - a sense of awe, astonishment and being overwhelmed
Madness and obsession
Opposition - direct contrasts like sanity vs insanity, wild vs civilised, dark vs light
Obscurity - being kept in the dark about something
Transgression - going against cultural, moral, or religious rules and expectations
The revenant - the past coming back to warn/haunt us
Doppelgangers - doubles, mirrors, alter egos often revealing an evil side to a character
Liminal - being on a threshold or boundary, e.g. between life and death, human and monster
Abhuman - something not quite human, a bit monstrous
Corruption, aristocracy and wealth
Exploring contemporary anxieties about society
Gothic Archetypes:
Femme fatale
Damsel in Distress
Byronic Hero
The Madwoman in the Attic
The Mother Figure
Settings:
Isolated house
Castle
Dense forest
Graveyard
Wild moorland
Laboratory/madhouse
Foreign countries
Cities - urban gothic
Abbeys/monasteries
Dungeons/prisons
Language:
Allegories
Allusions
Anachronism
Anthropomorphism
Euphemism
Hyperbole
Imagery
Irony
Juxtaposition
Metaphor/simile
Pathetic fallacy
Structure:
Flashbacks
Foreshadowing
Narrative
Sentence structure
Shifts in perspective
Narrative:
Epistolary narrative - diary entries, journals, newspapers, logs, lab reports, letters - multiple perspectives, creates authenticity making it feel more real therefore more scary, narrative gaps
1st person narrative - heightens emotional experience and involves the audience in the story, creates narrative gaps
Unreliable narrator - creates narrative gaps
3rd person - omniscient narrator - creates fear and unease
The immediate past vs retrospective narrative