Context
Background Information on Shakespeare
- Shakespeare's Life
- Known as England's most famous playwright.
- Lived from 1564 – 1616.
- Division of Plays
- Can be categorized into:
- Histories (e.g., Henry VI)
- Comedies (e.g., Midsummer Night's Dream)
- Tragedies (e.g., Romeo and Juliet, Hamlet)
- Theatrical Context
- Wrote for the Lord Chamberlain’s Men (later known as the King's Men).
- Writing style and character development influenced by key actors (e.g., Richard Burbage as the first Romeo and Hamlet).
- Renaissance Era
- Shakespeare's work was produced during the Renaissance (14th to 17th centuries).
- Artistic expression expanded, breaking free from past restrictions.
- Popularity of Plays
- Plays were a central entertainment medium during the Elizabethan and Jacobean eras.
- Understanding the importance of entertainment in the plays is essential; they were primarily written to entertain.
History of Romeo and Juliet
- Target Audience
- Aimed at a “cross-class” audience, appealing to lower and middle classes.
- Incorporates ‘lower-class’ humor (bawdy and crude jokes) alongside refined language for educated viewers.
- Characters reflect class distinctions (e.g., the Nurse exhibits lower-class traits).
- Performance Venues
- Premiered at the Theatre and subsequently performed at The Curtain.
- Theatres were open-air venues.
- Audience segmentation: poorer patrons stood in front of the raised stage; wealthier patrons sat higher or even on stage, showcasing their attire.
- Female roles, including Juliet, were portrayed by pre-pubescent boys, as women were not allowed to act.
Sources of Inspiration
- Historical Precedents
- The concept of star-crossed lovers is not unique to Shakespeare; it spans various cultures.
- Earliest known narrative dated back to 1562.
- Key Influential Texts
- The Tragical History of Romeus and Juliet by Arthur Brooke (1562)
- First English rendition; portrays Romeo and Juliet's ending as deserved due to sin.
- Palace of Pleasure by William Painter (pre-1580)
- Italian literary influences featuring Romeo and Giuletta focus on familial opposition (Montecchi and Capelletti).
- French adaptation written in 1559; Brooke's work translates this into English form.
Publication History
- First Editions
- First Quarto published in 1597 (shorter version).
- Second Quarto in 1599 is a fuller version, correcting the First Quarto's errors.
- Additional Quartos released before 1623; included in the First Folio posthumously published by Shakespeare's associates.
Production History
- Richard Garrick's 18th Century Production
- Highly popular, influenced subsequent interpretations of the play.
- Emphasized intensity, lessening comedic elements.
- Mid-19th Century
- Allowed female actors to portray Romeo, emphasizing his effeminacy.
- Modern Adaptations
- 1957 adaptation into West Side Story, set in 1950s New York, featuring themes of racial division.
- Baz Luhrmann’s Romeo + Juliet (1996) sets the story amidst rival Mafia clans (Montagues and Capulets).
Genre Analysis
- Classification
- Though renowned as a love story, Romeo and Juliet is fundamentally a tragedy.
- Characteristics of Tragedy
- Defined by Aristotle; Shakespeare possibly influenced but not formally acquainted with Aristotle's teachings.
- Key elements include:
- Catharsis: Emotional release from pity and fear, as seen when Juliet states, “O happy dagger, / This is thy sheath.”
- Hamartia: The character flaw leading to tragedy.
- Example: Romeo’s impulsiveness, described as “too rash,” leads to premature love followed by tragic outcomes.
- Senecan Influence
- Elements of violence from Ancient Roman tragedies evident in the play, such as the Act 1 brawl and the bloody conclusion.
Setting
- Location
- Set in Verona, modern-day Italy.
- Temporal and geographic distance allows audiences to experience catharsis without personal anxiety (as their lives are not directly affected).
- Rationale for Distant Settings
- Critique of English society and monarchy through foreign settings, enabling exploration of sensitive themes (e.g., suicide, conflict) without direct repercussions.
- The warm atmosphere of Verona correlates with the passionate themes of the narrative.
Religious Context
- Catholicism in Italy
- Viewed skeptically by the Protestant audience due to known corruption and passion.
- Anti-Catholic sentiments heightened due to conflicts such as the Spanish Armada.
- The Friar character may represent mistrust, and Catholics could face imprisonment in England.
- Christianity's Role
- Integral to Elizabethan life; morality influenced by Christian doctrine.
- Suicide in Context
- Gradual softness of attitudes towards suicide during the period.
- Contrasting views from philosophers: Plato views suicide as immoral, whereas Cicero promotes it as rational under suffering.
- Sin as a recurring theme; Juliet’s rebellion against her father's wishes contradicts biblical commandments.
Social Concepts and Order
- Ordered Great Chain of Being
- A hierarchical worldview dictating societal order, where disruptions led to chaos.
- Associated with the Harmony of the Spheres, which taught predictable movements in the cosmos.
- Astronomy Insights
- Earth regarded as the universe's center; Juliet’s references to the heavens may stem from this belief.
Gender Dynamics
- Position and Perception of Women
- Women seen as inferior, perceived to possess greater sinfulness.
- Viewed as property, without rights to own land; considered possessions of their fathers or husbands.
- Women’s roles often commodified in marriage through dowries, viewed as links to wealth rather than personal choices.
- Juliet's young age at marriage not shocking to Elizabethan audiences.
- Lady Capulet's comments to Juliet indicate societal pressures to marry early.
- Influence of Queen Elizabeth I
- A powerful female archetype; perhaps influenced Shakespeare's portrayal of strong female characters.
- Juliet's Complexity
- Exhibits independence and defiance against patriarchal norms.
- Gender Norms in Relationships
- Male violence and assertiveness contrasted with female passivity established traditional gender roles.
- Romeo's blend of violent and sensitive traits challenges normative gender dynamics.
Love and Relationships
- Petrarchan Lover Archetype
- Represents unrequited love and internal conflict; aspects evident in Romeo’s early pursuit of Rosaline.
- Courtly Love Dynamics
- Typical medieval ideals of romance (e.g., love at first sight); influenced the romanticizing of love in Romeo and Juliet.
- Contradictions arise with the physical aspects of Romeo and Juliet’s relationship undermining purely platonic ideals.
- Features of courtly love:
- Signs of rejection (Romeo’s moodiness) and the elevation of romantic language, indicating emotional depth.
- Types of Love
- Incorporates both erotic love (eros) and selfless love (agape), highlighting societal shifts towards marrying for love rather than obligation.
- Idea of wooing becomes prominent as relationships transition from duty-bound arrangements.
Concepts of Fate and Superstition
- Elizabethan Beliefs on Fate
- Superstitions and fate were widely accepted; beliefs about destiny controlled by external forces (e.g., stars, God).
- Calvinist ideas of predestination gaining traction provided a framework for discussions of fate.
- Astrology's influence underscored the perception of predetermined life courses.
Violence in Romeo and Juliet
- Cultural Context of Violence
- Public violence in Elizabethan society was common; visceral representations in plays were less shocking than today.
- Societal fascination with violence and suicide, despite their moral condemnation, led to inclusion in dramatic narratives.
- Shakespeare’s evolving portrayal of violence reflects deeper philosophical inquiries into human nature.
Exam Context and AO3 Understanding
- Assessing Contextual Understanding (AO3)
- Recognizes the relationship between text ideas and their contextual factors.
- Must analyze both the time the text was written and the narrative's setting.
- Consider genre, audience interactions, and cultural influences on interpretations.
- Contextual knowledge should enhance analysis rather than serve as mere appendage to essays.
- Integration of context into arguments is crucial for nuanced literary critiques.