Notes on Sacred Scripture and the Biblical Narrative

Sacred Scripture and the Bible's Nature

  • The Bible is sacred scripture in Christian tradition, not just a historical text.
  • The approach in this class is that the Bible is the word of God (theological term: scripture).
  • This perspective will influence teaching style and emphasis, but belief is not required for the course grade.
  • The Bible is also profoundly a human text: it bears the marks of its authors, their historical periods, quirks, and personalities.
  • Analogy to Jesus: Christians hold that Jesus is fully human and fully divine; the two are not in competition or a balance like 50/50. The same dual aspect is true of the Bible: a human element and a divine Word.
  • dig into the human element does not detract from the text being sacred scripture; both elements coexist and illuminate each other.

The Bible Written for Us, but Not to Us

  • A personal anecdote: a Sunday school teacher called the Bible God’s love letter to you; this is a sweet image but not literally true in the sense of direct address.
  • The Bible was written for specific people in specific historical moments:
    • Old Testament: written for the people of Israel in the ancient Near East.
    • New Testament: written to particular churches, cities, and individuals.
  • The class will work on understanding how those original readers understood the text.
  • Then we can ask what the text means for us today, but the starting question is: what did it mean then for those writers and readers?

The Bible as a Book of Books: Unity and Diversity

  • The Bible exhibits radical diversity: multiple literary genres, authors, time periods, geographic locations, and themes.
  • It can seem like a disparate collection, yet there is a unifying thread: a narrative arc or plotline that runs through the whole Bible.
  • The challenge and value lie in balancing unity (the overarching story) with diversity (the variety of voices and genres).
  • Teaser for further discussion: on Monday we’ll explore the idea of a unifying narrative thread.

The Bible’s Genre and Purpose: Memory over History

  • The Bible is not written as a simple historical textbook documenting every event in strict sequence.
  • It is more accurately described as memory: a form of memoir that recounts the past to convey meaning.
  • Distinction:
    • Textbook-style history aims to document events and factual details (what happened, when, who was there).
    • A memoir aims to convey what those events meant to those who experienced them and to those who read about them later.
  • Both are legitimate ways of telling about the past, but they serve different purposes; memoir can reveal deeper significance that a straightforward history may not.
  • Example given: a Holocaust survivor’s memoir can convey profound meaning about experience and ethics that a neutral historical textbook might not.

The Bible as a Story: Focused on God

  • The Bible is a story with a central protagonist: God.
  • It is a narrative, and the class will try to chart how its different elements follow this grand storyline.
  • Synopsis of the biblical story, as presented:
    • There is God.
    • God creates a world.
    • The world is corrupted by sin, evil, death, and rebellion.
    • God commits to redeeming the world.
    • God gathers a people who will be God’s own and act as agents of redemption to others (the Old Testament focus on Israel/Hebrews).
    • In the New Testament, the God of Israel becomes human in Jesus of Nazareth; God incarnate.
    • Jesus’ life, crucifixion, and resurrection reveal redemption and restoration of the world.
    • The New Testament continues the story, applying the divine redemptive work to the world.
  • The course centers the study on this overarching story of God’s acts in history.

Practical Assignment and Close

  • For Monday, do your best to find Luke chapter 24.
  • This sets up the plan to read and interpret Luke 24 in light of the narrative arc and the themes discussed above.
  • Connections to broader study:
    • Methodology: interpreting ancient texts by considering historical context, authorial intention, and the reader’s reception.
    • The balance of unity and diversity informs how we treat different biblical books as part of one story.
    • The memory- versus history-orientation affects how we assess truth claims, meaning, and ethical implications.
  • Ethical and practical implications:
    • Respect for the text as sacred while engaging it with critical historical awareness.
    • Recognizing the difference between the original audience and modern readers helps prevent misreadings.
    • The idea of “God’s love letter” is helpful as a starting image but must be reconciled with the claim that the text was written for particular peoples in particular times.
  • Key takeaways:
    • The Bible is both a human and divine text.
    • It is written for specific audiences in specific periods, not directly to us in a literal sense.
    • It is a book of many books with a unifying narrative arc.
    • Its primary literary form is memory and storytelling, not a neutral historical treatise.
    • The central narrative centers on God's activity in creation, fall, redemption, and restoration through Jesus, culminating in the cross and resurrection.