Music Appreciation
Hamilton
Hamilton is the singular creation of actor, writer, and musician Lin-Manuel Miranda
he casted non-white actors to play historically white characters.
Hamilton is the latest musical to incorporate contemporary popular styles
Hamilton also references other styles and instruments for the purpose of
communicating with the audience in ways that transcend the script and stage
action
• The use of musical sounds to signify hidden meaning is termed allegory
• Allegory depends on our prior associations with musical sounds
It is in the style of 1960s British Invasion pop
• Miranda makes a connection between an invasive British
musical style and an imperialistic British character
• The cheerful music also underscores the disturbing text
Hamilton also incorporates cyclical techniques
• Hamilton also incorporates cyclical techniques
•Cyclical techniques are used to tie together the various parts of a large-scale work
• Cyclicism involves the repetition of musical material
The Origins of European Opera
European opera was first imagined by members of the Florentine Camerata
• These courtiers, composers, poets, and scholars, led by Count Giovanni de’ Bardi, were i interested in revitalizing ancient Greek sung drama
• They were inspired by Girolamo Mei’s 1573 book On the Musical Modes of the Ancients
• Ancient Greek plays were sung
• The music was emotionally powerful
• Vincenzo Galilei, the father of Galileo, developed a new approach to the composition of
vocal music
Recitative is a style of vocal writing in which the pitches and rhythms are determined
by the sound and meaning of the text
• Recitative does not have a regular pulse or meter
• There are few catchy melodies and little or no melodic repetition
• The harmonies express the emotional content of the words
Recitative is supported by basso continuo, a term that refers both to a style of
accompaniment and the instruments that provide it
• Basso continuo requires at least one instruments that can play chords (e.g. an organ or lute)
• It usually also includes a bass instrument (e.g. the cello or bassoon)
• These instruments provide harmonies in support of the singer
Basso continuo was nearly universal throughout the Baroque period (1600-1750)
Claudio Monteverdi, Orpheus
Claudio Monteverdi (1567-1643) took Italian opera to new heights
He served the Gonzaga family in Mantua
He flourished under the patronage of Duke Vincenzo I
He was not affiliated with the Florentine Camerata,
but he was aware of their ideas and experiments
Monteverdi was dismissed by Vincenzo’s son and successor in 1612-
In 1613 he became music director at St. Mark’s basilica in Venice
He continued to write operas into his old age
Monteverdi wrote Orpheus for the 1607 Carnival season
• Carnival immediately precedes Lent, the 40-day period of fasting and penitence that
leads up to Easter in the Catholic calendar
• The Orpheus myth was an obvious choice for early opera composers, for it is about the
power of music
• Orpheus was a legendary musician fathered by the god Apollo
Monteverdi’s Orpheus begins with an overture, or instrumental introduction